UMS "Agram" : Steampunk Zrinjevac themed terrain < Articles < Hobby

Steampunk Zrinjevac themed terrain

Marko Paunović, 22nd August 2020

A while back, I got the whole range of Plastcraft: Designed for Malifaux terrain for my demo games and I decided to make a terrain that would compliment these terrain and help fill out my demo table.

Looking at the photos of Plastcraft terrain and table setup, an idea popped into my mind – make a 19th century park. Fortunately for me, living in Zagreb, Croatia, it's centre is full of 19th century architecture, parks included. The park in the pic with the gazebo is one of more famous parks in Zagreb, only a minute's walk from the town's main square and only a ten minute walk from my appartment. During the January of 2015 I was busy building my park and shooting pics during every step of the build. With the terrain finished, it was time to write the actual tutorial. After a bit of a think, I decided to thematicly group certain actions I did to make the whole process more understandable and easier to follow.

Obviously the first step was to draw the terrain with all the features to be installed and to make a list of materials and bits needed. I tried to use materials and bits I had handy as I didn't have much time to finish the build so waiting for various shipments to arrive was out of the question. After singling out the materials and bits I'd use, it was time to start the actual build.

THE BASE

First, I drew the outlines of my park on the base (MDF board, 4 mm thick), then I put all the bits on it to see how it all fits. At this time, it's good to have at least one miniature handy to check how it can be moved through the terrain features. No point in making a nice terrain if your minis can't enter it. Once I was satisfied with the result, I used my jigsaw (although a normal saw would suffice) to cut the base into two A4 sized terrains. If you don't have MDF handy, almost all shops selling photo equipment hold those simple glass frames with MDF background held by a couple of clips. It's cheap and it's handy. Once the base was cut, I glued my plastic fence in place. I bought the fence on Ebay. Just search „HO scale fence“. One meter of the fence is about 10 USD with worldwide shipping and there are several designs.

THE PLASTER

As you can see on the plans, I wanted to make an octogonal gazebo so I needed an octogonal base. The easiest way to make your own walls, bases etc is to cast them in plaster. For that you'll need a mould. I made mine on a seethrough plastic foil as base. I simply put it on the terrain base where I hade previously drawn the outline of the gazebo. I cut several basla wood planks to serve as walls of my mould and glued them using superglue. I mixed the plaster and poured it into my mould. Half an hour later, I had my base. Removing the cast from the mould is easy as it is bendy due to the plastic foil base. A further half an hour later I had the two casts I'd use to make my gazebo. Now I needed to make the walls of the gazebo. I had already made moulds for a brick wall so I simply poured in some plaster and cut the brick walls to size. (However, here I'll also explain how I made my brick walls moulds: A long while ago, I found some railroad model brick walls. Using latex milk, I made the mould by just covering the railroad model brick wall and leaving to cure for about 24 hours.) After sanding the sides of the walls, I glued them to form the octogonal gazebo. One side I intentionally left open. Here I had to make the stairs. Using the same brick wall casts I made the shape of the stairs by carefully cutting the desired shape. The „body“ of the stairs I cut out of HD Styrofoam.

METAL

With the shape of the stairs complete, I needed to make the metal sheets that would form the stairs while making my terrain look more steampunky. I used simple card (from a box of instant coffee), cutting it into strips. Rivets I made with PVA glue carefully applying it making sure it forms little blobs that would, once painted, look like rivets.

Then it was time to do the metal structure of the gazebo. For this, I used Evergreeen plasticard profiles (I and H beams) and for the fence I used the railings from the HO fence sets I wrote about earlier. The vertical beams I made from the I beams while the horizontal roof holders were done with H beams.

ROOF

To make the octogonal roof, I first had to make the shape of a single triangle. On the base, where I hade drawn the shape of the gazebo, I gllued one wooden slat 25 mm long vertically. 25 mm would be the height of the roof. Using the glued slat and the drawing of the gazebe, I made my triangle shape gluing three 2x2 mm wooden slats. This would just be my template which I then copied onto the card (from the same box of instant coffee I used earlier) eight times. I cut my triangles with scissors and using some tape I glued them to form the octogonal pyramid that would be my roof. I dryfitted it to the gazebo and it fit well. Using strips of card, I covered the gapse between the triangles and in the end I added rivets and welds using the PVA method I described earlier.

TEXTURE

With the gazebo done, it was time to add some texture to the base. I cut the small hills from HD Styrofoam and glued them with PVA. If you look at the original design on one piece of the terrain there was supposed to have been a fountain. After finding this piece of pillar I decided it would suit the purpose better. Especially since it had some runes written that might have been done by the Neverborn. Also, with it's smaller base size, it would save me space and give more playing room while the terrain is in use. I then made the curbs of the terrain with some 2x2 mm wooden slats glued with PVA glue. Once that was done, it was time to add the texture. I normally use three to four different sizes grain to myke my texture. This time was no different as I used GF9 rough, medium and fine grit for the grassy parts. For the paths, I used the smallest grain I had – the sand for chinchillas (that I normally use to make facades of buildings). When doing this, I applied watered down PVA and sprinkled the grit starting with the roughest and finishing with the finest. Always do it this way, otherwise only the finest grain will be glued.

PAINTING THE TEXTURE

After the PVA set, I started painting. First I udercoated everything black. Then I used a brown colour to (wet)paint all the paths and only drybrushed the grassy parts. Then I used ochre paint to drybrush over all the areas. The next drybrush layer was a mixture of ochre and white. I then added a layer of off white drybrush over the grassy bits and finished with pure white over all areas.

PAINTING BRICKS

I painted the curbs grey and the brick walls orange. Same thing I did on the gazebo. Then I added some redbrownish wash over the brick areas and drybrushed with layers of orange mixed progressively with more white.

PAINTING BENCHES

I found the benches on Ebay, also (search: „HO scale bench“). Ten of them were around 5 USD with shipping. The wooden parts were drybrushed brown and off white, while the metal was only drybrushed with silver mixed with black.

ELECTRONICS

One of my favourite hobby shops in Zagreb has these cool lampposts that can be fitted with LEDs. They are from the Decorabilia range of Stamperia (www.stamperia.com) and cost about 5USD per pack of two. To make this part you'll need:
• a single CR 2302 battery
• a single CR 2302 battery housing
• about 5m of wire
• 4 amber LEDs

The CR 2302 battery gives 3V of power. Through each LED runs approximately 20mA of electricity and these high powered LEDs use 2,5 – 3 V of power (normal LEDs use up to 2V). So when these 4 LEDs are connected in parallel (each of them is connected to the battery itself), they need 2,5 – 3 V of power and about 80mA of electricity. The CR 2302 battery should last at least two games with this setup.

As the wires would go on the bottom of the base, I had to make the grooves. I made them using my drill (hence the wobbliness). I soldered the LEDs to the wires (remember to always use the same colour on longer leg of the LED and another colour on the shorter). It'll make things easier when connecting to the battery. I fed the wires through the body of the lampposts and glued them to the base carefully laying each wire in it's own groove. I then attached the clamps to the battery housing and connected all the wires. Once I placed the battery, all the LEDs lit up. Then I used some wooden planks to safely secure the battery housing to the base.

PAINTING METAL

After undercoating the roof and the metal parts of the gazebo (stairs, railigns and roof structure, I drybrushed the silver/black mixture. Then I applied the brass and gold layers to the brass parts (base and top of the lamppost, railings and the roof body of the gazebo). Once the base layers were done, I applied two special effects made by ModelMates: Rust (to silvery bits) and Verdigris (to the brass bits). Just apply these generously and after about ten minutes drying time, I used a slightly damp earcleaning tips to remove excess effects and add direction to the effects (rust usually runs down a slope). In the end using green washes and glazes I added the moss effect to the brick walls of the gazebo.

VEGETATION

Once the paint dried it was time for flocking. I first pinned the trees to the base and added static grass gluing it with PVA glue. I also used some fir trees that were also pinned and I added some poison ivy to the gazebo.

All that was left was to take pics and enjoy a game on my new terrain!

Latest articles

Agram Group Build #7 – Amon Hen, pt.5

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	The plan last time was to also build a balsa wood frame, but unfortunately, the balsa got misplaced during the move following the renovation of the space, so we had to postpone it. Now, it’s time to get it done.

	  

	We cut the balsa wood into four 50 cm pieces. Afterward, we measured the highest points of each side, marked the balsa accordingly, and cut it to the desired dimensions.

	  

	  

	Then we traced the relief onto the balsa frame and carefully cut it out.

	  

	The final step was cutting each corner at a 45-degree angle to create a neat frame joint.

	  

	Next came the gluing of the frame. We bonded the sides using PVA glue, while the joints where one frame side met another were secured with superglue.

	  

	We filled the gaps between the balsa wood frame and the terrain we created last time with DAS modeling clay.

	  

	Finally, we coated the top surfaces of the frame and the air-drying clay infill with PVA glue, and sprinkled over it the same sand we had used for the rest of the board.

	  

	And that’s it for this time. Next week, it’s time for painting.

	  

	 
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Plan za prošli put bio je da napravimo i okvir od balze, ali na žalost u selidbi nakon renovacije prostora, negdje smo zagubili balzu tako da smo to odgodili. Sad je došao red na to.

	  

	Odrezali smo balzu na četiri komada od 50cm. Nakon toga izmjerili smo najviše dijelove pojedine strane i tako označili balzu te ju prerezali na željene dimenzije.

	  

	  

	Potom smo ucrtali reljef na okvir od balze i pažljivo ga izrezali.

	  

	Zadnji korak bilo je zarezivanje svakog kuta pod 45 stupnjeva tako da dobijemo uredan spoj okvira.

	  

	Tada je uslijedilo lijepljenje okvira. Stranice smo zalijepili PVA ljepilom dok smo spojeve stranice okvira na drugu stranicu okvira zalijepili superljepilom.

	  

	U rupe između okvira od balze i terena kojeg smo napravili prošli put ubacili smo DAS glinamol.

	  

	Na kraju smo gornje plohe okvira i popune od glinamola premazali PVA ljepilom te na to posipali isti pijesak koji smo koristili za ostatak table.

	  

	I to je bilo to za ovaj put. Sljedećeg tjedna ide bojanje.

	  
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Krunoslav Belinić, 15th October 2026

Agram Group Build #7 – Amon Hen, pt.4

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	After inspecting the now-dry terrain base, we realized that a few slopes needed to be added and some gaps filled in. Therefore, we repeated the process of applying DAS modeling clay over the PVA glue coating.

	  

	The next step was adding texture. We opted for three different grain sizes of sand and gravel. You can find all these varieties at pet stores. The finest grade is for chinchillas, while the coarsest gravel is actually intended for aquariums.

	  

	Applying the texture was actually very simple. We coated part of the base with PVA glue (slightly diluted so it would spread easily with a brush). Onto the PVA coating, we sprinkled first the gravel, then the larger granules, and finally the small granules (though only in patches).

	  

	Then we put the trees back to see how everything works as a whole.

	  

	Since Kruno has finished processing the metal figures, we decided to check the layout of the diorama with the figures placed on it—so here it is from several angles.

	  

	  

	  

	  

	  
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Nakon pregleda sada osušene baze terena, uvidjeli smo da se na nekim mjestima treba dodati koja kosina, zapuniti koja rupa. Stoga smo ponovili isti postupak postavljanja DAS glinamola na premaz od PVA ljepila.

	  

	Sljedeći korak bilo je dodavanje teksture. Odlučili smo se za tri različite granulacije pijeska/šljunka. Sve te verzije možete naći u dućanima za kućne ljubimce. Najmanja granulacija je za činčile, dok je najveći šljunak zapravo za akvarije.

	  

	Postavljanje teksture je zapravo bilo jako jednostavno. Premazali smo dio baze sa PVA ljepilom (malo razvodnjenim tako da se lagano razmazuje kistom). Na premaz od PVA ljepila posipali smo prvo šljunak, pa onda veći granulat i na kraju mali granulat (ali samo mjestimično).

	  

	Potom smo vratili drveće da vidimo kako funkcionira sve kao cjelina.

	  

	S obzirom da je Kruno završio sa obradom metalnih figura, odlučili smo provjeriti i raspored diorame sa figurama na njoj pa evo iz nekoliko kutova.

	  

	  

	  

	  

	  
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Marko Paunović, 8th October 2026

Agram Group Build #7 – Amon Hen, pt.3

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	Last time, we created and attached large volumes to the base and roughed out the terrain contours. To prevent the Styrofoam from warping while the PVA glue dried, we had secured it to the wooden base with masking tape. Therefore, the first task was to remove the excess masking tape.

	  

	Then, using PVA glue and DAS modeling clay, we created gradual transitions and built up slopes on the "steps" made of Styrofoam.

	  

	Next, we added stone structures using tree bark. At the same time, we utilized the texture of the bark, pressing it into the DAS clay in certain places to create the added texture of rocky surfaces.

	  

	  

	That concludes the construction phase for now. Before applying the texture, the DAS modeling clay needs to dry thoroughly. Next up is the texturing process, along with some touch-ups to the relief where the stone structures were placed.

	  
"
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Prošli put smo napravili i dodali velike volumene na bazu te napravili grube obrise terena. Kako se ne bi stiropor svinuo tijekom sušenja PVA ljepila, učvrstili smo ga krep trakom za drvenu bazu. Stoga, prvi posao bio je maknuti višak krep trake.

	  

	Zatim smo koristeći PVA ljepilo i DAS glinamol izradili postepene prijelaze i iskonstruirali kosine na „stepenicama“ dobivenim od stiropora.

	  

	Potom smo dodali kamene strukture koristeći koru od drveta. Istovremeno smo iskoristili i teksture u kori i utisnuli na pojedinim mjestima u DAS glinamol kako bismo dobili dodatnu teksturu kamenih stijena.

	  

	  

	Time je lagano završila gradnja za ovaj put. Prije nanošenja teksture, treba ostaviti DAS glinamol da se dobro osuši. Sljedeći put na redu je tekstura uz mjestimično popravljanje reljefa na mjestima gdje smo postavili kamene strukture.

	  
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Krunoslav Belinić, 1nd October 2026

Agram Group Build #7 – Amon Hen, pt.2

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	After cutting the board in the previous article, it was time to create the terrain. We decided to achieve the necessary height—or volume—by using Styrofoam. The choice of material was dictated by the availability of Styrofoam; had we possessed that amount of extruded polystyrene (XPS) foam, we certainly would have chosen it due to its ease of shaping. We arranged the Styrofoam sheets to cover the entire surface of the board, gluing them down with PVA glue and reinforcing the joints with masking tape. Next, we placed the assembled Amon Hen model in position and traced its outlines.

	  

	  

	  

	The next step was cutting out the rough shape of the terrain and arranging tall vegetation across the diorama to establish the outlines of the final look.

	  

	  

	  

	  

	After marking the placement of the trees, we decided to glue the Styrofoam terrain piece onto the board. We used PVA glue for this as well, and to ensure firm contact, we secured the edges with masking tape so the Styrofoam wouldn't warp while drying. Finally, we constructed a ramp for the temple entrance.

	  

	  

	  

	In the meantime, Kruno was working on the preparatory work on the figures.

	  

	KRUNO: "The deal was to clean the figures of excess metal and dirt. I haven't dealt with metal miniatures too much, so it was an interesting challenge for me. It's not much different from cleaning rubber or plastic miniatures. Of course, a new scalpel blade is needed and pliers come in handy. Although it is not obligatory, I also performed the ancient miniaturist rite of consecration of a new blade and sacrificed a few drops of blood to the Gods of miniaturism and state games. It seems that they were satisfied with the victim, because there were no problems. Excesses are neatly and nicely positioned for quick removal and if any trace remains it fits into the texture or folds of the model. There were very few heads, and even those that were seen were easily leveled with a knife."

	  

	  
"
    ["content_hrv"]=>
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Nakon rezanja table u prošlom članku, došao je red na izradu terena. Visinu, odnosno volumen, smo odlučili dobiti korištenjem stiropora. Odabir materijala je uvjetovala dostupnost stiropora. Da smo imali tu količinu stirodura, sigurno bismo ga odabrali zbog jednostavnosti obrade. Stiroporne daske smo posložili tako da pokriju cijelu površinu table. Zalijepili smo ih koristeći PVA ljepilo, a spojeve dodatno učvrstili koristeći krep traku. Potom smo stavili složenu maketu Amon Hena i ucrtali obrise

	  

	  

	  

	Sljedeći korak bilo je izrezivanje grubog oblika terena i slaganje visoke vegetacije po diorami – tako da dobijemo obrise konačnog izgleda.

	  

	  

	  

	  

	Nakon označavanje gdje ide koje drvo, odlučili smo zalijepiti stiroporni teren na dasku. To smo također odradili pomoću PVA ljepila – a za dodatan pritisak, rubove smo pritisnuli koristeći krep traku tako da se stiropor ne deformira tijekom sušenja. Na kraju smo izradili i kosinu za prilaz u hram.

	  

	  

	  

	Za to vrijeme, Kruno se bavio pripremnim radovima na figurama.

	  

	KRUNO: "Dogovor je bio da očistim figure od viška metala i srha. Nisam se previše bavio metalnim minijaturama, pa mi je to bio zanimljiv izazov. Nije puno drugačije od čišćenja rezinskih ili plastičnih minijatura. Naravno, potrebna je nova oštrica na skalpelu i kliješta dobro dođu. Iako nije obavazeno obavio sam i drevni minijaturistički obred posvećivanja nove oštice i pritom žrtvovao par kapi krvi Bogovima minijaturizma i stateških igara. Izgleda da su bili zadovoljni žrtvom, jer nije bilo problema. Viškovi su uredno i lijepo pozicionirani za brzo uklanjanje i ako i ostane koji trag uklapa se u teksturu ili nabore modela. Srhova je bilo vrlo malo, a i oni koji su se vidjeli lako su se poravnali nožićem."

	  

	  

	 
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Marko Paunović, 24th September 2026

Signs for your plinths

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    ["title_eng"]=>
    string(23) "Signs for your plinths "
    ["title_hrv"]=>
    string(21) "Natpisi za vaše baze"
    ["mask_eng"]=>
    string(22) "signs_for_your_plinths"
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    ["content_eng"]=>
    string(4401) "
	This article will cover creating nameplates for your display figure bases. I have been considering the option of printed nameplates for quite some time, and these are the results I achieved after a bit of effort and research.

	The 3D engraved nameplates I usually use are quite expensive (around €10 apiece) and require preparation, ordering from an engraving studio, and waiting for the work to be completed. Consequently, my practice has been to place only one or two orders a year, mostly before our "Black Queen" event. Another major drawback is that these nameplates are made of plastic and cannot be bent, which automatically rules out round plinths.

	  

	After a bit of research, the results showed that miniaturists quite often use printed paper signs. What I saw in person was that these signs are very glossy, and online research revealed that they are printed on photo paper. So, I decided to try it out myself. First, I created the design for the sign.

	  

	Before looking for a photo studio, I decided to print it out on plain paper first to see what it looked like.

	  

	  

	Even when I put up those signs on plain paper, the result wasn't bad.

	  

	The hardest part of the whole process was finding a photo studio. It is incredible how few of them there are (that aren't just photocopy shops). I managed to find one relatively close to where I work and ordered two sets of two 10x15 cm photos—I decided to get two copies of each shot just in case something went wrong and I needed a backup.

	

	In total, the four photos cost me just under €2.00 (one-fifth of the price of a single plastic, engraved sign).

	  

	The final result on the bases is more than satisfactory! Would bang 10/10.

	  
"
    ["content_hrv"]=>
    string(4472) "
	Ovaj članak će se baviti izradom natpisa za baze za vaše display figure. Već dulje vrijeme razmišljam o opciji printanih natpisa i ovo su rezultati do kojih sam došao nakon malo truda i istraživanja.

	3D gravirani natpisi koje normalno koristim podosta su skupi (10ak € po komadu) i zahtijevaju pripremu pa naručivanje u nekom studiju za graviranje pa čekanje da oni to odrade. Tako da mi je do sada praksa bila jedna do dvije narudžbe godišnje, uglavnom prije našeg Black Queena. Drugi glavni nedostatak je da su ti natpisi plastični te se ne mogu savijati što automatski isključuje okrugle baze.

	  

	Nakon malo istraživanja, rezultati su pokazali da minijaturisti dosta često koriste printane natpise na papiru. Ono što sam uživo vidio jest da su to jako sjajni (glossy) natpisi, a online istraživanje je pokazalo da su to natpisi na foto papiru. Stoga, sam odlučio isprobati kako to funkcionira. Prvo sam napravio dizajn natpisa.

	  

	Prije potrage za foto studijom, odlučio sam isprintati prvo na običan papir da vidim kako to izgleda.

	  

	  

	Čak i kada sam postavio te natpise na običnom papiru, rezultat nije bio loš.

	  

	Najteži dio cijelog procesa bila je potraga za foto studijom. Nevjerojatno je koliko ih malo ima (a da nisu fotokopiraone). Uspio sam naći jedan relativno blizu mjesta gdje radim te naručio izradu dva puta po dvije fotografije 10x15cm – odlučio sam za svaki slučaj svaku fotku dva puta napraviti tako da ako nešto pođe u krivo da imam rezervu.

	  

	Sveukupno su me 4 fotografije ispale nešto ispod 2,00€ (jedna petina cijene jednog plastičnog, graviranog natpisa).

	  

	Završni rezultat na bazama je više nego zadovoljavajuć! Would bang 10/10.

	  
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Marko Paunović, 24th September 2026

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