UMS "Agram" : Step by Step – Painting a Joker bust < Articles < Hobby

Step by Step – Painting a Joker bust

Marko Paunović, 30th October 2020

In this article I will describe the steps and techniques covered in the third weekend Miniature Painting Workshop of 2020 using a Joker bust by FC Model Trend.

The bust was undercoated using a black primer and then the zenital light was applied using a white sprey.

The whole workshop was based around two distinctive „projects“. One was all the textile surfaces – on Saturday, the other the head (with skin tones, scars, face paint and hair) – on Sunday. Since I was not sure how the attendees would tackle the textile surfaces and how much time it would take them, I decided to do that first – and if need be to extend the alotted time to Sunday as well. Luckily, it was not needed.

I'm writing this to explain why we started with the textile. Normally, I would start with the head. Which is how I will explain the process to you here.

I used mostly Scale 75 colors and Citadel washes/shades and glazes so I will use those names (you can easily use a paint conversion chart to determine which colors from different manufacturers you can use).

FACE

The idea behind painting the skin is to use a really light skin tone as a base coat ( I used S75 Light Skin). Using glazes made from S75 Basic Flesh and then S75 Indian Shaddow, I added shades. How to make glazes? Use small ammount of paint and add some Citadel Lahmian Medium and a drop or two of water until the mixture is milky, semi transparent. Then just add layer upon layer of those glazes.

I used a relatively large brush (size 1) to do the shades because the color in that state flows relatively freely in each pore.

If you are not in a mood to wait for the layers to dry, use a hairdryer to speed up the process.

Once the shades were done, I started with the highlights. Again, I mixed a glaze from S75 Pale Skin and Lahmian Medium. The highlights were applied with a small brush (000 – like the ones in this box). Why? Because you paint the highlights, almost draw them… so brush control is vital.

To end the process, you can add some Druchii Violet Shade under the eyes and inside and around the scars. I suggest diluting the Shade with some Lahmian Medium and doing it in several layers.

SCARS

Next up were the fresh scars – they are done with Tamiya Clear Red paint mixed with Nuln Oil and Agrax Earthshade.

FACE PAINT

Half the face (not smeared part) was painted with glazes of S75 White. The other half was done with Ammo by Mig Jimenez Washable White Camo. Apply it, leave to dry for about 5-10 minutes and then using a damp brush remove the excess paint in places where you want the face paint removed.

The black/blue/red face paint was done using Ammo by Mig Jimenez Oilbrushers. Apply them carefully drawing the patterns you want. Then using Odourless Thinner (also by Ammo) remove excess paint and smear it downwards or along the creases in the face/scars.

HAIR

Hair was painted using a grey and white drybrush (just be careful not to smudge the face). Once dry, I again applied several green oilbrushers and using Odourless Thinner smeared them along the length of the hair. If needed, in the end, add some Nuln Oil in the deepest recesses of the hair as shade.

This marks the end of the face painting part. We now turn to textile. We covered three different textures: silk (for the tie), cotton (for the shirt) and tweet (for the vest).

All three have the same first step. Pure basecoat of some light color (doesn't matter what color you choose, just pick a light shade of it). Paint in thin layers until you get an even coverage.

TIE

We started with the simplest job – tie. The silky feel is created by adding some metallic paint to the original color. I added some silver to the light blue. Using a Blue Glaze I added some shades, and then added white to the metallic blue mixture did several highlights. Also, the silk tends to reflect light in a sort of colourshift fashion so you can add some red/purple to the mix in the deepest shades.

If you are doing a light and vibrant, warm colour (orange, yellow etc), instead of metallic silver, I recommend using a golden color.

SHIRT

Next up was the shirt. I added some stripes with a lighter color and then with a darker color than the basecoat. Upon reflection, I decided to make a checked pattern so I added some perpendicular lines as well. Once this was done, it was time to shade the shirt. I used Citadel Red Glaze to which I added more and more Ogryn Fleshshade with more and more Lahmian Medium. When the shading was done, I used the lighter shades of the stripes on the raised parts of the shirt to make the highlights.

VEST

The trickiest part to paint as it requires a lot of patience. Again, using a lighter color than the basecoat, I started drawing small zig zag patterns (fishbone). Easiest part to start with would be the pocket and then the collar. By the time you finish with them, you should have the motion in your hand to dfinish the rest of the vest.

Once the pattern is drawn, you can add the shades. Again, I used Citadel Yellow Glaze to which I added more and more Seraphim Sepia Shade with more and more Lahmian Medium. Carefully apply the layers to the bottom of the creases as shades.

When I was done with the shading, I used a lighter tone of yellow (than I used on the fishbone pattern) and carefully added highlights to the creases. Don't use lines on the highlights in this case. Apply small dots (to mimic the light reflection off the weave).

The backside of the vest usually doesn't have the pattern, so to the basecoat I just applied lighter dots using stippling method. The shading was done as with the front part of the vest.

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	In the next two articles I will cover the making of the Alps diorama. The main “actor” of the diorama is a 1/87 scale oldtimer bus. In addition to it, the package also included a few figures (but more about them in another article).

	  

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TOP TIP – Wooden Beam Flooring

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	Construction:

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	In 2024, we started a new program called Back to Basics miniature painting workshops for the youngest in collaboration with the Zagreb City Libraries. We held a total of four workshops during October and November with 29 participants, our youngest fellow citizens.

	

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	After the workshops were completed, the children received diplomas for completing the workshop and, of course, took their work home.

	

	As a token of gratitude, we awarded Certificates of Appreciation to the Medveščak Library, the VN Gallery, and the City of Zagreb Libraries. We presented and presented all of our publications and manuals written so far to our colleagues from the Libraries.

	

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	Druga radionica, također na Dječjem odjelu Knjižnice Medveščak u Zvonimirovoj 17, održana je 26.10.2024.

	

	Treću radionicu održali smo u Čitaonici i Galeriji VN (Knjižnica Vladimira Nazora) u Ilici 163-a u subotu 09.11.2024.

	

	Četvrta radionica održana također u Galeriji VN u subotu 23.11.2024.

	

	Tijekom radionice, polaznici su sastavljali maketu dvorca, potom ju bojali, a na kraju obojali i zmaja koji čuva kulu.

	

	Koriste se lako nabavljivi materijali, ali i oni dobiveni upcycle metodom  (upcycling – eng. kreativna ponovna uporaba, proces je pretvaranja nusproizvoda, otpadnih materijala, beskorisnih ili neželjenih proizvoda u nove materijale ili proizvode koji se smatraju kvalitetnijima, poput umjetničke vrijednosti) što čini cijeli projekt ekološki prihvatljivim i inovativnim.

	

	

	

	

	

	

	

	

	

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	Za veće fotografije posjetite naše socijalne mreže.
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Krunoslav Belinić, 26th November 2024

Big Panda and Tiny Dragon drawing workshop

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During this year's Interliber, the author of the books about the Big Panda and the Tiny Dragon, James Norbury, held several different events and meetings with readers. On Friday, November 15, I had the opportunity to participate in a workshop on drawing characters from his books. Since James is an illustrator and his works include abstract landscapes, fantasy art, SF and cyberpunk comics, drawings and graphics, it was interesting for me to see how the panda and dragon characters are created in the technique of Japanese Zen painters.

James drew with a felt-tip pen and explained the structure of the characters and their characteristics. For example, the dragon has no eyebrows, so the expression of emotions is partially limited to a couple of eye shapes and hand gestures. While the panda rarely has a mouth in his drawings, so his expression of emotions is also sparse. However, it is precisely through the position of the body, the relationship between the characters, and the text below the picture that James's books convey the story and thoughts of a Buddhist view of life.

One of the messages is that not everything needs to be perfect, both in drawing and in life. He is not satisfied with some of the drawings that James made and published in the book, but as he himself says, if he had waited to make them perfect, he would never have published the book. You start with what you have and improve along the way. A philosophy that we often apply with our figures, dioramas and models.

I enjoyed copying and learning to draw the characters and tried my hand at making a few frames. At first the panda looked more like a Teddy bear, but with practice it took on a panda-like appearance and body position.

I recommend that anyone who has not yet read James Norbury's books find them and read them. They are quick to read, but can leave a long-lasting impression on your mind.

Izvorni tekst

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Rezultati prijevoda

Rezultat prijevoda

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Tijekom ovogodnišnjeg Interlibera autor knjiga o Velikom pandi i sićušnom zmaju James Norbury, održao je nekoliko različitih događanja i susreta s čitateljima. U petak 15. studenog imao sam priliku sudjelovati na radionici crtanja likova iz njegovih knjiga. S obzirom da je James ilustrator i njegova djela uključuju apstraktne pejzaže, fantasy art, SF i cyberpunk stripove, crteže i grafike, bilo mi je zanimljivo vidjeti kako nastaju likovi pande i zmaja u tehnici japanskih zen slikara.

James je crtao flomasterom i objašnjavao strukturu likova i njihove osobine. Npr. zmaj nema obrve pa je prikazivanje emocija djelomično ograničeno na par oblika očiju i gestikulacije rukama. Dok panda rijetko kad ima usta na crtežima, pa je i njegovo prikazivanje emocija oskudno. No upravo položajem tijela, međuodnosom likova i tekstom ispod slike Jamesove knjige prenose priču i misli budističkog pogleda na život.

Jedna od poruka je i da ne treba sve biti savršeno, kako na crtežu, tako i u životu. S nekim crtežima koje je James napravio i objavio u knjizi nije zadovoljan, no kako i sam kaže da je čekao da ih napravi savršeno ne bi nikada objavio knjigu. Kreneš s onim što imaš i putem se usavršavaš. Filozofija koju često primjenjujemo i mi sa svojim figurama, dioramama i modelima.

Uživao sam kopirajući i učeći crtati likove i okušao se u izradi par okvira. U početku je panda više sličila na Teddy beara, no s vježbom je dobila pandasti izgled i položaj tijela.

Svima koji se još nisu upoznali s knjigama Jamesa Norbury preporučam da ih pronađu i pročitaju. Brzo se čitaju, no mogu ostaviti dugi trag u promišljanjima.

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Krunoslav Belinić, 26th November 2024

We visited: Slovenian State Championship in plastic modelling, Ljubljana 16.11.2024.

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	On Saturday, 16.11.2024. in Ljubljana, the Slovenian Nationals in plastic modeling was held. Our delegation performed in several categories.

	  

	After arriving, registering and placing works in the appropriate categories, the most important thing was to meet again and talk with colleagues from other cities and countries such as Slovenia and Italy.

	  

	  

	  

	  

	  

	  

	It was a special pleasure for us to present and present several copies of our latest edition to our partners and friends from Back to Basics!

	  

	Also a real refreshment is the discovery of the (so far the only) manufacturer of real wooden bases and plinths in these areas - swood.si!

	  

	A little after 11:00, it was time to open the even officially and inspect the exhibits.

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	Given that, after several years of ugly weather, this weekend was sunny, we decided to use that time for a walk in beautiful Ljubljana.

	  

	  

	  

	Kruno: "This year, Slovenian Nationals were also an opportunity to see new and interesting works by colleagues from Slovenia, Croatia, Italy, Austria and other countries. An opportunity to encourage your own creativity and ideas, to admire the craftsmanship, effort and skill of people with whom you share similar interests. The day was beautiful, so the walk in Ljubljana was quite legal and filled the impression of this year's Championship. Marko and Vanja made sure that some "precious" metal was attached to Agram's name, so I was carefree and enjoyed the nice trip."

	  

	  

	After sightseeing the city, we returned to the competition just in time for the awarding of medals. Our members won a total of 4 medals - 2 gold, silver and bronze!

	  

	  

	  

	On the way back, our team refreshed itself traditionally at the Reset brewery in Brežice!

	  
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	U subotu, 16.11.2024. u Ljubljani održavalo se Državno prvenstvo Slovenije u plastičnom maketarstvu. Naša delegacija je nastupila u nekoliko kategorija.

	  

	Nakon dolaska, registracije i postavljanja radova u odgovarajuće kategorije, najbitnije je bilo ponovno se susresti i popričati sa kolegama iz drugih gradova i država poput Slovenije te Italije.

	  

	  

	  

	  

	  

	  

	Posebno zadovoljstvo nam je bilo predstaviti i pokloniti nekoliko primjeraka našeg zadnjeg izdanja našim partnerima i prijateljima iz Back to Basics!

	  

	Također pravo osvježenje jest pronalazak (za sada jedinog) proizvođača pravih drvenih baza i plinthova na ovim prostorima – swood.si !

	  

	Nešto iza 11h došlo je vrijeme za otvorenje susreta i pregled radova.

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	S obzirom da je, nakon nekoliko godina ružnog vremena, ovaj vikend bio obasjan suncem, odlučili smo iskoristiti to vrijeme za šetnju predivnom Ljubljanom.

	  

	  

	  

	Kruno: “I ove godine je DPS bio prilika za pogledati nove i zanimljive radove kolege iz Slovenije, Hrvatske, Italije, Austrije i drugih zemalja. Prilika za potaknuti vlastitu kreativnost i ideje, diviti se umješnosti, uloženom trudu i vještini ljudi s kojim dijeliš slične interese. Dan je bio lijep, pa je i šetnja Ljubljanom sasvim dobro legala i popunila dojam ovogodišnjeg Prvenstva. Marko i Vanja su se pobrinuli da se i nešto "plemenitog" metala zakači uz Agramovo ime, pa sam ja bezbrižno uživao u lijepom izletu.“

	  

	  

	Nakon razgleda grada, vratili smo se na natjecanje taman na dodjelu medalja. Članovi su ukupno osvojili 4 medalje – 2 zlata, srebro i broncu!

	  

	  

	  

	Na povratku naša ekipa se okrijepila već tradicionalno u Reset pivovari u Brežicama!

	  
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