House on the Haunted Hill

Marko Paunović, 11th September 2020

Any old west town has an undertaker's and Malifaux shouldn't be any different, because let's face it, the burrying busines thrives in the city of Malifaux.

Idea and planning

By now you should already know my mantra about how crucuial planning is in any bigger project. Since I'm doing a more or less typical Haloween structure set in Old west, I started my google search and instantly I found pictures of several types of wooden structures that I was going for. Mostly I got a lot of Tim Burton hits which was perfect. A rickety old wooden house on top of a hill with a winding road leading up to it. Something like the opening scenes of the movie Sleepy Hollow. This gave me the idea of adding some jack o'lanterns to the terrain, as well. Being too lazy to sculpt my own, this in turn, prompted me to start a search of some jack o'lanterns. I knew I saw a couple of crews on the Wyrd forums that had some on their bases. Almost immediately I found some by Secret Weapon Miniatures and purchased them as I was aware that it would take them a while to get from the States to me in Croatia.

During my search for jack o'lanterns, I stumbled upon some model pumpkins made by Busch. Being reasonably priced, I ordered those as well.

I now had some details that I knew the folks at Wyrd would love and I had a rough idea what my terrain should look like. It was time to put it all to paper. Begining with the house, I started drawing on a blank piece of paper. Once I had the preliminary sketch, I transfered it to graph paper. This provided me with some measurements that I could work with. The hill would be 10 cm high, the house would have a rough footprint of 10x8 cm while the whole terrain would have a footprint of roughly 30x40cm. This much space would allow me to have the winiding road – wide enough for a hearse (which I accidentally found in my bits box and decided to use).

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Materials and tools

After the rough sketch, I could make a definite list of materials and tools needed for this project. Those are as follows:
- one 2x2 mm linden slat
- one 5x5 mm linden slat
- roughly two full planks of 2 mm balsa wood (they come in 10 x 100 cm planks)
- roughly 20cm of 5mm balsa wood (they also come in 10 x 100 cm planks)
- about 0,5m2 of 5cm thick HD styrofoam (50x100cm)
- superglue
- PVA glue
- 0,5 kg of DAS air drying clay
- gravel (four sizes)
- static grass / tufts
- pine trees
- sanding paper (1 sheet)
- thin card
- masking tape
- toothpicks
- some pins
- pumpkins
- jack o'lanterns
- hearse

The tools needed are:
- scalpel blade
- marker pen
- scissors
- modelling saw
- pin vice (or an electric mini drill)
- brushes– various sizes – for painting/washing and for drybrushing
- pliers and pincers
- hot wire cutter

* Unlike June issue of Wyrd Chronicles, where I used my Proxxon disc sander, jigsaw on the MDF to make the base, here I would make the base with styrofoam only. However, if you like a sturdier terrain, you can always cut the MDF base using a jigsaw and sand it down using a disc sander. When your base is cut, just glue the styrofoam base described later to your MDF base.

Building the base

Having all the materials arrive, I cut the footprint of the house that I drew on the graph paper and using a marker pen I used it as a template to drew a rough outline of the house on the HD styrofoam board. Around it, I started drawing trying to copy the design from the paper onto the HD styrofoam board. Once I was satisfied with the layout, I proceeded to cut it with my scalpel blade. Using long strokes with relatively shallow cuts it took me several goes to cut only one piece of styrofoam. Going around the base, I repeated the process untill I cut what would be the whole base of my new terrain. It is important to go with shallow cuts, because if you try with to deep of a cut, you'll end up tearing the styrofoam which looks really messy and would only result in a lot of sanding. This in turn would slow the whole building process. I now had the first layer of my haunted hill. If you remember, I wrote that my hill would be 10cm high. The HD styrofoam being only 5cm thick, meant I had to cut another base of the same size. Using the first base as a template I first drew the outline with a marker pen and then following the same procedure as with the first base, I cut it to size with my scalpel blade.

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With both halves of the base cut, I had to make the winding road which meant further cutting of both of the bases. Using a marker of another colour, I drew the cut lines and carefully cut the excess styrofoam with my scalpel blade.

NOTE: if you feel that the cutting is getting heavier, change the blade. Unfortunately, styrofoam is murder on the blades and to have a perfect cut, you need sharp blades.

After the cutting was done, I used a piece of sanding paper to smooth out the irregularities left over from the scalpel blade. The two halves were now complete and I had to glue them together. Using skewers to connect the halves I glued them using PVA glue. I also noticed that at the start of the road the styrofoam was really thin so I stuck a whole skewer through the side of the terrain so it wouldn't break. Also, I protected the begining of the road with masking tape.

With the base glued, I now had to cut the cliffs. Same as last time I used my hot wire cutter to model the vertical surfaces. I again used my cheapest wire cutter, powered by two AA batteries. The electricity from the batteries heats up the wire that then melts the styrofoam performing a perfect straight cut. However, as it heats the wire elongates so you should take into account that fact when fixing the wire to the cutter. If the wire is too long, it will still perform the job, however it won't be as handy and you (like me) will have to stoop to some really fiddly and strange handling of the device in order to get a nice cut. After a bit of fiddling I managed to engrave the errosion patterns with the hot wire cutter.

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When the hillside was built, it still looked a bit dull and plain so I decided to make some escarpments along the sides of the cliffs. In order to do so, I needed to build up the volume there. I could have done it using HD styrofoam once again, but I opted against it, choosing to sculpt the escarpments using DAS air drying clay. DAS comes in two versions, white and terracota. Both are equally good, don't crack during the curing period and are reasonably good for sculpting. (Note: you won't be able to sculpt your minis with DAS, but you will be able to model brick or stone walls, cobbled streets and whatnot.) I poured some PVA glue and spread some DAS along the inner and outer sides of the winding road. I then added some clay to the upper level of the base. I also added some volume to the middle of the road with DAS clay as well.

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Finally we come to the stage of adding the texture. First, I decided to do the road. Applying a heavy coat of PVA glue, I added some gravel. As always I started with the largest grain and finishing with the smallest grain – sand for chinchillas. I also used the smallest grain on my pumpkin field on top of the base.

The road and field being done, I could now turn to the other horizontal surfaces – mostly the sides of the road. Again, I covered everything with PVA glue and added three or four different types of gravel. The final layer was a bit coaser than chinchilla sand in order to differentiate between the two.

When these were dry, I added pure chinchilla sand to the vertical surfaces of the cliffs. Here I had to make sure the PVA got into the grooves so I diluted the PVA with water in order for it to flow more freely.

I do all my texturing (and flocking for that matter) inside an old trey. This way all the excess material drops into it so I can reuse it later on. Saves money and time on vacuuming.

After the texture was dry, I undercoated the base with a black acrylic mat sprey in my garage. Always sprey in a well ventilated area.

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Making the structure

While the texture and undercoat were drying, I proceeded to make the structure of the Undertaker's house. I decided to go for an easier and faster method of building the structure than I used in my old west church build. Unlike the old west church where I first made the wooden frame and then glued each plank separately, here I opted to make the walls from a single piece of 2mm balsa wood. On top of it, I would then glue 2mm thick balsa planks (cca 0,5x3cm). I made sure the wall structure had grooves going in up-down direction while the wall planks were glued going left to right. This way, although the wall is relatively thin, the structure is sturdy enough to withstand gaming abuse without any damage/breakage. As with MDF and styrofoam bases, I first drew the outlines of each wall on the balsa plank using my marker pen. Then I carefully cut each wall. I used my modellers saw for cuts against the grain (perpendicular to it) and used the scalpel blade for cuts going with the grain. When every wall segment was cut, I glued the walls together.

It was now time to cut and model balsa planks. Once again, I used a method similar to the one I used during the old church build. Since I would need a lot of slats of mostly the same size (3cm long) which would require a lot of precise and repeated measuring, I decided to help myself and construct a toos that would be used to cut the slats into desired length - 30 mm long. The geometry of these simple tools would allow fast and precise cutting of the balsa slats and true enough after only half an hour I had cut almost 4 meters of balsa planks.

Once the basic outline of the structure was made, I started gluing the planks. In places where the planks protruded from the walls, I cut them using my scalpel blade. The whole process is fiddly mostly because none of the walls is perpendicular to the other so lots of tayloring was required.

To make the roof structure, I used 2mm thick balsa wood. Once the roof structure was made, I used the same material I used on the church to make the roof – sanding paper cut to size. I just love the texture it has. Once everything was finished, I took both the structure and the base to my garage for a quick sprey of undercoat. Remember to always sprey in a well ventilated area! When the undercoat was dry, I first dryfitted the building to the base, closed the gaps with some balsa planks and applied with a large brush a coat of black colour to the places the sprey didn't reach.

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Painting

When the undercoat was dry, it was time to paint the terrain. Normally, I would have glued the building to the base at this point but I decided against it mainly because of the site of the terrain itself. This way I could handle the terrain easier so I left the two parts separate. I started painting the base first. Wanting all my terrain to fit one theme (and consequently one tabletop) it was only natural I use the same colours and colour scheme as on the earlier terrain. Therefore once again I used Pebeo Deco color range. I used Brown (29) for the basecoat and continued drybrushing with Ocre (51). Lighter shades were done with a 50:50 mixture of Ocre (51) and White (41). The final highlight was done with Antique White (69). The road was first basecoated with Brown (29) then heavily drybrushed with Ocre (51) and a 50:50 mixture of Ocre (51) and White (41). The last two highlights were Antique White (69) and pure White (41). This way, I had a visual difference between the cliffs with normal groundwork and the worn out road.

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The building has two different surfaces and consequently textures – roof and wooden walls. I proceeded to paint the wooden walls by drybrushing first using a 50:50 mixture of Black (55) and Grey (54). Next layer was pure Grey (54) and the finishing highlight was Ash Brown (70). I was not quite satisfied with the result, so I added another highlight of pure White (41). The roof was painted first with a mixture of Black (55) and Grey (54) and then a mixture of Grey (54) and Antique White (69) finishing with almost a pure coat of Antique White (69). With the base and house painted, I could now glue them together. I used PVA glue to glue the building in place.

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Vegetation

After the painting, it was time to add the vegetation to the base. First up, I decided to plant some pine trees. I used Ziterdes ones that come in a big pack of 20 (or 25, not sure). They come on long shafts and in several sizes and heights. In order to glue them in place, I first had to cut their round bases as they got in the way. I also added metal pins to the pine trees. The easiest method of pinning metal pins to the plastic trunks of the trees is to heat the metal pin using a candle and just stick it into the trunk. The heat will melt the plastic locally and as the pin goes into the trunk the heat dissipates and once the pin is cool it will become lodged into the trunk without any need to glue it. Also, I used a pinvice to make the hole in the DAS clay base to accommodate the pins. I glued the trees using both PVA and super glue.

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With the trees in place, I could now add the static grass. I made a mixture using several green, brown, yellow and black shades of static grass and when I was satisfied with the end product, I glued it in random patches throughout the base. One thing I made sure of is that I put static grass over any and all of the remaining holes where the wooden structure met the base in order to hide the unintentional mistake. Once the static grass was in place, I applied several shades of different tufts. Again, as in the former articles, I used tufts made by a company called Gamer's Grass.

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In the end I added my cool Haloween-ey additions. First up was the pumpkin field. Pumpkins come from Busch, a German model train company that produces excellent terrain accessories, especially in their Natur Pur range (pumpkins, sunflowers, roses, water lillies etc). The set cost about 8USD and has 10 sets of pumpkins with vines and I think it's great value for money. Being an H0 scale, these are in a scale a bit smaller than 32mm minis but the pumpkins come in various sizes so you can even use the smallest pumpkins as tomatos. They already come in different colours so painting required was minimal. When the painting was done, I glued the couple of sets into my pumpkin field using superglue. The second addition was a couple of Jack o'lanterns made by Secret Weapon Miniatures. Set costs about 10 USD and has 10 Jack o'lanterns which is also great value for money. They are full of character and come in several sizes and designs. Unlike Busch, they are created for tabletop miniatures in mind so the scale works perfectly. Being grey these required some painting – using reds and oranges with some black lining. Once I was done with the painting, I glued them randomly along the road and in front of the house for some Haloween feeling. The third addition was the coffin and the lid. They come from an English company called Zealot Miniatures. Among other stuff, they produce excellent resin accessories for dungeons (like doors, trap doors, furniture, fountains etc..). In fact, they recently had quite a successful Kickstarter. I painted the grey resing with brown colours. The final addition to the terrain, which I actually left unglued, was the hearse. It was an old GW Black Coach that I had lying around. I built it using superglue and painted it black with some grey highlights. The reason for leaving it unglued was purely because of easier gaming. With it in the shed, it would prevent models from going around the house. This marked the end of the build and all I had to do was to take some pictures of the finished product.

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Latest articles

  • We visited: MOSONSHOW 2025
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    Last year, after participating in the Black Queen H&MPC 2024, our friends from Hungary, Gabor and Erika, asked me if I would be willing to judge at the Mosonshow 2025. I must admit that the question caught me off guard, I did not expect such an honor. I accepted in principle, considering that the competition itself was quite far away at that time.

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    As you can see in the photo, I accepted and headed to Hungary on the last weekend in April. This is my first time participating in this big competition and I have to admit that I wasn't really attracted to it before – precisely because of its size. Long waiting lines, endless lines at registration and the like are really something that didn't make me happy. After a little bit of asking around, I came up with a plan to come on Friday (I even took a day off for this) as soon as the doors opened and to do the registration and set up of the models (in categories that I don't judge, right :D ) so that on Saturday I could deal with the competition in peace.

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    Saturday started, as I expected, with work. Being a judge, although "prestigious", is not a fun activity at all. Count on a good part of your Saturday being taken up by duties. First there is a judges' meeting where the organizer introduces us to the criteria and method of judging they want. After more or less questions, the meeting ends and (fortunately) there is a meal prepared for the judges. And the organizer realizes that it is better for the judges to be satisfied, or at least full. After the reception, we head to the judging. On the spot, you meet the members of the jury whom you will be judging with. There are two category ranks. Hobby and Master. I judged three Hobby categories (Fantasy/SF figures, Fantasy/SF busts and Fantasy/SF dioramas and vignettes). Alongside me in the jury for these categories, there were Eszter Elek from Hungary and Keigo Murakami from Japan. The judging lasted until about 4 pm. That meant I missed the workshops I wanted to visit - but that is the price of judging.

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    During the judging, I also decided to award the Best of Show by UMS Agram award which went to Mr. Zijie Li in China.

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    The following is a gallery of some of the more notable works from the miniatures category.

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    Of course, at this huge competition, with over 2,500 exhibits, it was impossible to photograph everything, and below are some of the author's more interesting works.

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    Besides the handful of truly beautiful entries, the best part of the competition was, as always, the social aspect. Socializing with foreign friends and making new friends is the highlight of such competitions.

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    Finally, there was some shopping, and the Bolyai Makett Klub from Budapest made sure I didn't leave empty-handed. Thank you!!

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    Tijekom prošle godine, nakon sudjelovanja na Black Queen H&MPC 2024. naši prijatelji iz Mađarske, Gabor i Erika, su me upitali da li bih bio voljan suditi na Mosonshow-u 2025. Moram priznati da me pitanje zateklo, takvu čast nisam očekivao. Načelno sam prihvatio, s obzirom da je samo natjecanje bilo dosta udaljeno u tom trenutku.

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    Kao što vidite na fotografiji, prihvatio sam te sam se zadnjeg vikenda u travnju uputio prema Mađarskoj. Ovo je prvi puta da sudjelujem na tom velikom natjecanju i moram priznati da me prije nije baš privlačilo – upravo zbog svoje veličine. Dugi redovi za čekanje, nepregledne kolone pri registraciji i slično stvarno je nešto što me nije veselilo. Nakon malo raspitivanja što i kako, skovao sam plan da dođem u petak (uzeo i godišnji zbog toga) čim otvore vrata i da odradim registraciju i postavljanje modela (u kategorije koje ne sudim, jel :D ) tako da se u subotu mogu u miru baviti sa natjecanjem.

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    Subota je počela, kako sam i očekivao, radno. Biti sudac, iako „prestižno“, nije nimalo zabavna aktivnost. Računajte da vam dobar dio subote otpada na dužnosti. Prvo ide sudački sastanak na kojem nas organizator upoznaje sa kriterijem i načinom suđenja koji želi. Nakon više ili manje pitanja, sastanak završava i (na svu sreću) slijedi gablec za suce. I organizator shvaća da je bolje da suci budu zadovoljni, ili barem siti. Nakon gableca, upućujemo se na suđenje. Na licu mjesta upoznajete članove žirija s kojima sudite. Postoje dva ranga kategorija. Hobby i Master. Ja sam sudio tri Hobby kategorije (Fantasy/SF figure, Fantasy/SF biste i Fantasy/SF diorame i vinjete). Pored moje malenkosti u žiriju za ove kategorije bili su Eszter Elek iz Mađarske te Keigo Murakami iz Japana. Suđenje je trajalo do cca 16h. Time sam propustio radionice koje sam htio posjetiti – ali to je cijena suđenja.

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    Tijekom suđenja, odlučio sam dodijeliti i Best of Show by UMS Agram nagradu koja je otišla u ruke gospodinu Zijie Li-u u Kinu.

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    Slijedi galerija nekih zapaženijih radova iz kategorija minijatura.

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    Naravno, na ovom golemom natjecanju, sa preko 2500 izložaka bilo je nemoguće sve fotografirati, a u nastavku slijede neki od autoru zanimljivijih radova.

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    Pored pregršt usitinu predivnih radova, najbolji dio natjecanja bio je kao i uvijek društveni aspekt. Druženje s inozemnim prijateljima te stjecanje novih prijateljstava vrhunac su ovakvih natjecanja.

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    Za kraj, bilo je tu i shoppinga, a da ne odem praznih ruku, pobrinuo se Bolyai Makett Klub iz Budimpešte. Hvala!!

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    Marko Paunović, 5th May 2025
  • March to Hren28 week 5
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    Our team is preparing to perform at the Turnip28 tournament called H.R.E.N.28 in Slovenia in July. Ana, Mario, Domagoj, Seb and Antoni assemble their armies and paint, and we follow them on their way!

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    MARIO: „This week I finished the elephant and was finishing up the toff (Boletus). I added some fun details like the sleeping bag with the nobleman and the fishing rod, with added crows.

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    Boletus will have a banner of his own, and I modified his giraffe's neck and added more mushrooms."

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    Naša ekipa se sprema za nastup na Turnip28 turniru pod nazivom H.R.E.N.28 u Sloveniji u srpnju. Ana, Mario, Domagoj, Seb i Antoni slažu svoje vojske i farbaju, a mi ih pratimo na njihovom putu!

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    MARIO: „Ovaj tjedan sam završio slona i dovršavao toffa (Boletusa). Dodao sam neke zabavne detalje poput vreće za spavanje sa plemićem i štapa za pecanje, sa dodanim vranama.

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    Boletus će imati barjak za sebe, a njegovoj žirafi sam modificirao vrat i dodao još gljiva.“

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    Mario Grgurev, 5th May 2025
  • AGRAM LEGO SECTION - Orient Express: Third Lecture and continuation of the build
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    U srijedu 30.4. u sklopu naše Agram Lego Sekcije nastavili smo sa serijom predavanja paralelno sa izradom LEGO makete vlaka Orient Express!

    Treće predavanje u ovoj seriji je počelo u 18:00 i trajalo je otprilike 45 minuta u kojem nas je naš dežurni inženjer strojarstva Marko Paunović upoznao sa radom parnih lokomotiva.

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    Ulaz na predavanja je besplatan i otvoren za sve te prijave nisu potrebne.

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    Izrada makete je rezervirana za članove Agram Lego Sekcije. Ukoliko se želite uključiti u sljedeće projekte, javite se za više informacija na ums.agram@gmail.com .

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    " ["created"]=> string(19) "2025-05-05 06:40:06" ["modified"]=> string(19) "2025-05-05 06:40:06" } ["Member"]=> array(10) { ["id"]=> string(2) "35" ["group_id"]=> string(1) "1" ["first_name"]=> string(5) "Marko" ["last_name"]=> string(9) "Paunović" ["first_name_mask"]=> string(5) "marko" ["last_name_mask"]=> string(8) "paunovic" ["username"]=> string(5) "marko" ["password"]=> string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122" ["born"]=> string(19) "2033-03-07 20:35:00" ["created"]=> string(19) "2009-06-02 20:37:03" } }
    Marko Paunović, 5th May 2025
  • AGRAM LEGO SECTION - Orient Express: Second Lecture and continuation of the build
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    Click for enlarged picture

    Click for enlarged picture

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    " ["content_hrv"]=> string(3333) "

    U srijedu 23.4. u sklopu naše Agram Lego Sekcije nastavili smo sa serijom predavanja paralelno sa izradom LEGO makete vlaka Orient Express!

    Drugo predavanje u ovoj seriji je počelo u 18:00 i trajalo je otprilike 45 minuta u kojem nas je naš dežurni inženjer strojarstva Marko Paunović upoznao sa osnovama parnih strojeva.

    Click for enlarged picture

    Ulaz na predavanja je besplatan i otvoren za sve te prijave nisu potrebne.

    Click for enlarged picture

    Click for enlarged picture

    Izrada makete je rezervirana za članove Agram Lego Sekcije. Ukoliko se želite uključiti u sljedeće projekte, javite se za više informacija na ums.agram@gmail.com .

    Click for enlarged picture

    Click for enlarged picture

    " ["created"]=> string(19) "2025-04-24 07:31:33" ["modified"]=> string(19) "2025-04-24 07:31:33" } ["Member"]=> array(10) { ["id"]=> string(2) "35" ["group_id"]=> string(1) "1" ["first_name"]=> string(5) "Marko" ["last_name"]=> string(9) "Paunović" ["first_name_mask"]=> string(5) "marko" ["last_name_mask"]=> string(8) "paunovic" ["username"]=> string(5) "marko" ["password"]=> string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122" ["born"]=> string(19) "2033-03-07 20:35:00" ["created"]=> string(19) "2009-06-02 20:37:03" } }
    Marko Paunović, 24th April 2025
  • March to Hren28 week 4
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    Our team is preparing to perform at the Turnip28 tournament called H.R.E.N.28 in Slovenia in July. Ana, Mario, Domagoj, Seb and Antoni assemble their armies and paint, and we follow them on their way!

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    MARIO: „My next step was working on Proboscis, I wanted to add some texture to it so I sculpted his fur from brown stuff, along with a textured mass of mud on his back. I wanted to achieve the effect of overgrown plants and mushrooms on the skin. I also finished the existing trunks and added another pair.“

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    SEB: „Over the past week I have continued work on the conversion of the cannon Snail Knight.

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    I added Liquid Green Stuff (from GSW) to the metal parts (the paperclip) and then sponged it on to get a rust plus algae effect so that the overall impression was: they just came out of the water.

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    Today I added textures to the base.

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    And to end this part of the army building, before my trip to England/Scotland, here's a close-up of the snails pulling the cart. The rest will follow at the end of May, as far as I'm concerned!

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    " ["content_hrv"]=> string(3073) "

    Naša ekipa se sprema za nastup na Turnip28 turniru pod nazivom H.R.E.N.28 u Sloveniji u srpnju. Ana, Mario, Domagoj, Seb i Antoni slažu svoje vojske i farbaju, a mi ih pratimo na njihovom putu!

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    MARIO: „Moj sljedeći korak je bio rad na Proboscisu, želio sam mu dodati teksture pa sam mu kipario krzno od brown stuffa, zajedno sa teksturnom masom blata na leđima. Želim postići efekt obraslog bilja i gljiva na koži. Ujedno sam doradio postojeće surle i dodao još jedan par.

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    SEB: „U proteklom tjednu nastavio sam rad na konverziji topovskog Snail Knighta.

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    Na metalne dijelove (spajalicu) sam dodao Liquid Green Stuff (od GSW-a) i onda ga stipplao spužvicom da dobijem efekt hrđe plus algi kako bi cjelokupni dojam bio: upravo su izašli iz vode.

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    Danas sam dodao teksture po bazi.

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    I za kraj ovog dijela izrade vojske, prije mog puta u Englesku/Škotsku, evo jedan close-up puževa koji vuku zapregu. Nastavak slijedi krajem svibnja, što se mene tiče!“

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    " ["created"]=> string(19) "2025-04-24 07:23:54" ["modified"]=> string(19) "2025-04-24 07:23:54" } ["Member"]=> array(10) { ["id"]=> string(3) "100" ["group_id"]=> string(1) "2" ["first_name"]=> string(5) "Mario" ["last_name"]=> string(7) "Grgurev" ["first_name_mask"]=> string(5) "mario" ["last_name_mask"]=> string(7) "grgurev" ["username"]=> string(9) "lepimario" ["password"]=> string(40) "11e0b1ecc2c467637dfa513774d2426f3b925264" ["born"]=> string(19) "2003-01-21 09:02:00" ["created"]=> string(19) "2022-01-21 09:02:32" } }
    Mario Grgurev, 24th April 2025

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