UMS "Agram" : Old School Ork < Articles < Hobby

Old School Ork

Goran Krunić, 17th October 2020

In today's article, I am going to show you how to paint an Orc Champion for Warhammer Fantasy Battles/Age of Sigmar.

NOTE: Do not glue the shield to the miniature until both the miniature and the shield are painted.

Preparation:

Take a sharp modelling knife and modelling or similar files in order to remove the excess material resulting from the casting process of the miniature (flash), and mould lines which are the result of the casting material accumulating on the join between the mould halves during the casting process.

Take a black, the more matte, the better spray (I have user Cosmos Matte Black), and spray the miniature by utilising light, even motions until the entire surface of the miniature is covered, taking care not to obscure the details of the miniature among the layers of applied paint, alternatively, the primer paint can also be brushed on, I would use Scale75 Black for that purpose.

Dilute a middle dark shade of green (I have user Irati Green by Scale75) using Citadel's Lahmian Medium, and apply it over 2 to 3 coats (allow the paint to dry in between layers) until you attain even coverage of the skin surfaces.

Using a middle dark metallic silver paint (Ironbreaker by Citadel, Steel from Vallejo Model Air, Heavy Metal from Scale75 etc.), paint the metallic surfaces on the miniature (this includes the armour, the sword blade, the helmet, the armor on the shoulders, the ring in the nose, the blade of the knife on the back and the shoes)*.

Using a yellowish bronze paint (I have user Dwarven Gold from Scale75), paint the tips of the helmet horns, the joins of the helmet horns with the helmet itself, the edge of the helmet above the face of the miniature, and the hilt and crossguard of the sword and knife on the back**.

Using a middle dark shade of brown paint (Beasty Brown from Vallejo Game Color, Brown Leather from Scale75 etc.), paint the horns of the helmet, and the horns of the belt buckle.

Using a pale brown paint (I have used Walnut from Scale75), paint the teeth of the miniature.

Using in sequence reddish and orange brown paints in 3 to 5 shades, gradually lighten the teeth of the miniature (I have used Blackert Brown, Peanut Butter, Cokum Copper, Hykey Yellow from Scale75 Fantasy & Games, and finally Off White from Vallejo Game Color).

The same procedure as in the previous step can also be used for the helmet horns, although a shade such as Bonewhite from Vallejo Game Color or similar was used to finish them off.

Using a darker and more muted shade of red (I have used Deep Red from Scale75), paint the lower lip of the miniature and the visible part of the inside of the mouth. Then, gradually, going from Blood Red to Aldeberan Red by Scale75 highlight the details of the lip using a paintbrush, simulating the look of a dried lip.

Using the Biel-Tan Green Shade (wash) from Citadel, apply a single, thicker coat on the skin areas of the miniature, taking care for it not to gather in the recesses, because it can leave stains that look bad.

Using Nuln Oil Shade (wash) from Citadel, apply a single, thicker coat on the metallic parts of the miniature (see above for the list *), also taking care for it not to gather in the recesses, or in one single point.

Using Agrax Earthshade Shade (wash) from Citadel, apply a single, thicker coat on the bronze parts of the miniature (see above for the list **), also taking care, as in the previous two steps for it not to gather either in the recesses, or in a single point.

Using a lighter bronze paint (I have used Viking Gold from Scale75), highlight the more pronounced parts of the bronze parts of the miniature (see above for the list **), taking care for a smaller portion of the previously painted darker layers to remain visible.

Using a darker brown shade (I have used Charred Brown from Vallejo Game Color), paint the fur parts of the miniature (above the shoes, and the outer part of the sleeve on the miniature's right hand).

Mix a middle grey shade (I have used Wolf Grey from Vallejo Game Color) to the paint from the previous step, and highlight from the middle to the top of the hairs of the fur parts.

Mix in a lighter grey shade in the mix from the previous step (I have used Ghost Grey from Vallejo Game Color), and highlight the last third and the tips of the hairs of the fur parts.

Using a middle shade of brown paint (I have used Brown Leather from Scale75), paint the leather parts of the miniature, these include the laces of the furs above the shoes, the bags on the belt on the back, the belt, the armlet on the right hand, and the shield handle on the left hand***.

Using Agrax Earthshade Shade (wash) from Citadel, apply a single, thicker coat on the leather parts of the miniature (see above for the list ***), taking care for it to not gather in the recesses.

Using reddish and yellowish shades of brown paint (e.g. Red and Orange Leather from Scale75, Scrufulous Brown from Vallejo Game Color etc.), create dot and similar patterns on the leather parts of the miniature, this will give plausibility to the leather, I also advise to Google reference images for corresponding leather parts.

Using a middle dark metallic silver paint, paint the studs on the armlet on the right hand, and the buckle on the armlet on the right hand.

Using a middle dark metallic silver paint (I have used Heavy Metal from Scale75), paint the edge of the shield.

Using a dark red paint (I have used Deep Red from Scale75), paint the inner part of the shield (the frowning Sun).

Using gradually lighter shades of red paint (Blood Red, Aldebaran Red from Scale75 etc.), highlight the bumps on the Sun on the shield.

Using the same procedure as for the teeth of the miniature, paint the teeth of the Sun on the shield.

Conclusion:

I have created a relatively simple base for the miniature, where I have used middle and fine grained sand from Gale Force 9, which I have mixed in a 2 to 1 ratio of fine to middle grained, as well as chincilla sand, which fills in any gaps left by the previous step.

I have also applied some static grass which I have obtained from the company called Gamer's Grass, with arbitrary paint depending on the desired look, season etc.

To conclude, since we are talking about a miniature from the 4th or the 5th edition of Warhammer Fantasy Battles, a base edge painted in a middle light shade of green is inevitable, I have used Goblin Green from Vallejo Game Color.

Latest articles

Agram Group Build #7 – Amon Hen, pt.8

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	In this article, we continue our work on the figures. Last time, we prepared the plastic components; now, it is time to pin the metal ones. For this, we need a mini electric drill and some paperclips or pins. Additionally, you will need superglue.

	  

	Select a drill bit about the size of a pin—in our case, 0.8 mm in diameter. Carefully drill holes approximately 2–3 mm deep into the feet, using at least one pin per figure.

	  

	Apply a drop or two of superglue to the pin and push it as deep as possible into the hole. Let it dry, then reattach the head.

	  

	Once we had prepared all the figures in this way, we mounted them onto balsa wood strips. We pushed pins into the balsa, and the figures were ready to be spray-painted black.

	  

	After spraying, the figures are ready for painting.

	  
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Nastavak rada na figurama pratimo u ovom članku. Prošli put smo pripremili plastični dio figura, a sada je na redu piniranje metalnih. Za to nam je potrebna mini električna bušilica i spajalice/špenadle. Osim toga, bit će potrebno i superljepilo.

	  

	Izaberemo svrdlo veličine špenadle. U našem slučaju to je promjer 0,8mm. Pažljivo izbušimo rupe dubine cca 2-3 mm u stopala. Barem jedan pin po figuri.

	  

	Kapnemo kap dvije superljepila na pin i nabijemo ga što dublje u rupu. Pustimo da se osuši i održemo glavu.

	  

	Kada smo tako pripremili sve figure, postavili smo ih na letvice od balze. Pinove smo zabili u balzu i figure su bile spremne za sprejanje u crno.

	  

	Nakon sprejanja, figure su spremne za bojanje.

	  
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Marko Paunović, 3th November 2026

Back to Basics Workshops for kids in Medveščak Library - Autumn 2026

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	This autumn, we once again held our "Back to Basics" miniature painting workshops for children at the Medveščak Library.

	Over the course of three weeks, our youngest participants painted our "Agramers" and learned the ropes of miniature painting.

	A big thank you to the parents for their trust, and to the Children and Youth Department of the Medveščak Library for their support!

	See you next spring!

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	You can find more photos on our social networks!
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	I ove jeseni održali smo Back to Basics radionice bojenja minijatura za najmlađe u Knjižnica Medveščak.

	Kroz tri tjedna naši najmlađi polaznici su bojali naše Agramere i upoznali se sa bojanjem minijatura.

	Veliko hvala roditeljima na povjerenju i Odjelu za djecu i mlade Knjižnice Medveščak na podršci !

	Vidimo se sljedeće godine na proljeće

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	

	Više fotografija možete pronaći na našim društvenim mrežama!
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Krunoslav Belinić, 30th October 2026

Agram Group Build #7 – Amon Hen, pt.7

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	  

	The first thing we did this week was finish painting the terrain. All that remained were the stone statues and the temple. A light drybrush of grey and white paint was all that was needed, following the layers of washes we had applied the week before.

	  

	  

	Next came the aging process using oil paints. We used several shades of green, as well as black and a beige/white tone. First, we coated the surfaces with Odourless Thinner, then applied a few small dots of each shade, and finally used a dry brush to blend them and remove any excess pigment.

	  

	  

	Meanwhile, the other part of the team continued the work of cleaning the plastic Uruk-hai.

	  

	  

	Next came the pinning of the plastic miniatures. For the quickest results, you will need: pliers, sewing pins, and a lighter.

	  

	First, use a lighter to heat a sewing pin until it is red-hot, then press it into the Uruk-hai's leg. As the metal enters the plastic, the heat causes the plastic to expand, allowing the pin to slide in easily. However, as it enters, it also cools down; the plastic then contracts, holding the pin firmly in place. You do not need any glue. Once you have inserted the pins, use pliers to snip off the ends—the parts with the heads.

	  

	

	The final task for this week was to remove the tabs from the metal figures and prepare them for pinning. Unfortunately, the previous method cannot be applied to metal figures, so we will have to use an electric drill—but more on that next time.

	  

	In the end, we arranged the trees on the painted base so we could admire them a bit.

	  

	  
"
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Prvu stvar koju smo ovaj tjedan napravili je dovršavanje bojanja terena. Ono što je ostalo jest kameni kipovi i hram. Lagani drybrush sive i bijele boje je bilo sve što je bilo potrebno nakon slojeva washeva koje smo odradili tjedan ranije.

	  

	  

	Zatim je uslijedilo dodavanje starenja uljnim bojama. Koristili smo nekoliko zelenih, crnu i bež/bijelu nijansu. Prvo smo površine prekrili Odourless Thinnerom, zatim nanijeli po nekoliko točkica svih nijansi, i onda suhim kistom pomiješali i maknuli višak pigmenta.

	  

	  

	Za to vrijeme, drugi dio ekipe je nastavio posao na čišćenju plastičnih Uruk Haia.

	  

	  

	Zatim je uslijedilo piniranje plastičnih minijatura. Za najbrže rezultate potrebni su vam: kliješta, špenadle i upaljač.

	  

	Prvo upaljačem zagrijete špenadlu do usijanja, zatim ju utisnete Uruk Haiju u nogu. Kako metal ulazi u plastiku, toplina širi plastiku tako da pin može lagano ući. Međutim, kako ulazi tako se i hladi pa se plastika skuplja i drži pin na mjestu. Nikakvo ljepilo vam nije potrebno. Kad ste utisnuli špenadle, vrhove s glavom odrežite kliještima.

	  

	

	Zadnji zadatak za ovaj tjedan bio je maknuti tabove sa metalnih figura i pripremiti ih za piniranje. Prethodna metoda na žalost nije primjenjiva na metalnim figurama pa ćemo morati koristiti električnu bušilicu, ali o tome više sljedeći put.

	  

	Na kraju smo posložili drveće na obojanu bazu da se malo divimo.

	  

	  
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Krunoslav Belinić, 30th October 2026

Agram Group Build #7 – Amon Hen, pt.6

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	Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

	

	As we announced, this time we are starting with the painting process. The first step was applying a black primer (via spray), followed by white to highlight the details.

	  

	  

	Next came the painting of the terrain. As always, we used a palette of brown and gray paints from the Pebeo Deco brand. These are acrylic paints—relatively affordable and quite thick—which allow for easy coverage or a quick drybrush, should the need arise. We started with the brown tones, beginning with the darker shades and finishing with the lighter ones.

	  

	  

	  

	Next, we highlighted the stone surfaces with black paint, then lightened them using shades of gray, ranging from darker to lighter tones. We left the temple and the statues covered only with the spray paints applied in the first step.

	  

	  

	Once the base was finished, we turned our attention to the temple and the statues. The first layer of paint we applied over the black-and-white undercoat consisted of washes. We took 5 or 6 different shades and randomly dabbed them across all the surfaces.

	  

	  

	Since our time was running out, we decided to stop painting there and give the washes a chance to dry thoroughly. The final step for the board was applying a thick layer of PVA glue to the corner where the river would be. We did this to smooth out the surface, as we had decided to simply paint the river rather than adding any "depth."

	  

	Meanwhile, Kruno set to work preparing the newly arrived Uruk-hai figures. He removed the first half of the figures from the sprue and cleaned off the flash.

	  

	  

	He organized them and removed the tabs for the bases. Next time, he will continue with the second half.

	  

	  
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	Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

	  

	Kao što smo najavili, ovaj put započinjemo sa bojanjem. Prvi korak bio je nanošenje crne temeljne boje (sprejem) i onda bijele da istakne detalje.

	  

	  

	Zatim je uslijedilo bojanje terena. Kao i uvijek, koristimo paletu smeđih i sivih boja marke Pebeo Deco. To su akrilne boje, relativno pristupačne cijenom, a dosta guste tako da omogućava lagano prekrivanje ili brzi drybrush ako nam zatreba. Prvo smo odradili smeđe nijanse, krenuvši prvo od tamnijih i završivši sa svjetlijim nijansama.

	  

	  

	  

	Zatim smo kamene plohe istaknuli crnom bojom i onda posvjetljavali sivim nijansama od tamnijih do svijetlijih. Hram i kipove smo ostavili prekrivene samo sprejevima iz prvog koraka.

	  

	  

	Kad je baza bila gotova, okrenuli smo se hramu i kipovima. Prvi sloj boje koje smo stavili na crno-bijeli undercoat bili su washevi. Uzeli smo 5, 6 nijansi i nasumično tapkali po svim plohama.

	  

	  

	S obzirom da nam se termin bližio kraju, tu smo odlučili stati sa bojanjem i dati washevima priliku da se pošteno osuše. Zadnji korak na tabli bilo je dodavanje debelog sloja PVA ljepila na kut u kojem će biti rijeka. To smo napravili da izgladimo površinu s obzirom da smo odlučili da rijeku samo obojamo, bez dodavanja „dubine“.

	  

	Za to vrijeme, Kruno se bacio na pripremu novopridošlih figura Uruk Haia. Prvu polovicu figura je maknuo sa okvira (sprue) te očistio srhove.

	  

	  

	Složio ih je i maknuo tabove za baze. Sljedeći put nastavlja s drugom polovicom.

	  

	  
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Marko Paunović, 22nd October 2026

Lizardmen Sauropod – part 1

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	While printing a sauropod model—which I intended to use for a kitbash of a Lizardmen Bastiladon—one of the printed torsos ended up with defects in the legs. Around the same time, I was playing Pokémon Crystal; having fallen in love with some of the concepts in that game, I decided to merge the two worlds into one.

	  

	Taking the Pokémon Meganium as a starting concept, I wanted to create a dinosaur on a large base emerging from a lake, surrounded by skinks that are grooming it.

	  

	To achieve this, I decided to cut off the lower part of the torso—excluding the legs—position the model so it "lies" on the base, place a couple of Skinks around it, and pour resin over the base to create the effect of lake water.

	  

	The first step was to create flower petals around the dinosaur's neck. I used slightly thicker paper, cut into the shape of petals. Afterward, I glued them together with super glue to form a flower shape. I coated each petal with wood glue—applying about 6 layers—to set them into a form that would be both flexible and sturdy enough for painting. I applied each coat using a small brush, with outward strokes, to create texture on the surfaces of the petals.

	I glued the dinosaur's torso to the base using superglue and filled the gaps.

	  

	Preparation for painting was the easier part of the job; the primer used was a light-grey spray, followed by a single coat of a purple 'contrast' paint. After that, I dry-brushed the entire model with white. This created a strange, sickly base for the subsequent layers of green. This concludes the first part of the tutorial; in the second part, I will continue with painting, casting resin, and adding the final details to the model.

	  
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    string(3240) "
	Prilikom printa modela sauropoda kojeg sam mislio koristiti za kitbash Lizardmen modela bastiladona, ostao je jedan printani model trupa sa greškama u nogama. U slično vrijeme sam igrao Pokemon Crystal i obožavajući neke od koncepata u toj igri, odlučio sam spojiti dva svijeta u jedan.

	  

	Uzevši pokemona Meganium-a kao početni koncept, želio sam napraviti dinosaura na velikoj bazi koji izranja iz jezera, okruženog skinkovima koji ga timare.

	  

	Da bih to izveo, odlučio sam odrezati donji dio trupa bez nogu, postaviti model da "leži" na bazi, postaviti par skinkova oko njega i preliti bazu sa rezinom kako bih stvorio efekt jezerske vode.

	  

	Prvi korak je bio napraviti latice cvijeta oko vrata dinosura. Koristio sam malo deblji papir, izrezan u oblik latice. Nakon toga sam ih zalijepio super ljepilom u oblik cvijeta. Premazao sam svaki list drvofixom u cca 6 slojeva, kako bih učvrstio listove u formu u kojoj će biti elastični i čvrsti za bojanje. Sve premaze sam radio s manjim kistom potezima prema van, kako bih stvorio teksturu na stranicama latica.

	Trup dinosaura sam zalijepio na bazu sa superljepilom i zapunio rupe.

	  

	Priprema za bojanje je bila lakši dio posla, primer je bio svijetlosivi sprej, sa jednim slojem ljubičaste contrast boje. Nakon toga sam drybrushem bijele prekrio cijrli model. Ovime sam dobio čudnu bolesnjikavu bazu za slojeve zelene. Ovime završavam prvi dio tutoriala, nastavljam u drugom sa bojanjem i lijevanjem rezinske mase, uz završne detalje modela.

	  
"
    ["created"]=>
    string(19) "2026-10-19 07:14:35"
    ["modified"]=>
    string(19) "2026-10-19 07:14:35"
  }
  ["Member"]=>
  array(10) {
    ["id"]=>
    string(3) "100"
    ["group_id"]=>
    string(1) "2"
    ["first_name"]=>
    string(5) "Mario"
    ["last_name"]=>
    string(7) "Grgurev"
    ["first_name_mask"]=>
    string(5) "mario"
    ["last_name_mask"]=>
    string(7) "grgurev"
    ["username"]=>
    string(9) "lepimario"
    ["password"]=>
    string(40) "11e0b1ecc2c467637dfa513774d2426f3b925264"
    ["born"]=>
    string(19) "2045-01-21 09:02:00"
    ["created"]=>
    string(19) "2022-01-21 09:02:32"
  }
}

Mario Grgurev, 19th October 2026

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