TURM 2024 – Kako tematizirati warband – Fishfolk Warband

Domagoj Krpan, 18.06.2024.

Jedna od najvećih prednosti ovog hobija za mene je kreativnost. Narativno i vizualno dana nam je mogućnost da se izražavamo i igramo s idejama koje želimo realizirati.

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Za nadolazeći Agramov event TURM 2024, odlučio sam napraviti vlastiti warband i tražio sam način kako ga učiniti svojim. Najjednostavniji način je konvertirati ili, ako imate vremena i vještine, sculptati vlastite minijature kako bi što bolje svoju ideju prenijeli u fizički oblik.

Sam odabir teme nije imao puno veze s minijaturama koje već posjedujem, nego sam tražio temu koju nisam imao prilike do sada realizirati, a koja bi odgovarala samoj temi i atmosferi eventa. Htio sam nešto s čim se mogu narativno zaigrati i figurama udahnuti život pričom, napisati im pozadinu i dati motivaciju zbog koje bi uopće išli u sukob s čudovištima ili drugim avanturistima.

Jedna od tema koja mi je oduvijek bila zanimljiva je horror fikcija pisca H. P. Lovecrafta. Iz njegovog bogatog portfelja čudovišta, podvodni užasi iz priče Shadow over Innsmouth djelovali su savršeno za ovakav događaj – nastali su pod utjecajem sila van našeg svijeta ili razuma, ali su i dalje kreature od krvi i mesa.

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Jedna od stvari koja mi je značajno pomogla u realizaciji ideje su glave koje mi je Ana poklonila. Ribolika lica savršeno odgovaraju estetici vintage horrora i kako su se prikazivali hibridi ljudi i riba sredinom prošlog stoljeća.

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Kako sam bio siguran da u svojoj skupini želim imati čarobnjaka, odlučio sam jednu glavu iskorititi za tu priliku. Tijelo koje sam odabrao za čarobnjaka pripada Warhammer Fantasy Flagellantima. Čarobnjaci u igrama obično ne nose značajne količine oklopa, i izložen torzo odlično prikazuje taj neoklopljen pristup.

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Čarobnjaci u igri Forbidden Psalm, koju ćemo igrati na Turm-u, vrlo su perceptivni. Sigurno bi takav lik svojoj skupini doprinosio u izvidnici, primjećujući opasnosti ili prilike prvi, i javljajući svojim nadređenima. Pretpostavljam da bi tako perceptivan lik bio zadužen za osmatračnicu, možda bi bio navigator, ali glava s licem koje djeluje kao da je iznenađeno ili kao da dovikuje je jednostavno bilo savršeno za ovog lika.

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Sam torzo nisam značajno modificirao za ovaj kitbash, okovi oko vrata su mi se svidjeli, no morao sam produbiti udubinu za glavu, a na glavi sam spoj nešto skraćivao kako bi se dijelovi lakše slijepili i da uklonim nepotreban razmak između torza i glave.

Čarobnjaka sam opremio mačem u jednoj ruci, a kako bi dodatno naglasio njegovo dojavljivanje, čarobnjak drugom rukom pokazuje na to o čemu priča.

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Kada sam bio zadovoljan minijaturom, prefarbao sam je u crnu kako bi se još jednom mogao uvjeriti jesu li svi spojevi dobri i mogu li konverziju smatrati završenom.

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Ohrabren uspjehom čarobnjaka, odlučio sam posadu osnažiti pravim ratnikom! Kao osnovu sam iskoristio tijelo Dark Elf Corsaire-a, a za glavu sam htio lice koje je pokazuje zube. Kako je tijelo dosta statično, htio sam odabrati ruke i opremu koju mogu ispričati svoju priču. Ovaj ratnik je oklopljen teškim oklopom, i htio sam inkorporirati neke druge elemente iz Lovecraftovog mitosa. Imao sam neke prastare zombie minijature s ljudskim licima razapetim na diskovima – ovo me jako podsjećalo na prikaze Necronomicona. Ruka koja drži štit ima oklop sa šiljcima, koji me podsjećao na rakov oklop. Ostao mi je odabir oružja, a za ovako hrabrog ratnika, koji sigurno plijen svojih avantura nosi u svoj hram na žrtvovanje, kuka Dark Eldar Wracka činio se kao super izbor – ako velikim kukama možemo rukovati velikim ribama poput tune, sabljarke ili morskih pasa, zašto isto oruđe ne bi bilo učinkovito protiv ljudi?

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Nisam bio siguran koliko ću imati vremena za konvertiranje, pa sam htio redove popuniti s nečim jednostavnim, a učinkovitim. Dva nighthaunt modela konvertirao sam tako da sam lubanje zamjenio s glavama hobotnica iz Stargrave-a, a oružja (dvoručni mač i kosa) zamijenio sam kopljima (jedno je bilo koplje skeletalnog ratnika, drugo je bilo koplje Dark Elfa). Harpuni su bila popularna oružja za lov na kitove i velike morske životinje, pa mi je bilo smisleno imati i koplja u ovoj skupini.

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Model na kojem sam htio nešto više igrati se konvertiranjem bio je ovaj samostrelac. Osnova je tijelo lotr goblina, na kojem je spojena glava GW Horrora. Spojiti glavu je bilo izazovno, te sam prvo trebao izrezati i odstrugati glavu goblina, kako bi demonsko lice moglo sjest na svoje mjesto. Kako ne bi ostavio viljdivu sastruganu plastiku i dio torza, iz greenstuffa sam izmodelirao unutrašnjost usta i jezik. Ruka i šaka sa samostrelom su odvojeni dijelovi, a između ruke i ramena bio je značajan jaz. Praznince nisam htio zatvoriti greenstuffom i onda modelirati anatomiju koja nedostaje – vjerujem da bi se mogli postići super rezulati, no htio sam unijeti još podvodnih elemenata. Napravio sam tanke konope od greenstuffa i omotao ih oko oba prijelaza – prilikom bojanja pokušat ću s njima prikazati namotanu morsku travu i kelp koji je ovaj lovac ponio sa sobom. Svaki podvodni ribolovac zna da je podvodnom puškom (ili u ovom slučaju, samostrelom) najlakše loviti iz zasjede – čekom.

Ovim pet modela je osnova moje warbande, a nadam se da ću do samog eventa uspjeti složiti i obojati još nekoliko pomoćnih i rezervnih modela!

Najnoviji članci

  • Diorama Alpi - prvi dio
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    In the next two articles I will cover the making of the Alps diorama. The main “actor” of the diorama is a 1/87 scale oldtimer bus. In addition to it, the package also included a few figures (but more about them in another article).

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    The idea of the diorama is that the bus stopped at a rest stop somewhere in the Alpine serpentines and the crew of passengers got out to enjoy the view. To get the height, I used 5 cm thick polystyrene. In two layers (with the second layer just being the background).

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    After drawing the road, positioning the elements on the base, I cut the elements and got something close to the final relief look.

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    I rearranged the elements in the diorama to check if everything matched the idea.

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    The next step was to imprint the stone texture into the Styrofoam rocks. I used pieces of tree bark to imprint them.

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    Then I mixed in a thick mixture of modeling plaster to add to the embossed texture and to protect the soft Styrofoam a bit.

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    Once the plaster had dried, I started painting. First I painted everything in a gray base color. Then I added darker shades of gray, black, and brown. The colors I used were very diluted so that they would blend more easily on the surface. When I was done with the darker layers and they were dry, I repeated the same with the lighter tones (gray and beige). This time, the color was not as diluted.

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    The last step was to add asphalt to the road. I used the effect from Ammo.

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    Kroz naredna dva članka obradit ću izradu diorame Alpi. Glavni “akter” diorame je oldtimer autobus u mjerilu 1/87. Pored njega u paketu došla je i nekolicina figura (ali o njima više u drugom članku).

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    Ideja diorame jest da je autobus stao na ugibalištu negdje u serpentinama Alpi i da je ekipa putnika izašla van uživati u pogledu. Kako bih dobio visinu, koristio sam stirodur debljine 5 cm. U dva sloja (s tim da je drugi sloj samo pozadina).

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    Nakon iscrtavanja ceste, pozicioniranja elemenata na podlogu, izrezao sam elemente i dobio nešto što je blizu konačnog izgleda reljefa.

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    Ponovno sam posložio elemente po diorami da provjerim da li sve odgovara zamišljenom.

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    Sljedeći korak bio je utisnuti teksturu kamena u stirodurne stjene. Za utiskivanje sam koristio komadiće kore drveta.

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    Zatim sam umješao gustu smjestu modelarskog gipsa da dodam na utisnutu teksturu i da pomalo zaštitim mekani stirodur.

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    Kad se gips osušio, krenuo sam sa bojanjem. Prvo sam sve obojao u sivu temeljnu boju. A zatim dodavao tamnije tonove sive, crne i smeđe. Boje koje sam koristio su bile jako razvodnjene da bi se lakše miješale na samoj podlozi. Kad sam završio sa tamnijim slojevima te kad su se oni osušili, isto sam ponovio sa svijetlijim tonovima (sive i bež). Ovaj puta, boja nije bila toliko razvodnjena.

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    Zadnji korak bilo je dodavanje asfalta na cestu. Koristio sam efekt od Ammoa.

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    " ["created"]=> string(19) "2024-12-16 10:59:27" ["modified"]=> string(19) "2024-12-16 11:09:32" } ["Member"]=> array(10) { ["id"]=> string(2) "35" ["group_id"]=> string(1) "1" ["first_name"]=> string(5) "Marko" ["last_name"]=> string(9) "Paunović" ["first_name_mask"]=> string(5) "marko" ["last_name_mask"]=> string(8) "paunovic" ["username"]=> string(5) "marko" ["password"]=> string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122" ["born"]=> string(19) "2033-03-07 20:35:00" ["created"]=> string(19) "2009-06-02 20:37:03" } }
    Marko Paunović, 16.12.2024.
  • TOP TIP – pod od drvenih dasaka
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    Construction:

    I used 1 mm thick balsa. I used a balsa cutter to cut the beams to 4 mm thick and cut them to 68 mm long (dimensions of the floorboards in M 1:35). I sanded the edges and placed them on a 2 mm thick balsa base. I glued everything together on a wooden base from swood.si .

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    Painting:

    First I applied Sephia Wash, then sanded a little. Then I filled the cracks with Agrax Earthshade and stained the spots a little. Sanded a little harder and then repeated the Sephia Wash. When it was dry, I used a fine sanding sponge in a few places to simulate wear.

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    Izrada:

    Koristio sam balzu 1 mm debljine. Balsa cutterom izvukao grede na 4 mm debljine i narezao na 68 mm duljine (dimenzije dasaka za pod u M 1:35). Pošmirglao rubove i posložio na podlogu balze od 2 mm debljine. Sve zajedno zaljepio na drvenu bazu od swood.si .

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    Bojanje:

    Prvo sam stavio Sephia Wash, pa malo pošmirglao. Zatim Agrax Earthshade-om ispunio pukotine i malo umrljao fleke. Pošmirglao malo jače i onda ponovio Sephia Wash. Kad se posušilo fina brusna spuzvica na nekoliko mjesta da simulira izlizanost.

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    Krunoslav Belinić, 10.12.2024.
  • Back to Basics radionice bojanja minijatura za najmlađe u Knjižnicama Grada Zagreba
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    In 2024, we started a new program called Back to Basics miniature painting workshops for the youngest in collaboration with the Zagreb City Libraries. We held a total of four workshops during October and November with 29 participants, our youngest fellow citizens.

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    We held the first workshop at the Children's Department of the Medveščak Library on Saturday, October 12, 2024.

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    The second workshop, also at the Children's Department of the Medveščak Library at Zvonimirova 17, was held on October 26, 2024.

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    We held the third workshop in the VN Reading Room and Gallery (Vladimir Nazor Library) at Ilica 163-a on Saturday, November 9, 2024.

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    The fourth workshop was also held at the VN Gallery on Saturday, November 23, 2024.

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    During the workshop, the participants assembled a model of the castle, then painted it, and finally painted the dragon that guards the tower.

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    Easily available materials are used, as well as those obtained through the upcycle method (upcycling - creative reuse, is the process of converting by-products, waste materials, useless or unwanted products into new materials or products that are considered higher quality, such as artistic value), which makes the entire project environmentally friendly and innovative.

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    After the workshops were completed, the children received diplomas for completing the workshop and, of course, took their work home.

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    As a token of gratitude, we awarded Certificates of Appreciation to the Medveščak Library, the VN Gallery, and the City of Zagreb Libraries. We presented and presented all of our publications and manuals written so far to our colleagues from the Libraries.

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    For larger photos, visit our social networks.

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    2024. smo započeli novi program pod nazivom Back to Basics radionice bojanja minijatura za najmlađe u suradnji sa Knjižnicama Grada Zagreba. Ukupno smo održali četiri radionice tijekom listopada i studenog sa 29 polaznika, naših najmlađih sugrađana.

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    Prvu radionicu održali smo na Dječjem odjelu Knjižnice Medveščak u subotu 12.10.2024. 

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    Druga radionica, također na Dječjem odjelu Knjižnice Medveščak u Zvonimirovoj 17, održana je 26.10.2024.

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    Treću radionicu održali smo u Čitaonici i Galeriji VN (Knjižnica Vladimira Nazora) u Ilici 163-a u subotu 09.11.2024.

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    Četvrta radionica održana također u Galeriji VN u subotu 23.11.2024.

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    Tijekom radionice, polaznici su sastavljali maketu dvorca, potom ju bojali, a na kraju obojali i zmaja koji čuva kulu.

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    Koriste se lako nabavljivi materijali, ali i oni dobiveni upcycle metodom  (upcycling – eng. kreativna ponovna uporaba, proces je pretvaranja nusproizvoda, otpadnih materijala, beskorisnih ili neželjenih proizvoda u nove materijale ili proizvode koji se smatraju kvalitetnijima, poput umjetničke vrijednosti) što čini cijeli projekt ekološki prihvatljivim i inovativnim.

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    Po završetku radionica mališani su dobili diplome za završenu radionicu i naravno, svoje radove su odnijeli kući.

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    U znak zahvale, dodijelili smo Zahvalnice Knjižnici Medveščak, Galeriji VN kao i Knjižnicama Grada Zagreba. Kolegicama iz Knjižnica prezentirali smo i poklonili sve naše publikacije i priručnike do sada napisane.

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    Za veće fotografije posjetite naše socijalne mreže.

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    Krunoslav Belinić, 26.11.2024.
  • Veliki panda i sićušni zmaj, radionica crtanja likova
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    During this year's Interliber, the author of the books about the Big Panda and the Tiny Dragon, James Norbury, held several different events and meetings with readers. On Friday, November 15, I had the opportunity to participate in a workshop on drawing characters from his books. Since James is an illustrator and his works include abstract landscapes, fantasy art, SF and cyberpunk comics, drawings and graphics, it was interesting for me to see how the panda and dragon characters are created in the technique of Japanese Zen painters.

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    James drew with a felt-tip pen and explained the structure of the characters and their characteristics. For example, the dragon has no eyebrows, so the expression of emotions is partially limited to a couple of eye shapes and hand gestures. While the panda rarely has a mouth in his drawings, so his expression of emotions is also sparse. However, it is precisely through the position of the body, the relationship between the characters, and the text below the picture that James's books convey the story and thoughts of a Buddhist view of life.

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    One of the messages is that not everything needs to be perfect, both in drawing and in life. He is not satisfied with some of the drawings that James made and published in the book, but as he himself says, if he had waited to make them perfect, he would never have published the book. You start with what you have and improve along the way. A philosophy that we often apply with our figures, dioramas and models.

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    I enjoyed copying and learning to draw the characters and tried my hand at making a few frames. At first the panda looked more like a Teddy bear, but with practice it took on a panda-like appearance and body position.

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    I recommend that anyone who has not yet read James Norbury's books find them and read them. They are quick to read, but can leave a long-lasting impression on your mind.  

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    Rezultat prijevoda

    I enjoyed copying and learning to draw the characters and tried my hand at making a few frames. At first the panda looked more like a Teddy bear, but with practice it took on a panda-like appearance and body position.
    " ["content_hrv"]=> string(4186) "

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    Tijekom ovogodnišnjeg Interlibera autor knjiga o Velikom pandi i sićušnom zmaju James Norbury, održao je nekoliko različitih događanja i susreta s čitateljima. U petak 15. studenog imao sam priliku sudjelovati na radionici crtanja likova iz njegovih knjiga. S obzirom da je James ilustrator i njegova djela uključuju apstraktne pejzaže, fantasy art, SF i cyberpunk stripove, crteže i grafike, bilo mi je zanimljivo vidjeti kako nastaju likovi pande i zmaja u tehnici japanskih zen slikara.

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    James je crtao flomasterom i objašnjavao strukturu likova i njihove osobine. Npr. zmaj nema obrve pa je prikazivanje emocija djelomično ograničeno na par oblika očiju i gestikulacije rukama. Dok panda rijetko kad ima usta na crtežima, pa je i njegovo prikazivanje emocija oskudno. No upravo položajem tijela, međuodnosom likova i tekstom ispod slike Jamesove knjige prenose priču i misli budističkog pogleda na život.

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    Jedna od poruka je i da ne treba sve biti savršeno, kako na crtežu, tako i u životu. S nekim crtežima koje je James napravio i objavio u knjizi nije zadovoljan, no kako i sam kaže da je čekao da ih napravi savršeno ne bi nikada objavio knjigu. Kreneš s onim što imaš i putem se usavršavaš. Filozofija koju često primjenjujemo i mi sa svojim figurama, dioramama i modelima.

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    Uživao sam kopirajući i učeći crtati likove i okušao se u izradi par okvira. U početku je panda više sličila na Teddy beara, no s vježbom je dobila pandasti izgled i položaj tijela.

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    Svima koji se još nisu upoznali s knjigama Jamesa Norbury preporučam da ih pronađu i pročitaju. Brzo se čitaju, no mogu ostaviti dugi trag u promišljanjima.   

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    " ["created"]=> string(19) "2024-11-26 14:50:31" ["modified"]=> string(19) "2024-11-26 14:50:31" } ["Member"]=> array(10) { ["id"]=> string(2) "64" ["group_id"]=> string(1) "1" ["first_name"]=> string(9) "Krunoslav" ["last_name"]=> string(8) "Belinić" ["first_name_mask"]=> string(9) "krunoslav" ["last_name_mask"]=> string(7) "belinic" ["username"]=> string(5) "Kruno" ["password"]=> string(40) "eb3fda45fbec0258e90d809803b10491c548b22f" ["born"]=> string(19) "2015-01-18 09:19:00" ["created"]=> string(19) "2015-01-18 09:20:39" } }
    Krunoslav Belinić, 26.11.2024.
  • Posjetili smo: Državno prvenstvo Slovenije u plastičnom maketarstvu, Ljubljana 16.11.2024.
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        ["title_eng"]=>
        string(84) "We visited: Slovenian State Championship in plastic modelling, Ljubljana 16.11.2024."
        ["title_hrv"]=>
        string(93) "Posjetili smo: Državno prvenstvo Slovenije u plastičnom maketarstvu, Ljubljana 16.11.2024. "
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    On Saturday, 16.11.2024. in Ljubljana, the Slovenian Nationals in plastic modeling was held. Our delegation performed in several categories.

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    After arriving, registering and placing works in the appropriate categories, the most important thing was to meet again and talk with colleagues from other cities and countries such as Slovenia and Italy.

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    It was a special pleasure for us to present and present several copies of our latest edition to our partners and friends from Back to Basics!

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    Also a real refreshment is the discovery of the (so far the only) manufacturer of real wooden bases and plinths in these areas - swood.si!

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    A little after 11:00, it was time to open the even officially and inspect the exhibits.

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    Given that, after several years of ugly weather, this weekend was sunny, we decided to use that time for a walk in beautiful Ljubljana.

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    Kruno: "This year, Slovenian Nationals were also an opportunity to see new and interesting works by colleagues from Slovenia, Croatia, Italy, Austria and other countries. An opportunity to encourage your own creativity and ideas, to admire the craftsmanship, effort and skill of people with whom you share similar interests. The day was beautiful, so the walk in Ljubljana was quite legal and filled the impression of this year's Championship. Marko and Vanja made sure that some "precious" metal was attached to Agram's name, so I was carefree and enjoyed the nice trip."

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    After sightseeing the city, we returned to the competition just in time for the awarding of medals. Our members won a total of 4 medals - 2 gold, silver and bronze!

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    On the way back, our team refreshed itself traditionally at the Reset brewery in Brežice!

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    " ["content_hrv"]=> string(14959) "

    U subotu, 16.11.2024. u Ljubljani održavalo se Državno prvenstvo Slovenije u plastičnom maketarstvu. Naša delegacija je nastupila u nekoliko kategorija.

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    Nakon dolaska, registracije i postavljanja radova u odgovarajuće kategorije, najbitnije je bilo ponovno se susresti i popričati sa kolegama iz drugih gradova i država poput Slovenije te Italije.

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    Posebno zadovoljstvo nam je bilo predstaviti i pokloniti nekoliko primjeraka našeg zadnjeg izdanja našim partnerima i prijateljima iz Back to Basics!

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    Također pravo osvježenje jest pronalazak (za sada jedinog) proizvođača pravih drvenih baza i plinthova na ovim prostorima – swood.si !

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    Nešto iza 11h došlo je vrijeme za otvorenje susreta i pregled radova.

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    S obzirom da je, nakon nekoliko godina ružnog vremena, ovaj vikend bio obasjan suncem, odlučili smo iskoristiti to vrijeme za šetnju predivnom Ljubljanom.

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    Kruno: “I ove godine je DPS bio prilika za pogledati nove i zanimljive radove kolege iz Slovenije, Hrvatske, Italije, Austrije i drugih zemalja. Prilika za potaknuti vlastitu kreativnost i ideje, diviti se umješnosti, uloženom trudu i vještini ljudi s kojim dijeliš slične interese. Dan je bio lijep, pa je i šetnja Ljubljanom sasvim dobro legala i popunila dojam ovogodišnjeg Prvenstva. Marko i Vanja su se pobrinuli da se i nešto "plemenitog" metala zakači uz Agramovo ime, pa sam ja bezbrižno uživao u lijepom izletu.“

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    Nakon razgleda grada, vratili smo se na natjecanje taman na dodjelu medalja. Članovi su ukupno osvojili 4 medalje – 2 zlata, srebro i broncu!

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    Na povratku naša ekipa se okrijepila već tradicionalno u Reset pivovari u Brežicama!

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    Marko Paunović, 20.11.2024.

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