The Bust Saga II (part 3)
If you are a bit older and from Zagreb, you probably remember Saga o Pičekima? If not, the joke will elude you. Well, hopefully beside the Croatian pun, you will like the rest of this saga. Kruno, Sebastian and Marko will take you on a miniature painting journey while they build and paint one and the same bust. Why call it a saga? Because everyone who knows Agram knows this will take a while to finish.... They chose a dead/undead knight bust by FER Miniatures. As far as we know, they will do different painting versions...
SEBASTIAN: For the first painting step on the bust, I chose the skin tone. I think that's going to dictate the rest of the painting choices, so it's a good place to start. The box art has very muted colors, so I decided on another direction, not to be afraid of color, at least as a base coat, and then mute them through highlight, while still keeping the undercoat of color. So I went with a highly pigmented, cold blue, AK's Gray Blue, and highlighted with Decomposed Flesh (seemed like an obvious choice for this model), which is a relatively cold beige, mixing in more and more white. I went for a ghostly kind of effect, turned out to be more of a cold effect, which is also okay, reminds me a bit of that Night King from game of thrones. Might go for more rust colors on the armor now, than I originally planned for, as orange is a complementary color of blue. Let's see...
KRUNO: Over the past week, I've been thinking about what direction he wants to go with the bust. I figured zombie knight doesn't sound bad. So this Wednesday I've been working on an olive complexion that's more zombie friendly.
Among the other details, I dealt with the leather belt, on which I applied two or three layers of brown wash. I darkened the chainring depressions with a black wash, then brought out the highlights with a metallic steel color and dulled the shine a bit with a red wash, which I hope will give a slight hint of corrosion.
I painted the hilt of the sword, the only thing that protrudes from the knight's hands, with a combination of brass and gun metal colors and thus got a dull yellowish metal color. I put the same color on the belt buckle. I drew the whites of the eyes and teeth with white paint so that they would not be "lost" in playing with tones. I will probably cover them both with some light wash.
Until next time, I have to figure out what color the knight's scent will be. So, I'm going to surf the heraldry of the 12th-13th. century.
MARKO: I slacked off this week and just added a couple of layers of olive wash to the skin.
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