PIRATE'S COVE GAMING BOARD – pt.2

Marko Paunović, 22nd August 2020

This article finds the second and final part of the step by step tutorial of the building process of a gaming board for a board game called Pirate's Cove that my club's (terrain workshop did a couple of years ago.

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The Design:

In the previous article, Andrija and I made the basic outline of the board with the frame, ran the wires underneath the board and made all the ships. The next thing, before the actual build, would be to have all the electronics installed so the terrain could be built around it. Before installment, we needed to check all the calculations and agree on the final layout of all the features.

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Electronics:

In this model we decided to fit the smoke generator (hereinafter - fogger), and in every house an LED would be built in order to evoke the effect of burning lamps or candles. As the power source for the board we chose the electricity from the grid which meant 220V AC current (in Croatia). Therefore the alternating current must be mentioned here, since the fogger is powered via the adapter from the city grid. The adapter which goes with the fogger changes AC 220V current to 24V AC also. (NOTE: If the device transforms the current from 220V AC to 24V DC for example, it is then called the transformer - author's note).

The advantage of using city power grid (ie adapters and transformers) is that there is no concern about the consumption of electricity, namely, no batteries which could be spent.

Since the LEDs are working exclusively on DC, it was necessary to connect the LED circuitry in parallel with the fogger. Apart from the fogger branch, we needed to extract one branch to go through Graetz bridge which would be connected to all the LED circuitry. As explained in a previous issue, Graetz combination (ie single-phase full-wave rectifier) only corrects the voltage, but it does not ''straighten'' it. In order to straighten the voltage it is necessary to add an RC circuit. In this gaming board, that was not necessary to make because the local electrical grid works on frequency f = 50 Hz (meaning that the voltage is sinusoidal and makes 50 cycles per second). Using a single-phase full-wave rectifier that frequency doubles, so the frequency is 100Hz. The human eye does not notice the higher frequency of 20Hz. What does this mean exactly? That our LED will be flashing 100 times per second, but you will not notice it. Indeed, it will look as if the LED were constantly lit. It should be noted that Graetz circuit losses of approximately 10% and that voltage 24V DC will therefore be around 22V DC.

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The calculation of the LED circuits is relatively simple because there is a lot of repetition. Each branch (except Crew Island) looks the same and as far as the resistance calculation runs as follows:

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and for Crew Island:

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Here we calculate the electrical power in each branch :

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which is relatively high power. It is no surprise when one considers the fact that the resistor reduces the voltage for 20V! This information is important when choosing the resistor, because when you buy it, you will need to emphasize that you are looking for such a powerful resistor. For the Crew Island two resistors of 50Ω and 0.04 W are required

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This result is also not surprising because the resistor reduces the voltage for only 2V, and through it flows a current of 20mA.

We now return to the beginning - the adapter, which in this case has Imax=1200mA. The next step is to add all the currents in the branches.

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So, to run all the LEDs you need 240mA which leaves 960mA for fogger to work, which after testing with a multimeter showed that is enough. If it were not,the calculation should be revised.

Finally, the elements needed for this project are:
• Fogger (with adapter AC 220V → 24V AC)
• 2 pairs of male-female Jack's
• Graetz bridge
• 7 switches
• 10 R = 1kΩ resistor R, P = 0.5 W
• 2 R = 50Ω resistor
• 27 LEDs (yellow, 3mm)
• 2 LEDs (red, 5mm → Treasure Island, the eyes of the skull)
• 1 LED (red, 3mm → Tavern Island, the upper floor tavern)
• a minimum of 10m of wire.

The Continuation of the Build

Once the electronics were installed and the Graetz bridge was prodected inside a box that was made from balsa wood, we did a test run. The LEDs indeed did not flicker, the volcano produced the fog and we could proceed with the terrain build.

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The first island we tackled was Crew Island. We decided to have a small sea town with a town hall and a church with a graveyard on a hill. The streets of the town were made from plastic pieces of a 1/72 medieval castle. The buildings were built by Andrija from 1,5mm thick balsa wood and thin card. The window shutters were about 1x1mm in size and were each cut from a piece of paper. We placed most of the buildings on top of 3mm yellow LEDs that were drilled through the bottom of the plastic street construction.

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The fortress on Gun Island was done from the same medieval castle plastic kit. Sides of the octogonal bastions were carefully cut using a scalpel blade. The guns were salvaged from a Revell plastic ship. To finish the job, we placed a chain at the port entrance.

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The body of all the islands was made from 2cm thick HD styrofoam. The beaches, cliffs and the rest of the features were modelled from air drying clay (DAS). The piers were done from 2mm thick balsa wood. Once the clay and PVA glue were dry, the islands were coated in watered down PVA glue. The top surfaces were sprinkled over with coarser sand while the beaches were covered with smallest grain sand we could find. In this case, it was chinchilla sand from a local pet shop.

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With this, most of the islands were done. All that was left was to do the Pirate's Cove island and make a removable volcano. We had to make the volcano removable to make it possible to fill and empty the vessel for the water that the fogger uses to make fog. If we left the board in one piece, it would have been impossible to empty the tank which would eventually cause the formation of calk or something even worse. Again, the body of the island was built by HD styrofoam. Using styrofoam boards made it possible to have a straight cut between the island and the removable volcano. Once the island part of styrofoam was dry, the tank was placed in its spot and around it another layer of styrofoam was placed and glued to the tank from the top side. Once it was dry, we made the island and volcano features following the same procedure as we did for the rest of the islands using DAS air drying clay. Once it was dry, we textured it with sand (two different sizes).

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The islands were painted using Pebeo Deco colours (Black, Brown, Ochre, Ash, White and Grey) and flocked using static grass. The trees were made from twisted wire trees bought on Ebay. When the islands were done, I painted the seas. As I wanted the blue to be really bright, I used a white undercoat that was hand painted using a large brush as I didn't want to risk botching up the rest of the work by accidental spillage by using sprey/air brush. After it was done, I mixed several shades of blue (by mixing Pebeo Deco White and Blue). Each progressive layer had more Blue in it. Before pouring in the resin, we decided to make a compass with a club sign. The painted design on a piece of paper was simply cut out and glued using watered down PVA glue. All that was needed was to mix the resin and pour it in carefully. For this, we used Gedeo Crystal Resin. A quick calculation revealed that we needed 600ml of resin in order to make the water 1,5-2mm deep. Carefully we mixed the two part resin (mixing ratio is 2:1 vol which makes it easy to work with). Once the mixture was fully mixed I added a couple of drops of Pebeo Vitrail Sky Blue colour. Be careful when mixing, because you can easily overdo it and be left with too dark a resin.

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After a drying period of about 24 hours, the board was done and we could present it to the guys from the club!

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Latest articles

  • Miniature Painting Workshop - 75mm Dwarf
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    On 09-10.05.2026. we held a new weekend miniature painting workshop. This time it was the turn of a dwarf in 75mm scale.

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    The workshop was held over two days (a whole weekend) and the participants painted a 75mm miniature dwarf. The focus of these lectures was painting various textures - metal, human skin, textiles and leather. Water-based acrylic paints were used in the workshop. For this purpose, the workshop leader, Ivan Knezović, chose a 75mm miniature dwarf from Durgin Paint Forge, sculpted by Carlos Perez Bugedo. The lectures were adapted so that the leader devotes equal time to all participants and can be adapted to all categories of miniaturists (from beginners to slightly more advanced).

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    The workshop took place as follows:
    First, the lecturer sits at his desk and explains and demonstrates each step in painting a miniature/model on his specimen. His work is displayed on a screen via a camera and projector, which the participants listen to, watch, and ask questions about.
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    The workshop will include the following thematic units:
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    POWERED BY: Carta MagicaFireball FigurinesDurgin Paint ForgePlaysupport

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    09-10.05.2026. smo održali novu vikend Radionicu bojanja minijatura. Ovoga puta na redu je bio patuljak u 75mm mjerilu.

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    Radionica se provodila kroz dva dana (cijeli vikend) i polaznici su bojali 75mm minijaturu patuljka. Fokus ovih predavanja bilo je bojenje raznih tekstura – od metala, ljudske kože, tekstila i kože (leather). U sklopu radionice korištene su akrilne boje na bazi vode. U tu svrhu, voditelj radionice, Ivan Knezović, izabrao je 75 mm minijaturu patuljka tvrtke Durgin Paint Forge, koju je sculptao Carlos Perez Bugedo. Predavanja su prilagođena tako da voditelj posveti jednako vrijeme svim polaznicima i može se prilagoditi svim kategorijama minijaturista (od početnika do malo naprednijih).

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    Radionica se odvijala na sljedeći način:
    Prvo, predavač sjedi za svojim stolom te objašnjava i demonstrira pojedini korak u bojanju minijature/makete na svojem primjerku. Njegov rad se preko kamere i projektora prikazuje na platnu što polaznici slušaju, gledaju, ali i postavljaju pitanja.
    Potom, polaznici sjedaju za svoje stolove i primjenjuju stečeno znanje. Voditelj kruži između polaznika i provjerava kako svakom polazniku ide. Na taj način, može se prilagoditi svakom polazniku ponaosob.

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    Radionica će uključivati sljedeće tematske cjeline:
    1. NMM (Non metallic metal)
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    6. Izvlačenje tekstura tkanine, metala i kože (leather)

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    POWERED BY: Carta MagicaFireball FigurinesDurgin Paint ForgePlaysupport

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    Ivan Knezović, 26th May 2026
  • We visited: Festival Svet v Malem 2026, Pivka, Slovenia
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    On May 23, 2026, we participated in the international plastic model making competition Festival Svet v Malem 2026 in Pivka, Slovenia.

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    The competition is traditionally held at the Military History Park in Pivka.

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    23. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu Festival Svet v Malem 2026 u Pivki u Sloveniji. 

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    Natjecanje se tradicionalno održava u Parku vojne povijesti u Pivki.

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    Krunoslav Belinić, 26th May 2026
  • We visited: KupKA 2026
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    On May 16, 2026, we participated in the international plastic model making competition KupKA held at the Museum of the Homeland War in Karlovac.

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    The competition was organized by the Slavoljub Penkala Modeling Club from Zagreb.

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    Thanks to the organizer for an interesting competition, to the judges for some medals, and especially to my colleagues from the Maketarski Club Novi Sad - IPMS Serbia for the medal!

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    " ["content_hrv"]=> string(3602) "

    16. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu KupKA održanom u Muzeju domovinskog rata u Karlovcu.

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    Natjecanje je organizirao Maketarski klub Slavoljub Penkala iz Zagreba

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    Hvala organizatoru na zanimljivom natjecanju, sucima na ponešto medalja, a pogotovo kolegama iz Maketarskog Kluba Novi Sad - IPMS Srbija na medalji!

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    Marko Paunović, 26th May 2026
  • Back to Basics Workshops in Gallery VN
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    In May 2026 we held our Back To Basics miniature painting workshops for the youngest in Gallery VN.

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    The workshops were completely FREE for all participants!

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    The Back to Basics method is a method of making models and miniatures that focuses on a fun process intended for younger ages, but everyone is welcome! In three separate sessions on Thursdays, participants (aged 7+) painted miniatures of their choice (knight, princess, king, wizard and barbarian). 

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    1st session: Painting miniatures of choice, Thursday, 07.05. - from 18:00 to 19:00

    2nd session: Painting a miniature of your choice, Thursday, 14.05. - from 18:00 to 19:00

    3rd session: Painting a miniature of your choice, Thursday, 21.05. - from 18:00 to 19:00

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    U svibnju 2026. održali smo naše Back To Basics radionice za najmlađe u Galeriji i čitaonici VN.

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    Radionice su bile BESPLATNE za sve polaznike!

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    Back to Basics metoda je metoda izrade maketa i minijatura kojoj je fokus na zabavnom procesu namjenjenom mlađim uzrastima, ali svi su dobrodošli! U tri zasebna termina četvrtkom, polaznici (od 7+) su bojali minijature po izboru (vitez, princeza, kralj, čarobnjak i barbarin).

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    1. termin: Bojenje minijature po izboru, četvrtak, 07.05. - od 18:00 do 19:00

    2. termin: Bojenje minijature po izboru, četvrtak, 14.05. - od 18:00 do 19:00

    3. termin: Bojenje minijature po izboru, četvrtak, 21.05. - od 18:00 do 19:00

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    Krunoslav Belinić, 26th May 2026
  • Painting Faces at Tabletop Level
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    In this short article, I will describe two ways to paint faces on a so-called tabletop standard. The text follows two versions of the painting. One will use a store-bought wash, and in the second, slightly less contrasting one, I will use a wash that I got from regular paint. This way, the reader can choose which method suits them better.

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    The first step is to dye the base color.

    Left: Since I'm going to use a store-bought wash in this example, I decided to go for a darker shade of skin tone.

    Right: In this example, I'm going to use the color as a base for the wash, so I decided to go for a slightly lighter skin tone - and therefore a lighter base color.

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    The next step is to apply the wash.

    Left: I use a regular, store-bought Reikkland Fleshshade wash.

    Right: On a drop of the darker skin tone, I add two drops of Lahmian Medium and a drop or two of water. This creates my own wash, which I apply similarly to the example on the left.

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    Then comes the first highlight.

    Left: I apply the base color to the raised parts of the face and thus get the first highlight.

    Right: Just like in the example on the left, I use the base color as the first highlight.

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    Then the second highlight.

    Left: I get the second highlight by mixing the base color with a lighter shade.

    Right: I follow the same process as on the left, with the caveat that I never use pure white to mix the highlight, it's always an off white – with a minimal amount of some pigment.

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    The penultimate step is to outline the eyes.

    Left: This step is identical in both cases.

    Right: I outline the eyes with some off-white paint (to make my life easier, it's usually two lines).

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    The last step is to add shadows around the mouth and eyes.

    Left: In this case, you can use a darker wash like Nuln Oil or Druchi Purple.

    Right: I mixed black and purple and added two drops of Lahmian Medium and a drop or two of water to create a darker wash, then applied the mixture to the eye sockets, making sure not to get the wash on the previously drawn eyes.

    And the last thing is drawing the pupils – just vertical lines of dark/black color against the horizontal light lines for the eyes.

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    U ovom kratkom članku, opisat ću dva načina za bojanje lica na takozvanom tabletop standardu. Tekst prati dvije verzije bojanja. Jedna će koristiti kupovni wash, a u drugoj, malo manje kontrastnoj koristit ću wash kojeg sam dobio iz obične boje. Na taj način, čitatelj može izabrati koji način mu više odgovara.

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    Prvi korak je bojanje u osnovnu boju.

    Lijevo: s obzirom da ću na ovom primjeru koristiti kupovni wash, odlučio sam se za tamniju nijansu boje kože.

    Desno: u ovom primjeru koristit ću boju kao osnovu za wash, tako da sam se odlučio za malo svjetliju nijansu kože – a samim time i svjetliju osnovnu boju.

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    Sljedeći korak je stavljanje wash-a.

    Lijevo: Koristim običan, kupovni Reikkland Fleshshade wash.

    Desno: Na kap tamnije nijanse boje kože stavljam dvije kapljice Lahmian Mediuma i kap do dvije vode. Na taj način dobivam vlastiti wash kojeg nanosim slično kao i na lijevom primjeru.

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    Zatim ide prvi highlight.

    Lijevo: Nanosim na izdignute dijelove lica osnovnu boju i na taj način dobivam prvi highlight.

    Desno: Jednako kao i u lijevom primjeru, kao prvi highlight koristim osnovnu boju.

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    Potom drugi highlight.

    Lijevo: Drugi highlight dobivam mješajući osnovnu boju s nekom svjetlijom nijansom.

    Desno: Pratim isti proces kao i lijevo, uz napomenu da nikada ne koristim čistu bijelu boju za miješanje highlighta, uvijek je to neki off white – s minimalnom količinom nekog pigmenta.

    Click for enlarged picture

    Predzadnji korak je iscrtavanje obrisa očiju.

    Lijevo: Ovaj korak je identičan u oba slučaja.

    Desno: Nekom off white bojom iscrtam obrise očiju (da si olakšam život, to su najčešće dvije crtice).

    Click for enlarged picture

    Zadnji korak je dodavanje sjena oko ustiju i očiju.

    Lijevo: U ovom slučaju, možete koristiti tamniji wash poput Nuln Oil ili Druchi Purple.

    Desno: Pomiješao sam crnu i ljubičastu boju te dodao kap dvije Lahmian Mediuma i kad do dvije vode da dobijem tamniji wash te smjesu nanio u očne šupljine pazeći da wash ne dođe na prethodno iscrtane oči.

    I zadnja stvar je ucrtavanje zjenica – samo okomite crtice tamne/crne boje u odnosu na horizontalne svijetle crte za oči.

    " ["created"]=> string(19) "2026-05-20 10:46:57" ["modified"]=> string(19) "2026-05-20 10:46:57" } ["Member"]=> array(10) { ["id"]=> string(2) "35" ["group_id"]=> string(1) "1" ["first_name"]=> string(5) "Marko" ["last_name"]=> string(9) "Paunović" ["first_name_mask"]=> string(5) "marko" ["last_name_mask"]=> string(8) "paunovic" ["username"]=> string(5) "marko" ["password"]=> string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122" ["born"]=> string(19) "2033-03-07 20:35:00" ["created"]=> string(19) "2009-06-02 20:37:03" } }
    Marko Paunović, 20th May 2026

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