UMS "Agram" : DISPLAY BASE FOR CHAOS ARMY < Articles < Hobby

DISPLAY BASE FOR CHAOS ARMY

Tomislav Petrović, 20th July 2021

Since my brother went to Krems this year (editor's note: 2005) for the second time for the Austrian Championship, and the display base is one of the conditions for the community there to participate in the tournament, here's how I put in the effort and made one.

To clarify one thing, display bases (hereinafter DB) that are made in such a way that a certain surface is flocked, painted, maybe some extra features, and the figures are placed on it is for me a halfassed solution - in short, a lot of work for something that looks average. I consider a DB to be da bomb when each unit or individual figure has its own slot in which it is placed so that the surface of the base of the figure is flush with the surface of the DB.

Dissatisfied with the fact that the DB created in this way is useful while the list for which it was made is current, I decided to make a display base that will be applicable to each list (at least its main part), and only the surface will change - when you go deeper into the text , you will understand what I meant.

1. Found a suitable board (2 cm thick)

2. Since my rectangular shape is too ordinary, I decided to complicate things a bit and make a non-real octagon (by that I mean 4 sides of the same length). I made a draft and transferred it to the board:

3. I got rid of the excess with a jigsaw, so now the DB has a shape in which the angles are under 150 degrees, 4 sides 30 cm long, and the other four 14 cm + a couple of millimeters, which will later be removed by planing and grinding.

Tip: Never cut the board to the desired dimension but leave 2-4 mm due to the above procedures later:

4. I also cut a 4 mm thick plywood board to the same shape (the figure bases are 4 mm thick):

5. I made 4 holes in the board and plywood with a drill, which will later be fitted with screws that will fix the plywood to the main board:

6. Then I widened the holes on the plywood so that the nut would fit in them. I used screws fi = 5 mm and the nut for them is 4 mm thick so it won’t protrude beyond the plywood. After that, the joint between the nut and the plywood is well sanded with super glue, making sure that the glue does not go on the thread because it could later interfere with the screw:

Tip: Since the nut in the board must be fixed, it is desirable to drill a 1 mm smaller hole, and then drive it into the board with a hammer and brutal force.

7. After the nut is fixed, for the first time the plywood and the main plate are connected with screws in order to determine how long the screw needs to be and to remove the excess:

It looks like this:

8. After the screw was shortened to the appropriate length, I covered the nuts on the top of the plywood board with masking tape so that I could texture that surface later.

9. After that I joined the boards and due to the inaccuracy in cutting the boards and drilling the holes the edges looked like this:

10. In order to achieve that the edges match, the excess needs to be planed, and then finely sanded. After this procedure the condition is as follows:

11. After processing the edges with a vibrating grinder, I sanded all the surfaces on the plywood and the main board:

12. The next and most demanding step is to place the decorative moldings on the edges of the board. I took 3x3 cm high / wide corner skirting boards for parquet length of 2 m. The skirting board is coated with wood fix, joined to the board, and then I additionally fastened it with nails:

13. After installing the moldings the whole thing looks like this:

14. As the angle on the legs of the molding is not right, but it is cut obliquely, it happened that I have a "groove" on the lower side between the molding itself and the plate. This proved to be a happy coincidence because knowing your brother (a man is able to tear a steel ball) any extra fixation comes in handy. I filled the grooves with hot glue using a gun (I guess you know which tool I'm talking about):

15. As I approached the plane of the board and molding any excess glue that might protrude over that plane I straightened with a spatula while the glue was hot and liquid. After gluing, the underside of the board looks like this:

16. Since I don't have the right tools (saw stand)), I had to determine the angles of 150 degrees between the moldings by eye only, and especially because I'm not a carpenter, the next thing happened:

17. I sanded the joints to get rid of the protruding parts, and I cracked the cracks between the moldings using carpentry putty and left it to dry overnight. The next day I sanded the putty with fine sandpaper to make a perfect transition between the two strips and the putty and so that after painting everything together I would not see the difference between the putty and the wooden part.:

18. Now it's time to paint. I protected the moldings with protective tape:

19. Then I painted the board between the moldings with black matt spray and left it to dry:

20. After that, it was time to paint the moldings. I protected the previously painted black surface with a protective tape:

21. I used brown wood paint with integrated varnish which, in addition to protecting, also gives a gloss effect. I took a darker shade (rosewood) because the darker color covers the putty better.

Tip: Apply the first coat only on putty parts and wait for the paint to dry well. After that, in the second painting, paint the complete moldings. Two or three coats of well-smeared coat should be enough for a nice coverage - of course, between each coat you should wait for the previous one to dry well:

22. A few more small details and the main board is ready. I bought wood wallpaper for the underside of the DB - black wallpaper with rings - it definitely looks the most convincing and least cheap:

23. After installing the wallpaper, the underside of the DB looks like this:

24. The final job on the DB main panel is varnishing the screws and black so that the metal head of the screw does not look ugly on the black wallpaper:

25. Now it's the plywood board's turn. I placed the unite on it and marked the parts to be removed according to them:

26. After that, I drilled holes in the corners for cutting with a jigsaw:

27. After cutting the excess and sanding the plywood looks like this:

Tip: When cutting, it is good to make sure and make a 1 mm bigger hole for the bases, because if you cut too small a hole later, it is a real pain to grind the part that bothers you so that the base fits nicely into the hole.

28. The next step is to text the plywood. I will not talk too much about this because the procedure is the same as when texturing the most ordinary terrain:

29. Since the Austrians also demand some extra feature on the DB, we decided to make a monolith dedicated to the nurgle god. I cut it out of a piece of wood, processed it by planing and grinding, and then made indentations with a flexor. The flexor may be an unorthodox tool for making models (especially if they are made of wood), but it is very effective. The dead-line that hung dangerously on my back at that stage of making DB makes all sorts of ideas fall through in order to speed up the work:

30. Later we decorated the monolith with, for a nurgle, the characteristic three circles arranged in a triangle using large screw plates, added waterlogging heads from chaos tank sprue, added a tray made of half a plug of Ax dezic, a hot glue gun made slime leaking waterlogged from the mouth into the tray and then overflowing over the edge and dripping down the monolith to the base. Relatively simple special feature, and yet in the spirit of the military. I fixed the monolith with wood fix and plywood nails and when everything was in place I undercoated with black matt spray:

That in short (well, not very short) would be that.

The point is that one day, when the list is changed, this plywood is replaced with another plywood, which will be cut according to a template that matches the new list, with maybe some new feature instead of a monolith to refresh the impression a bit, and the base itself to be further usable.

I hope that the text is clear enough and that there are enough pictures and that those who will one day want to make their DB, but are not sure where to start and how to finish the job will benefit from this text.

P.S.

Still, a few words of warning because not everything is as simple as the text suggests.

FIRST

The circular saw is a dangerous tool, and I definitely have no luck with it. A year ago, he almost tore off my left index finger. This time, fortunately, she was excluded, but even then she showed her insidious nature (a sharp knife that looks benign while static).

SECOND :

I don’t know about you, but the mess I leave behind in creative ecstasy is, to put it mildly, terrifying. I think I’ll avoid the basement for a while because I get depressed every time I see how much cleaning awaits me.

Ok, I’m finally done writing.

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	In the next two articles I will cover the making of the Alps diorama. The main “actor” of the diorama is a 1/87 scale oldtimer bus. In addition to it, the package also included a few figures (but more about them in another article).

	  

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	Kroz naredna dva članka obradit ću izradu diorame Alpi. Glavni “akter” diorame je oldtimer autobus u mjerilu 1/87. Pored njega u paketu došla je i nekolicina figura (ali o njima više u drugom članku).

	  

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Marko Paunović, 16th December 2024

TOP TIP – Wooden Beam Flooring

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	Construction:

	I used 1 mm thick balsa. I used a balsa cutter to cut the beams to 4 mm thick and cut them to 68 mm long (dimensions of the floorboards in M 1:35). I sanded the edges and placed them on a 2 mm thick balsa base. I glued everything together on a wooden base from swood.si .

	

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	First I applied Sephia Wash, then sanded a little. Then I filled the cracks with Agrax Earthshade and stained the spots a little. Sanded a little harder and then repeated the Sephia Wash. When it was dry, I used a fine sanding sponge in a few places to simulate wear.
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	Izrada:

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Krunoslav Belinić, 10th December 2024

Back to Basics workshops at Zagreb City Libraries 2024

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	In 2024, we started a new program called Back to Basics miniature painting workshops for the youngest in collaboration with the Zagreb City Libraries. We held a total of four workshops during October and November with 29 participants, our youngest fellow citizens.

	

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	The second workshop, also at the Children's Department of the Medveščak Library at Zvonimirova 17, was held on October 26, 2024.

	

	We held the third workshop in the VN Reading Room and Gallery (Vladimir Nazor Library) at Ilica 163-a on Saturday, November 9, 2024.

	

	The fourth workshop was also held at the VN Gallery on Saturday, November 23, 2024.

	

	During the workshop, the participants assembled a model of the castle, then painted it, and finally painted the dragon that guards the tower.

	

	Easily available materials are used, as well as those obtained through the upcycle method (upcycling - creative reuse, is the process of converting by-products, waste materials, useless or unwanted products into new materials or products that are considered higher quality, such as artistic value), which makes the entire project environmentally friendly and innovative.

	

	

	

	

	

	

	

	

	

	After the workshops were completed, the children received diplomas for completing the workshop and, of course, took their work home.

	

	As a token of gratitude, we awarded Certificates of Appreciation to the Medveščak Library, the VN Gallery, and the City of Zagreb Libraries. We presented and presented all of our publications and manuals written so far to our colleagues from the Libraries.

	

	For larger photos, visit our social networks.
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	2024. smo započeli novi program pod nazivom Back to Basics radionice bojanja minijatura za najmlađe u suradnji sa Knjižnicama Grada Zagreba. Ukupno smo održali četiri radionice tijekom listopada i studenog sa 29 polaznika, naših najmlađih sugrađana.

	

	Prvu radionicu održali smo na Dječjem odjelu Knjižnice Medveščak u subotu 12.10.2024. 

	

	Druga radionica, također na Dječjem odjelu Knjižnice Medveščak u Zvonimirovoj 17, održana je 26.10.2024.

	

	Treću radionicu održali smo u Čitaonici i Galeriji VN (Knjižnica Vladimira Nazora) u Ilici 163-a u subotu 09.11.2024.

	

	Četvrta radionica održana također u Galeriji VN u subotu 23.11.2024.

	

	Tijekom radionice, polaznici su sastavljali maketu dvorca, potom ju bojali, a na kraju obojali i zmaja koji čuva kulu.

	

	Koriste se lako nabavljivi materijali, ali i oni dobiveni upcycle metodom  (upcycling – eng. kreativna ponovna uporaba, proces je pretvaranja nusproizvoda, otpadnih materijala, beskorisnih ili neželjenih proizvoda u nove materijale ili proizvode koji se smatraju kvalitetnijima, poput umjetničke vrijednosti) što čini cijeli projekt ekološki prihvatljivim i inovativnim.

	

	

	

	

	

	

	

	

	

	Po završetku radionica mališani su dobili diplome za završenu radionicu i naravno, svoje radove su odnijeli kući.

	

	U znak zahvale, dodijelili smo Zahvalnice Knjižnici Medveščak, Galeriji VN kao i Knjižnicama Grada Zagreba. Kolegicama iz Knjižnica prezentirali smo i poklonili sve naše publikacije i priručnike do sada napisane.

	

	Za veće fotografije posjetite naše socijalne mreže.
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Krunoslav Belinić, 26th November 2024

Big Panda and Tiny Dragon drawing workshop

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During this year's Interliber, the author of the books about the Big Panda and the Tiny Dragon, James Norbury, held several different events and meetings with readers. On Friday, November 15, I had the opportunity to participate in a workshop on drawing characters from his books. Since James is an illustrator and his works include abstract landscapes, fantasy art, SF and cyberpunk comics, drawings and graphics, it was interesting for me to see how the panda and dragon characters are created in the technique of Japanese Zen painters.

James drew with a felt-tip pen and explained the structure of the characters and their characteristics. For example, the dragon has no eyebrows, so the expression of emotions is partially limited to a couple of eye shapes and hand gestures. While the panda rarely has a mouth in his drawings, so his expression of emotions is also sparse. However, it is precisely through the position of the body, the relationship between the characters, and the text below the picture that James's books convey the story and thoughts of a Buddhist view of life.

One of the messages is that not everything needs to be perfect, both in drawing and in life. He is not satisfied with some of the drawings that James made and published in the book, but as he himself says, if he had waited to make them perfect, he would never have published the book. You start with what you have and improve along the way. A philosophy that we often apply with our figures, dioramas and models.

I enjoyed copying and learning to draw the characters and tried my hand at making a few frames. At first the panda looked more like a Teddy bear, but with practice it took on a panda-like appearance and body position.

I recommend that anyone who has not yet read James Norbury's books find them and read them. They are quick to read, but can leave a long-lasting impression on your mind.

Izvorni tekst

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Rezultati prijevoda

Rezultat prijevoda

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Tijekom ovogodnišnjeg Interlibera autor knjiga o Velikom pandi i sićušnom zmaju James Norbury, održao je nekoliko različitih događanja i susreta s čitateljima. U petak 15. studenog imao sam priliku sudjelovati na radionici crtanja likova iz njegovih knjiga. S obzirom da je James ilustrator i njegova djela uključuju apstraktne pejzaže, fantasy art, SF i cyberpunk stripove, crteže i grafike, bilo mi je zanimljivo vidjeti kako nastaju likovi pande i zmaja u tehnici japanskih zen slikara.

James je crtao flomasterom i objašnjavao strukturu likova i njihove osobine. Npr. zmaj nema obrve pa je prikazivanje emocija djelomično ograničeno na par oblika očiju i gestikulacije rukama. Dok panda rijetko kad ima usta na crtežima, pa je i njegovo prikazivanje emocija oskudno. No upravo položajem tijela, međuodnosom likova i tekstom ispod slike Jamesove knjige prenose priču i misli budističkog pogleda na život.

Jedna od poruka je i da ne treba sve biti savršeno, kako na crtežu, tako i u životu. S nekim crtežima koje je James napravio i objavio u knjizi nije zadovoljan, no kako i sam kaže da je čekao da ih napravi savršeno ne bi nikada objavio knjigu. Kreneš s onim što imaš i putem se usavršavaš. Filozofija koju često primjenjujemo i mi sa svojim figurama, dioramama i modelima.

Uživao sam kopirajući i učeći crtati likove i okušao se u izradi par okvira. U početku je panda više sličila na Teddy beara, no s vježbom je dobila pandasti izgled i položaj tijela.

Svima koji se još nisu upoznali s knjigama Jamesa Norbury preporučam da ih pronađu i pročitaju. Brzo se čitaju, no mogu ostaviti dugi trag u promišljanjima.

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Krunoslav Belinić, 26th November 2024

We visited: Slovenian State Championship in plastic modelling, Ljubljana 16.11.2024.

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    string(85) "posjetili_smo_drzavno_prvenstvo_slovenije_u_plasticnom_maketarstvu_ljubljana_16112024"
    ["content_eng"]=>
    string(14915) "
	On Saturday, 16.11.2024. in Ljubljana, the Slovenian Nationals in plastic modeling was held. Our delegation performed in several categories.

	  

	After arriving, registering and placing works in the appropriate categories, the most important thing was to meet again and talk with colleagues from other cities and countries such as Slovenia and Italy.

	  

	  

	  

	  

	  

	  

	It was a special pleasure for us to present and present several copies of our latest edition to our partners and friends from Back to Basics!

	  

	Also a real refreshment is the discovery of the (so far the only) manufacturer of real wooden bases and plinths in these areas - swood.si!

	  

	A little after 11:00, it was time to open the even officially and inspect the exhibits.

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	Given that, after several years of ugly weather, this weekend was sunny, we decided to use that time for a walk in beautiful Ljubljana.

	  

	  

	  

	Kruno: "This year, Slovenian Nationals were also an opportunity to see new and interesting works by colleagues from Slovenia, Croatia, Italy, Austria and other countries. An opportunity to encourage your own creativity and ideas, to admire the craftsmanship, effort and skill of people with whom you share similar interests. The day was beautiful, so the walk in Ljubljana was quite legal and filled the impression of this year's Championship. Marko and Vanja made sure that some "precious" metal was attached to Agram's name, so I was carefree and enjoyed the nice trip."

	  

	  

	After sightseeing the city, we returned to the competition just in time for the awarding of medals. Our members won a total of 4 medals - 2 gold, silver and bronze!

	  

	  

	  

	On the way back, our team refreshed itself traditionally at the Reset brewery in Brežice!

	  
"
    ["content_hrv"]=>
    string(14959) "
	U subotu, 16.11.2024. u Ljubljani održavalo se Državno prvenstvo Slovenije u plastičnom maketarstvu. Naša delegacija je nastupila u nekoliko kategorija.

	  

	Nakon dolaska, registracije i postavljanja radova u odgovarajuće kategorije, najbitnije je bilo ponovno se susresti i popričati sa kolegama iz drugih gradova i država poput Slovenije te Italije.

	  

	  

	  

	  

	  

	  

	Posebno zadovoljstvo nam je bilo predstaviti i pokloniti nekoliko primjeraka našeg zadnjeg izdanja našim partnerima i prijateljima iz Back to Basics!

	  

	Također pravo osvježenje jest pronalazak (za sada jedinog) proizvođača pravih drvenih baza i plinthova na ovim prostorima – swood.si !

	  

	Nešto iza 11h došlo je vrijeme za otvorenje susreta i pregled radova.

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	S obzirom da je, nakon nekoliko godina ružnog vremena, ovaj vikend bio obasjan suncem, odlučili smo iskoristiti to vrijeme za šetnju predivnom Ljubljanom.

	  

	  

	  

	Kruno: “I ove godine je DPS bio prilika za pogledati nove i zanimljive radove kolege iz Slovenije, Hrvatske, Italije, Austrije i drugih zemalja. Prilika za potaknuti vlastitu kreativnost i ideje, diviti se umješnosti, uloženom trudu i vještini ljudi s kojim dijeliš slične interese. Dan je bio lijep, pa je i šetnja Ljubljanom sasvim dobro legala i popunila dojam ovogodišnjeg Prvenstva. Marko i Vanja su se pobrinuli da se i nešto "plemenitog" metala zakači uz Agramovo ime, pa sam ja bezbrižno uživao u lijepom izletu.“

	  

	  

	Nakon razgleda grada, vratili smo se na natjecanje taman na dodjelu medalja. Članovi su ukupno osvojili 4 medalje – 2 zlata, srebro i broncu!

	  

	  

	  

	Na povratku naša ekipa se okrijepila već tradicionalno u Reset pivovari u Brežicama!

	  
"
    ["created"]=>
    string(19) "2024-11-20 08:11:53"
    ["modified"]=>
    string(19) "2024-11-20 08:11:53"
  }
  ["Member"]=>
  array(10) {
    ["id"]=>
    string(2) "35"
    ["group_id"]=>
    string(1) "1"
    ["first_name"]=>
    string(5) "Marko"
    ["last_name"]=>
    string(9) "Paunović"
    ["first_name_mask"]=>
    string(5) "marko"
    ["last_name_mask"]=>
    string(8) "paunovic"
    ["username"]=>
    string(5) "marko"
    ["password"]=>
    string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122"
    ["born"]=>
    string(19) "2033-03-07 20:35:00"
    ["created"]=>
    string(19) "2009-06-02 20:37:03"
  }
}