UMS "Agram" : Building a modular river < Articles < Hobby

Building a modular river

Marko Paunović, 11th September 2020

If you've been following my articles about building terrain in previous articles on this site, you'll know that I've slowly been making terrain for my Wild West table for Malifaux. I've already built a church with a graveyard, an undertaker's on a hilltop, a minehead entrance, a watertower and in the last issue I've covered the building process of modular railroad tracks. This time, I decided to do a modular river to span the length of the standard Malifaux table.

Idea and planning

As always, planning is important, in some cases even vital part of the design process so it's always good to prepare yourself for the build. Good preparation not only saves money, but it also saves time. As I mentioned above, in this issue I'll be discussing how to build a modular river. Most of the rivers for tabletop look fake because people tend to make two banks with the river in the middle. This in itself is not bad, however, when placed on a flat tabletop, it will look more like a man made canal than a proper river. This had me thinking and I've come up with a simple solution. I decided to make the river modules about 30 x 30 cm (12'' x 12'') out of 2 cm thick HD styrofoam. This way, I'll have a part of the table at an elevated level with enough space to place some of the already built terrain. But most importantly the river won't look so much like a man made canal placed on top of the tabletop.

This in turn presented additional problems. Having such a river might provide some difficulties during gaming. How to get across to the other side, lots of free space with long lines of sight. Therefore, I decided that each of the three modules would have a river crossing. In order to make it as diverse as possible, I've decided to make one wooden pedestrian bridge, one railroad bridge (as I had some tracks left over) and one river crossing over shallows.

In fact, when I thought of the shallow crossing, it dawned on me that the overall setting on my table isn't what you normally see with lots of green colours and vegetation. It's almost desert like. That's the reason I decided to make the river almost dried up. (I will however, explain how to make the modules if you wish to have a full body of water inside your riverbed).

Materials and tools

After the rough sketch, I could make a definite list of materials and tools needed for this project. Those are as follows:
- roughly 10cm 2 mm balsa wood plank (they come in 10 x 100 cm planks)
- roughly 10cm of 5mm balsa wood plank (they also come in 10 x 100 cm planks)
- about half a sheet of 2cm thick HD styrofoam (50x100cm)
- about 30 x 30 cm of 5mm thick MDF
- superglue
- PVA glue
- 0,5 kg of DAS air drying clay
- gravel (four sizes)
- static grass / tufts
- AK Interactive Light and Dry Crackle Effect
- sanding paper (1 sheet)
- masking tape
- Gedeo Crystal Resin
- Pebeo Vitrail Colour – Greengold
- railroad tracks (toy)

The tools needed are:
- scalpel blade
- marker pen
- scissors
- modelling saw
- brushes – various sizes – for painting/washing and for drybrushing
- hot wire cutter

* Like in previous issues, I used my Proxxon table mounted circular saw, jigsaw on the MDF to cut the river base and cut the tracks to size.

Building the base

Having aquired all of the materials, using my scalpel blade, I first cut the three 30 x 30 cm modules from HD styrofoam. I then cut them in half with one side being about 20 cm wide and the other 10 cm. It was then time to draw the shape of the base of the riverbed on a piece of 5 mm thick MDF. If you have an irregularly shaped piece (like I had) it's wise to try different ways of placing your 10 x 30 cm riverbed modules to find the easiest way to cut the MDF. If you look carefull, you'll notice both red and green lines on my piece of MDF. In the end I cut the MDF along the green lines as it saved me a couple of passes with my jigsaw.

When both the HD styrofoam and MDF parts were cut, I made a mock assembly to find a suitable place to put my railroad tracks (as I had no straight lines, only curved). When I was satisfied with the layout, I cut the last piece of the track using my table mounted circular saw. If you don't own one, same can be done with either a scalpel blade or a modeller's saw.

When the railroad was cut, it was time to design the river banks. Placing the three pieces that make one module (small and large HD styrofoam part with MDF river bed in the middle), I drew the outline of the river bank using my marker pen. I made sure that the edges of the modules on both sides were exactly the same dimension. This would ensure that the modules can be placed in any formation. Following the drawn lines as closely as possible with my sclapel blade, I cut the embankments. It was now time to try to fit the MDF river bed to the remaining two parts. Again, using my marker pen, I marked 5mm from the bottom side of the styrofoam board and exactly 18 cm from the back of the larger and 6 cm from the smaller styrofoam piece. I cut along the lines and removed the excess material. This would ensure that my MDF riverbed would snuggly fit the HD styrofoam parts of each module.

Before assembly, I had to cut the surfaces of the embankments. I used my electric hot wire cutter. Hot wire cutter can come in several forms and power outputs. The one I have is the cheapest out there, powered by two AA batteries. How it works? The electricity from the batteries heats up the wire that then melts the styrofoam performing a perfect straight cut. However, as it heats the wire elongates so you should take into account that fact when fixing the wire to the cutter. It is quite cumbersome to operate in small, confined places which is the reason I used it before assembling the river modules.

When the embankments were formed, I turned the two HD styrofoam pieced over, generously poured some PVA glue and placed the MDF river bed in its place. Using my finger, I removed the excess PVA glue and with some 2 cm thick masking tape, I covered the joints between HD styrofoam and the MDF ensuring I had a really hard bond. Also, covering the joints with tape, enables you to procede with the build as it prevents the PVA glue from leaking. PVA glue normally takes up to 6 hours to fully cure.

With the tape in place, I turned over the tree modules and I built up some volume using DAS air drying clay. I made sure I had some clay on every edge of the module. When I add texture, this will ensure that the resin remain inside my module. I've already mentioned that I want the river to be half dried-up so this will actually help with the build as well as look good.

Texturing

At this point, I was nearing the end of the construction and all that had to be done before the painting was to add texture to the base. In order for the grooves that were cut with the hot wire cutter remain undamaged after undercoating (undercoat sprey burns styrofoam so it needs to be protected), I decided to cover those surfaces with a cote of pure PVA first. While it was drying, I took out all the gravel I was to use on this project: - chinchilla sand – smallest grain - basing grit in two sizes - chinchilla sand – largest grain

Once the PVA protection was dry, I smeared more wattered-down PVA on the vertical surfaces and sprinkled some smallest grain chinchilla sand. I then repeated the PVA smearing process on the roads and river shallows. Here, however, I first sprinkled over some largest grain gravel, next I sprinkeld some Basing Grit and to finish I poured over the smallest grain chinchilla sand. If you sprinkle gently and with care you can end up with nice variations in texture – for instance the middle of the dirt road usually has some larger stones as opposed to the sides of it. When the road was dry, I repeated the process with the rest of the base, sprinkling the two largest grains over the ground part. Inisde the riverbed, I carefully placed the largest gravel where the riverbed would be dry, and intentionally left the smaller grain where the water effect would be placed.

When I tackled the module with the railroad tracks, I first covered the route of the tracks with pure PVA glue to make sure the railorad tracks would stick. Then I sprinkled some roughest grain gravel along the route and in between the tracks.

You will notice that all of the modules have some parts of the modules without sand (with only PVA over them). This part of the modules would be covered with AK Interactive Light and Dry Crackle Effect paste to create the image of a dried up desert. But more about that a bit later on in this article.

Making the bridge structure

Before undercoating, there was only one more thing to do – the wooden pedestrian bridge. Using a 4,5 x 8,5 cm piece of 5mm thick balsa wood I made the body of the bridge. The dimensions I used are a bit odd, but it's only because the bridge was made to measure. I measured the width of the road and the span of the river and came up with those numbers. The 4,5 cm wide bridge would however accommodate every miniature base for Malifaux. When the body was cut, using a wooden stick, I made grooves across the bridge that would make up planking. Then, using 2 mm thick balsa wood, I made several supports for the bridge and glued them using super glue. Before gluing the bridge to the base, I undercoated the underside of the bridge as well as the river bank and river bed under the bridge to make my job easier later on.

Painting

First job when painting is to undecoat everything. This will help with the shading and the overall 3D effect of the entire terrain piece. Wanting all my terrain to fit one theme (and consequently one tabletop) it was only natural I use the same colours and colour scheme as on the earlier terrain. Therefore once again I used Pebeo Deco color range. I used Brown (29) for the basecoat and continued drybrushing with Ocre (51). Lighter shades were done with a 50:50 mixture of Ocre (51) and White (41). The final highlight was done with Antique White (69). The road and the river shallows were first basecoated with Brown (29) then heavily drybrushed with Ocre (51) and a 50:50 mixture of Ocre (51) and White (41). The last two highlights were Antique White (69) and pure White (41). This way, I had a visual difference between the normal groundwork and the worn out road.

The bridge and the wooden parts of the railorad tracks were painted by drybrushing first using a 50:50 mixture of Black (55) and Grey (54). Next layer was pure Grey (54) and the finishing highlight was Ash Brown (70). I was not quite satisfied with the result, so I added another highlight of pure White (41). The metal tracks were then painted pure metal (I used Citadel's Runefang Steel). When it was dry, as was the case in the last issue, I covered the metal bits with Model Mates' Rust Effect.

With the basic painting done, you'll have noticed the large patches without texture where pure PVA was placed in the texturing phase. As I promised before, I covered this parts using AK Interactive Light and Dry Crackle Effect. In some places I left only a thin layer, while in some I put it on generously and left it to dry. When it was dry, the effect of dried earth was created.

Vegetation

After the painting, it was time to add the vegetation to the base. Normaly, at this point, I'd add some trees (in the case of this Malifaux build, pine trees to be more exact). However, here I decided not to plant them as this way, the storage would be much, much simpler. And anyway, my intention is to make a lot of smaller terrain pieces (like small pine forest patches, some crates and other debris later on – maybe even in the next issue). With the trees out of the way, I added some static grass. I made a mixture using several green, brown, yellow and black shades of static grass and when I was satisfied with the end product, I glued it in random patches throughout the modules. One thing I made sure of is that I put static grass over any and all of the remaining holes where the black undercoat melted the HD styrofoam in order to hide the unintentional mistake. Once the static grass was in place, I applied several shades of different tufts. Again, as in the former articles, I used tufts made by a company called Gamer's Grass.

Working with resin

The water on the tabletop terrain can be simulated in many ways. Some are better and more realistic, while some are simpler but less believable. In my experience, I've come across six ways of reproducing water. In the end I'll focus on one method that in my opinion gives the most faithful reproduction of water.

First method is to texture the surface using PVA glue and sand (which is an especially good method for streams) and then paint it using long strokes of greenish brownish tint. After the paint dries coat it with a thick layer of marine varnish or some other form of gloss cote.

The most primitive method is using water itself. Leaking and not having depth in artificial light are the biggest drawbacks apart from evaporation and tendecy to grow life.

The third option is using glass. Make a riverbed like I explained earlier and put a glass surface over it. For extra effect you can tint it on the bottom. However, it is difficult to shape, so that it is not worth the effort.

The fourth method is using plexiglas. Same principles apply here as in the previous method. It is relatively easy to cut and is good for flat and calm water. I've seen it used in railroad models extensively and while both of these methods can look good on static displays such as railroad model tables and such, on smaller pieces of terrain (like used on tabletop) it is better to avoid these two methods.

The fifth method to recreate water is using marine varnish. Pouring in numerous layers means it takes a lot of time to finish. And still you will not get much depth in your river/body of water. It is therefore suitable for small wetlands or small ponds and puddles on various terrains. As with the first method, work in well-ventilated preferably open areas.

The final method, and also the most realistic, is the usage of resins. Are usually two-component mixtures (one is resin, the other a hardener). They are a really good way of creating water, both still and running. Good depth can be achieved and they can be tinted with special colors so that you can get the shade of water you need. A few tips for working with resin: - Protect your hands - wear gloves - Work in well ventilated areas - Have thinner handy to clean up if your pours outside the wanted space - Stir in plastic cups - When it is poured, drill the bottom of the glass so that Resin can slowly leak to avoid creating air bubbles

There are numerous versions of resin available at the market today but I’ll name a few products I use.

First, two part resin called Crystal Resin which is made by a company called Gedeo. It comes in two various sizes (300 ml and 750 ml), and can also be bought predyed. It’s main advantage over other products out there is that it is mixed in 2:1 ratio (resin : hardener), unlike most products who mix in 97:3 (or similar) ratio. Because of the easy way to calculate the ratio, this enables me to use quantities I need and does not force me to use the whole package at once. It has a drying time of 24 hours.

Second, Vallejo Still Water which is an awesome one part resin. It does not require mixing and can be dyed using Vallejo colours. It comes in a 200 ml bottle and is great for small ponds on your bases.

The third kind I use is Vallejo Water Effects (Extra Heavy Gel). It comes in various colours, but I use the transparent one. It is a white paste with the consistency similar to that of a tooth paste that dries clear. It is great for modeling ripple effects or waves on your water surfaces.

Back to the practical application. For this build, I chose Gedeo Crystal Resin. I first mixed a batch of resin and hardener (2:1 ratio as per instructions). Once I got a murky consistency, I poured in some Pebeo Vitrail Greengold Colour. Using a stirrer, I mixed it evenly throughout the resin. When I was satisfied with the colour, I carefully poured the resin inside the modules making sure I do not drip where I'm not supposed to. I left it to dry for 24 hours and my modular river was done!

How to make full-bodied river modules?

Simple. Follow the steps described earlier up to the point of pouring in the resin. Before I could add resin into the riverbed, you need to make dams to prevent the resin from leaking. Easiest way is to use strips of plastic foil gently glued to the sides of each module using superglue. Then use Vallejo Extra Heavy Gel to seal the joints between the modules and the plastic foils on the inside of the riverbed. Leave it to dry thoroughly, day or two if neccesary. Once dry, covered the plastic foil on the inside with some cooking oil to prevent it from sticking to the resin. Then place all the modules next to each other and pour in the coloured resin of your choice into each of the modules making sure that the level of the river in each module was the same. Leave it to dry for 24 hours, at least. Also, if you want to have a gradual transition of the colour in your river (pure resin on top with the darkest colour in the bottom), use several layers starting, obviously with the darkest colour allowing each layer to fully cure. Once the resin is dry, remove the plastic foil dams and there you have it – river done. To add some ripples and waves, you can use Vallejo Extra Heavy Gel when the resin is dry.

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	for better photos check out our social media.
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	U subotu, 24.5.2025. zaputili smo se u Pivku u Sloveniji na tradicionalno međunarodno natjecanje Svet v Malem. Kao i proteklih godina i ovaj puta se održalo u Parku vojaške zgodovine u Pivki smještenom u bivšoj vojnoj kasarni.

	

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	Natjecanje je bilo na dosta visokom nivou, a naši članovi su osvojili nekoliko medalja.

	

	

	

	

	Za više fotografija u punoj rezoluciji, pogledajte naše socijalne mreže.
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Krunoslav Belinić, 1nd July 2025

We visited: Kontrast Miniature Painting Festival

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This year, our member Ivan Knezović and his brothers, Petar and Filip, (popularly called the Knezović Clan) visited the Kontrast international miniature painting competition in Poland. And this is his report.

One of the largest miniature painting competitions in the world has been taking place in Warsaw since 2021. The Knezović clan visited Kontrast for the first time in 2023. The event was great and we enjoyed almost 1500 works, many of which were made by masters at the highest artistic level. We decided to visit Warsaw again in 2025, after completing enough works to justify the 12-hour drive one way.

We came to Kontrast as a kind of UMS Agram emissaries, and we handed out flyers for Black Queen 2026 and met a number of other enthusiasts, and we hope that some of them will visit Zagreb. We also brought home the Best of Show medal for the work that impressed us the most. We awarded the UMS Agram Best of Show to Dimosthenis Xylas, a miniaturist from Athens, for his dwarf. The work impressed us with its phenomenal atmosphere, smooth transitions, the play of multiple light sources, the level of quality on each individual element, and the convincing textures of the metal. Also, we simply love dwarfs.

The number of phenomenal works was large, because in 2025 more than 1700 works were exhibited in 2 classes - Standard for beginners and hobbyists and Master for professionals and those who have already proven themselves at international competitions (everyone who won gold in Standard will compete in Master in the future).

Petar won silver in the Master in 2023 and exhibited his works in the Master in 2025, while Filip and I did not have such good results and entered our works in the Standard.

One of the works that particularly stood out was Captain Titus from the game Space Marine 2 in a huge scale, it seems to me to be 1/4. It may not be the best, but it is a work that all visitors noticed.

One of the works that impressed us was a truly enormous diorama of Khorne Chaos Space Marines vs. Ultramarines. The diorama is huge, but each model is painted to a very high standard and contains about 30 models in various sizes. It is an imitation of a famous painting depicting a battle in Warhammer 40k.

Going through every work that impressed us would make this article too long, and words convey much less than photographs. Luckily, Filip came with a very good camera, so I leave some pictures for the readers to enjoy.

Our results were beyond expectations. Petar did not return with a medal, because during the 2 years he worked mostly on orders. He painted more than 400 models, but almost all of them were orders. In 3 days he painted the Durgin Paint Forge Orca. The model is really excellent, but the competition was great. With a few more days of work he would definitely be in the running for a medal. I think he can be satisfied with his work and next time aim for a medal with 6 days of painting.

Jure Cukar, for whom we carried 3 models, won 1 silver in the Standard class.Filip won 2 silvers in the Standard class for his lizards (dioramas) and for his ambient soldier (single model up to 54 mm).

I came to Kontrast with 5 exhibits. I came back with results that I did not expect even in my most optimistic dreams, because this is a truly huge competition with numerous top artists. I entered all my works in the Standard class.

For my Midori bust, I won gold in the Standard Historical and Realism category and an award from Alternity Miniatures, the company whose bust it is a product.

For my cat Albert, I won silver in the Standard Storytelling category.

For Dwarf Lord, I won gold in the Standard category for models larger than 54 millimeters.

For my dwarf adventurers, I won gold in the Standard Diorama category, a medal from Verko's Vault (miniature museum in Las Vegas) and what I really didn't expect, Best of Standard – the award for the best work of all works in the Standard category.

Finally, and this is perhaps the greatest recognition for my work, I won silver in the Master category for my Infinity regiment. Namely, all competitors submitted their works in only one class, either Standard or Master. However, the judges reserved the possibility of moving the model from Standard to Master.

All in all, Kontrast is a great experience. I hope we will visit Warsaw again, if not in 2026 then in 2027. In the meantime, I hope our Black Queen will also visit some of the new people we met in Poland.

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Ove godine naš član Ivan Knezović je sa svojom braćom, Petrom i Filipom, (popularno nazvanima Klan Knezović) posjetio međunarodno natjecanje u bojanju minijatura Kontrast u Poljskoj. A ovo je njegov izvještaj!

Jedno od najvećih natjecanja u bojenju minijatura na svijetu odvija se u Varšavi od 2021. godine. Klan Knezović je posjetio Kontrast prvi puta 2023. godine. Događaj je bio sjajan te smo uživali u gotovo 1500 radova, od kojih su mnogi rađeni od strane majstora na najvišoj umjetničkoj razini. Odlučili smo i 2025., nakon što smo dovršili dovoljno radova da opravdamo vožnju od 12 sati u jednom smijeru ponovno posjetiti Varšavu.

Na Kontrast smo došli kao svojevrsni izaslanici UMS Agrama te smo podijelili letke za Black Queen 2026. te upoznali veći broj drugih entuzijasta te se nadamo da će neki posjetiti Zagreb. Donijeli smo i Best of Show medalju za rad koji nas se najviše dojmio. UMS Agram Best of Show dodijelili smo Dimosthenisu Xylasu, minijaturistu iz Atene za njegovog patuljka. Rad nas je dojmio fenomenalnom atmosferom, glatkim prijelazima, igrom više izvora svjetla, razinom kvalitete na svakom pojedinom elementu i uvjerljivim teksturama metala. Također, jednostavno volimo patuljke.

Broj fenomenalnih radova bio je velik, jer je 2025. bilo izloženo više od 1700 radova u 2 klase - Standard za početnike i hobiste te Master za profesionalce i one koji su se već iskazali na međunarodnim natjecanjima (svi koji su u Standardu osvojili zlato ubuduće se natječu u Masteru).

Petar je 2023. osvojio srebro u Masteru te je i 2025. izlagao radove u Masteru, a ja i Filip nismo imali tako dobre rezultate te smo svoje radove prijavili u Standard.

Od radova koji su se posebno isticali bio je kapetan Titus iz igre Space Marine 2 u ogromnoj skali, od oka čini mi se da je 1/4. Možda nije najbolji, ali je rad koji su svi posjetitelji primijetili.

Jedan od radova koji nas se dojmio je i zbilja ogromna diorama Khorne Chaos Space Marinaca protiv Ultramarinaca. Diorama je ogromna, ali svaki model pobojen je na vrlo visokoj razini te sadrži oko 30 modela u različitim veličinama. Imitacija je poznatog slikarskog prikaza bitki u Warhammeru 40k.

Proći svaki rad koji nas se dojmio oduljilo bi ovaj članak, a riječi prenose puno manje nego fotografije. Srećom, Filip je došao s vrlo dobrim foto aparatom te ostavljam neke slike za uživanje čitateljima.

Naši rezultati bili su iznad očekivanja. Petar se nije vratio s medaljom, jer je kroz 2 godine radio većinom na narudžbama. Pobojio je više od 400 modela, ali gotovo sve su bile narudžbe. U 3 dana pobojio je Durgin Paint Forge orka. Model je zbilja izvrstan, ali konkurencija je bila velika. S još nekoliko dana rada zasigurno bi ušao u konkurenciju za medalju. Mislim da može biti zadovoljan samim radom i sljedeći put ciljati na medalju sa 6 dana bojenja.

Jure Cukar, za koga smo nosili 3 modela osvojio je 1 srebro u Standard klasi. Filip je osvojio 2 srebra u Standard klasi za svoje guštere (diorama) i za svojeg ambientalnog vojnika (single model do 54 mm).

Ja sam na Kontrast došao s 5 izložaka. Vratio sam s rezultatima koje nisam očekivao niti u najoptimističnijim snovima, jer se radi o zbilja ogromnom natjecanju s brojnim vrhunskim umjetnicima. Sve svoje radove prijavio sam u Standard klasu.

Za svoju Midori bistu osvojio sam zlato u Standard Historical and Realism kategoriji te nagradu Alternity Miniaturesa, tvrtke čija je bista proizvod.

Za svojeg mačka Alberta osvojio sam srebro u Standard Storytelling kategoriji.

Za Dwarf Lorda osvojio sam zlato u Standard kategoriji za modele veće od 54 milimetra.

Za svoje patuljke avanturiste osvojio sam zlato u Standard Diorama kategoriji, medalju Verko's Vaulta (muzej minijatura u Las Vegasu) te ono što stvarno nisam očekivao, Best of Standard – nagradu za najbolji rad od svih radova u Standard kategoriji.

Na kraju, a ovo je možda najveće priznanje za moje radove, osvojio sam srebro u Master kategoriji za svoj Infinity regiment. Naime, svi natjecatelji svoje radove prijavljivali su samo u jednu klasu, ili Standard ili Master. No, suci su pridržali mogućnost pomicanja modela iz Stanarda u Master.

Sve u svemu Kontrast je sjajno iskustvo. Nadam se da ćemo ponovno posjetiti Varšavu, ako ne 2026. onda 2027. U međuvremenu, nadam se da će i naš Black Queen posjetiti i neki od novih ljudi koje smo upoznali u Poljskoj.

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Marko Paunović, 5th June 2025

Dalibor's Trip Tip: Plzen and Prag

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	A quick report because I literally had 10-15 minutes to look at this model, take pictures of it and listen to some details about the city it represents. So, if your trip brings you to Plzeň in western Bohemia, I recommend you look for this beautiful model of the old city center in a scale of 1:200. The model is approximately 2x2 meters in size and is located on the ground floor of the city hall, which is located on the main square opposite the Cathedral of St. Bartholomew.

	  

	  

	  

	Regarding our hobby, and while you're here, I believe it's also worth visiting the General Patton Museum, the Puppet Museum, and the Colors of Warriors hobby shop. Unfortunately, due to work and previously scheduled obligations, I wasn't able to see them, and therefore didn't get to take any pictures. But at least, besides the excellent beer, I have an additional reason to visit this beautiful Czech city again. So here are some more photos of the model of Plzen.

	  

	  

	And if you happen to be in Prague, be sure to visit the toy store Hračky u Zlatého lva. Yes, toys, I know. But you will enjoy classic wooden toys, dolls and metal model cars. Although it is not large by some general standards, the store is spread over 2 floors with a small note: if you are looking for transformers, WH 40k, minions and other modern wonders there, you will be quite disappointed. I was not.

	  

	  

	  

	  
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	Jedan brzinski izvještaj jer sam imao doslovno 10-15 minuta pogledati ovu maketu, poslikati ju i poslušati neke detalje o gradu kojeg predstavlja. Dakle, ako vas put dovede u Plzeň u zapadnoj Češkoj, preporučam da potražite ovi prekrasnu maketu stare gradske jezgre u mjerilu 1:200. Maketa je otprilike veličine 2x2 metra i nalazi se u prizemlju gradske uprave, a koja se nalazi na glavnom trgu nasuprot katedrale Sv. Bartolomeja.

	  

	  

	  

	Vezano uz naš hobi, a dok ste ovdje, vjerujem da se još isplati posjetiti Muzej generala Pattona, Muzej lutaka i hobby shop Colours of Warriors. Ja ih, nažalost, radi posla i ranije isplaniranih obaveza nisam uspio vidjeti, a samim time niti poslikati. Ali bar, osim izvrsnog piva, imam dodatni razlog opet posjetiti ovaj lijepi češki grad. Stoga još malo fotki makete Plzena.

	  

	  

	A ako vas put slučajno nanese u Prag, obavezno posjetiti trgovinu igračaka Hračky u Zlatého lva. Da, hrački, I know. Ali ćete zato uživati u klasičnim drvenim igračkama, lutkama i metalnim modelima autića. Iako nije velika za neke generalne pojmove trgovina se prostire na 2 etaže uz malu napomenu: ako ćete tamo tražiti transformerse, WH 40k, minione i ostala moderna čudesa prilično ćete se razočarati. Ja nisam.

	  

	  

	  

	  
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Dalibor Čavić, 4th June 2025

Miniature Painting Workshop - Kitbashing and Converting

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	U subotu i nedjelju, 17. i 18.5. održali smo novu vikend radionicu bojanja minijatura. Ovog puta tema je bilo konvertiranje i kitbashanje.

	Radionica se provodila kroz dva dana (cijeli vikend) i bila je fokusirana na izradu dvije (do tri) vlastite minijature od raznih dijelova (više različitih minijatura) uz dodatak modeliranja dijelova uz pomoć modelarskih masa (Green Stuff). Sastojala se od dva dijela, teorijskog i praktičnog dijela. Tijekom radionice polaznici su se upoznali s alatima, materijalima i tehnikama za izvođenje jednostavnih i kompleksnih konverzija, uključujući uporabu masa za modeliranje.

	

	

	

	Teorijski dio uključuje savjete za planiranje, nabavu dijelova i smisleno sklapanje personaliziranih minijatura da bi polaznici naučili izbjeći početničke greške i podigli svoje vještine na viši nivo.

	U praktičnom dijelu, uz pomoć voditelja primijenila su se stečena znanja na vlastitu konverziju.

	

	

	

	Praktični dio Radionice se odvijao na sljedeći način:

	Prvo, predavač sjedi za svojim stolom te objašnjava i demonstrira pojedini korak na svojem primjerku dok polaznici slušaju, gledaju, ali i postavljaju pitanja. Potom, polaznici sjedaju za svoje stolove i primjenjuju stečeno znanje. Predavač potom kruži između polaznika i provjerava kako svakom polazniku ide. Na taj način, može se prilagoditi svakom polazniku ponaosob.

	

	

	

	U nedjelju od 16:00 svi polaznici su dobili profesionalni feedback na urađene radove od Ane Polanšćak iz Gardens of Hecate.

	

	
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Marko Paunović, 18th May 2025

March to Hren28 week 7

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	Our team is preparing to perform at the Turnip28 tournament called H.R.E.N.28 in Slovenia in July. Ana, Mario, Domagoj, Seb and Antoni assemble their armies and paint, and we follow them on their way!

	  

	ANTONI: „As for my latest pair of Fodder models, one carries a flag and the other carries a nest on its shoulders. The flag is made from a thin piece of copper that is clamped around a brass rod, secured with superglue, and then bent to look like fabric in the wind.

	  

	The nest is made of a mixture of green stuff and milliput that I cut lines into. I put two chicken eggs from the Tamiya farm animal set inside and secured them with a drop of superglue. The other models have all sorts of new heads, from simple medieval helmets to gas cylinder caps. To make it easier to see what they are doing, most of them have candles on their caps. “

	  

	MARIO: „As an unexpected addition to my army, I found an old pipe in the apartment and decided to turn it into a cannon. I had the legs from some bird monsters on the sprue and they turned out great for the conversion. My other toadie (which is supposed to be for Brutes) is a small knight and I wanted to give him some creature to stand out on to compensate. I found a stork from Muller, added the head of the pterodactyl I found on the floor of the Sferakon, and redid the legs. There are more things on the bird coming soon, but I have to decide which ones.“

	  
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	Naša ekipa se sprema za nastup na Turnip28 turniru pod nazivom H.R.E.N.28 u Sloveniji u srpnju. Ana, Mario, Domagoj, Seb i Antoni slažu svoje vojske i farbaju, a mi ih pratimo na njihovom putu! 

	  

	ANTONI: „Što se tiče par najnovijih Fodder modela, jedan nosi zastavicu, a drugi nosi gnijezdo na ramenima. Zastavica je napravljena od tankog komada bakra koji je kliještima stisnut oko mjedenog štapića, učvršćen superljepilom te potom savijen da izgleda kao tkanina na vjetru.

	  

	Gnijezdo je napravljeno od mješavine green stuffa i milliputa u koju sam urezao crte. Unutra sam ubacio dva kokošja jaja iz Tamiya seta domaćih životinja i učvrstio ih kapljicom superljepila. Ostali su modeli dobili svakakve nove glave, od običnih srednjovjekovnih kaciga do poklopaca od plinskih boca. Kako bi bolje vidjeli što rade, većina ih ima svijeće na kapama. “

	  

	MARIO: „Kao neočekivani dodatak mojoj vojsci, našao sam staru lulu u stanu i odlučio pretvoriti ju u top. Imao sam noge od nekih ptičjih čudovišta na sprue-u i ispale su super za konverziju. Moj drugi toadie (koji bi trebao biti za Brutes) je mali vitez i želio sam mu dati neko biće na kojem će se istaknuti za kompenzaciju. Našao sam rodu iz Mullera, dodao glavu pterodaktila kojeg sam našao na podu Sferakona i prepravio noge. Uskoro dolazi još stvari na pticu, ali se moram odlučiti koje.“

	  
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Antoni Pastuović, 18th May 2025

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