Quest for my new favourite washes

Ana Polanšćak, 22nd January 2025

Note from the editor: This is an article published on Ana’s blog that she kindly agreed to share on our club web pages. If you like the article, go for more on her site Gardens of Hecate

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Sometime in November I had reached the end of my stock of old formula Agrax Earthshade and Nuln Oil, and cracked open the new ones (I say new, but they’re a few years old by now). I was disappointed with the currently standing product… I’ve been steadily using Citadel washes since they were first introduced. Originally it was Badab Black and Devlan Mud, and they were fantastic (yes, there were inks before that - but I never used those). At some point they got replaced by Nuln Oil and Agrax Earthshade, respectively. Frankly I don’t recall how big of a change that was; it was a fairly long time ago. However, I know that I’ve gradually phased out most Citadel paints from my arsenal in favour of other brands (predominantly Scale 75, but there are several others represented) - while still continuing to use and recommend Citadel’s black and brown wash. However, now they’ve changed too far for the worse that I decided it’s time to look elsewhere.

I asked my Instagram audience for viable alternatives on the market and I got 60+ responses with suggestions. Based on that I purchased a variety of options for brown and black washes and inks to test. Additionally, a significant number of commenters expressed they were in the same predicament, so I promised to share my findings in a blog post. This is it.

Since making the purchases I’ve made swatches, tests in controlled conditions, and tried them out in real situations on whatever painting projects I was working on at the time.

Disclaimer: I am not sponsored by or affiliated with the manufacturers of any of these products. They were purchased with funds contributed by my Patreon supporters (thank you!). I’m honestly looking for a better alternative for myself and taking you along for the ride.

I’d also like to thank @noe.hammer and @hinter_light for sending me bottles of unused old Agrax Earthshade they had lying around.

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What am I even looking for in a wash?

I use brown and black washes frequently. It’s normally for shading things such as leather, armour, fabrics, wood, human skin, and more.

My ideal wash would be well pigmented acrylic, usable out of the pot but dilutable with water if I want a less stark shade, reliably matte when dry, and not brazenly overpriced.

INTENSITY and HUE

Of the above, the current Citadel washes only fulfill the first thing on my list. They do still provide a good shade to those recesses and details on the sculpt. I also like the colour of the brown. Not too intense to be used as is, but often I want to dilute them slightly. I expected some brands of washes would be less intense, and if I wanted something stronger there are inks.

Inks definitely need to be combined with a medium for two reasons: they’re glossy and they’re too highly pigmented to be used straight out of the pot. I have the following three inks: AK Wood Brown, Vallejo Sepia, and Scale75 Inktense Wood. They all behaved as predicted, working nicely with Lahmian Medium. A little ink goes a long way and the medium successfully mattes out the ink’s original gloss. Each has its own hue, my favourite of the three being Vallejo’s.

Army Painter Warpaints Soft Tone, Strong Tone, and Dark Tone are overall the most similar to Citadel’s washes, including the intensity. ProAcryl and Two Thin Coats are the least intense, but ultimately they’re all acceptable.

Each brown wash has a slightly different hue, as you can see on the tombstone swatches basecoated white. They all work fine and the difference was less apparent when I applied on a brown basecoat.

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ACRYLIC

Some of my Instagram friends recommended oils to me. I do occasionally use oil and enamel washes when I paint scenery. They’re effective and cool to play with. However, they don’t get along with other paints I use - meaning varnishing in between and thinking several steps ahead. They also have annoyingly long drying times. This is ok for terrain, but simply doesn’t work for the way I paint miniatures and I don’t want to drastically change my process right now. I like how it is. Same reason my airbrush sits in the drawer seldom used. Their time may come, it’s just not today.

That’s why there are no oils or enamels in this story.

BEHAVIOUR WITH WATER

Mixing a wash with water can leave a cloudy/chalky residue in the recesses (see image below for examples). Of the washes I've tried, most experienced the chalky residue when mixed with water at some point. Sometimes it happens, sometimes it doesn’t. I hear hard water makes this worse. In any case, it’s safer to use an acrylic medium rather than water. With older Citadel Washes I usually used water and it would occasionally result in a nasty surprise. With the new formula the clouding happened most times I did it.

I can absolutely live with using medium instead of water to make sure the results are consistent. This is the part of my ideal wash I’m ready to forfeit easiest. Any matte medium will be more expensive than water, but there are way more affordable options than Citadel’s Lahmian Medium I currently use. It’s something to look into next.

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MATTE FINISH

New Agrax and Nuln Oil straight out of the pot are glossy and this annoys me to no end. Mixing in Lahmian Medium, which normally does have a matting effect, is a must even if I don’t want to dilute my wash. But often that doesn’t help either. There were times new Agrax Earthshade refused to stop being glossy in the recesses even when I painted matte varnish over it.

Mind you, the shine in the recesses may also happen to other brands if one applies too much undiluted wash, or if not shaken properly before use.

A few people recommended a product called Instar Matte+. It’s a concentrated additive that’s meant to be mixed into paints to turn them matte. I got advice to put several drops directly into my bottle of my Agrax or Nuln. I did just that, and it actually killed the shine. That’s great news, since it means I can save those several bottles of new Citadel washes I stockpiled before I realised they were no good.

When playing around with Matte+ I tried mixing it with inks to see what happens. It does make them matte, but they get a similar residue problem washes get with water. In this case, though, the result looks like a decent rust effect. I’m not sure if it’s worth exploring further, but below is what it looks like.

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PRICE

Price is not something I thought about too much before I started crunching these numbers. It was interesting and eye-opening.

Shipping is not included in the prices. Local tax of 25% is included. Keep in mind the price of each product can vary slightly from vendor to vendor. I had to order from multiple webshops depending on availability and stock. They come in different size vials so in order to compare properly I calculated their price per mL (given in brackets).

The most affordable was AK Deep Shade Grime at 4,89€ for a 30mL bottle (0,16€/mL). It’s closely followed by Vallejo washes at 3,10 € for 18 mL (0,17€/mL) and then The Army Painter tone trio at 3,49€ for 18mL (0,19€/mL).

Next tier are Pro Acryl 22mL for 5,99€ (0,27€/mL) and Duncan’s TTC washes at 4,41€ for 15mL (0.29€/mL).

And finally we have Citadel’s 18mL for 6.63€ (0,37€/mL), which makes it double the price of the stuff in the first group. Ugh.

I won’t compare the inks along with the washes because they must to be used with a hefty quantity of medium. A pot of ink will last you drastically longer than a pot of wash, but you need to purchase medium alongside it, complicating the calculation. I didn’t go into it this time. Here are the prices of the inks, though: AK Wood Brown INK was 4,68 € for 30mL (0,16€/mL), Vallejo Sepia Ink 18 ml was 3,10€ (0,17/mL), and S75 Inktense Wood 17mL for 4,04€ (0,24€/mL).

Instar Matte + additive was 2,03€ for their container of 10mL (0,20/mL). It gets cheaper if you buy a larger bottle, but you’re meant to be using it in very small doses anyway.

CONTAINER

This is not a deciding factor for me, but there are differences I can touch on briefly.

To get Citadel out of the way first: pot with a lid. Knocked it over and spilled so many times over the years. One may call that a skill issue. I don’t know. Dipping a brush in the pot rather than squirting it on the palette somehow makes more sense for washes to me, so that’s a point for it. When it comes to Citadel’s other paints I strongly dislike the pots, mostly because their design really helps the paint dry up faster. I’m not sure myself how I feel about it on the washes, though.

AK Pure Grime comes in a bottle with a screw-on cap. I haven’t used it enough to witness how easily it’s knocked over, but since it doesn’t have a lid sticking up my guess is it’s safer from spillage than Citadel.

Army Painter comes in a standard dropper bottle, same as Scale 75 uses. Vallejo used to have something just like it, but these washes and ink come in dropper bottles made of way thinner material. I accidentally squeezed them too hard lots of times, so not a fan. The reason behind it is ecological perhaps?

Two Thin Coats - bottle is fine but something is funky with the cap. The wash always heavily leaks inside it. Perhaps it must be screwed on 100% tight to stop doing that? Not happy about the mess. Again, you may say it’s a skill issue, but I haven’t had that problem with any other brand’s dropper bottle.

PorAcryl’s bottle has a special cap I hadn’t encountered before. It slightly twists off to allow drops to get out of the bottle. I’m pretty sure this is well resistant to clogging (which is an annoyance with dropper bottles) and doesn’t allow any air to get in. But it’s sort of messy to close it since there is always some paint stuck near the tip that has to be wiped off.

Finally, the AK Ink comes in a glass bottle with a dropper cap, and the Matte+ comes in a tiny dropper bottle with a safety cap. Works fine.

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CONCLUSIONS

After this I’m definitely saying goodbye to Citadel’s washes. I’ll rescue the pots I already have with Instar Matte+ and never buy another again. The price is severly inflated when compared to any other brand, while the quality is poorer in most aspects and it requires me to spend even more money on third party products to make it work.

TwoThinCoats washes were a very common suggestion. It’s among the pricier options, but doesn’t stand out enought to compensate for that. It’s fine, but won’t be my new brand of choice.

Army Painter washes are a really popular option. They’re on the more affordable end and my LGS stocks them, making them extra accessible. They are also among the least matte ones, but matte medium consistently fixes that. Fine, but not a favourite.

Vallejo washes are high on my tier list. They’re nicely matte out of the pot and I rather like the hue of their Umber wash. The price is also among the best.

ProAcryl is also a good one. Nice flow, matte finish. The hue and price place it beneath Vallejo for me, though.

AK Deep Shades Pure Grime is quite a bit more viscous than the others. It stays where you put it, which usually means it will harder stain the areas you don’t want shaded. It was the least costly. The hue is nice, but the intensity feels lighter. Overall for me it’s mid.

The inks - AK, Vallejo, and S75 all three act the same in my limited experience. When it comes to hue I’m partial to Vallejo’s Umber. I’m actually interested in using them further in combination with matte medium. They are better value for money than an out of the pot wash.

Along similar lines, I tried to mix my own wash by combining Scalecolor Artist Burnt Umber with Lahmian Medium. It was prety good, and once again much cheaper than any out-of-the-pot wash.

If I had to choose which wash was my favourite I’d say Vallejo. But I think my future may be finding a decent but not overpriced matte medium and mixing my own washes. I already have to use a medium if I want to dilute a wash, so I migh as well get my pigment from an ink or a quality acrylic paint in the first place.

I’ll continue to use a selection of these washes further until they run out. If I change my mind about something I may revisit this topic in the future.

Everything in this article is my own opinion based on my experience trying the products.

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Što uopće tražim u washevima?

Često koristim smeđu i crnu boju. Obično je za sjenčanje stvari kao što su koža, oklopi, tkanine, drvo, ljudska koža i drugo.

Moj idealan tuš bio bi dobro pigmentirani akril, koji bi se mogao koristiti i iz bočice, ali bi se mogao razrijediti vodom ako želim manje jaku nijansu, pouzdano mat kada se osuši, a ne drsko precijenjen.

INTENZITET i HUE

Od navedenog, trenutni washevi od Citadel ispunjavaju samo prvu uvjet na mom popisu. Još uvijek daju dobru sjenu u udubljenjima i detaljima na skulpturi. Sviđa mi se i smeđa boja. Nisu previše intenzivni da bi se koristili takvi kakvi jesu, ali često ih želim malo razrijediti. Očekivala sam da će neke marke washeva biti manje intenzivna, a ako sam htjela nešto jače tu su tinte.

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Tinte svakako treba kombinirati s medijem iz dva razloga: sjajne su i previše su pigmentirane da bi se mogle koristiti izravno iz posude. Imam sljedeće tri tinte: AK Wood Brown, Vallejo Sepia i Scale75 Inktense Wood. Svi su se ponašali prema predviđanjima, dobro surađujući s Lahmian Mediumom. Malo tinte ide daleko i medij uspješno matira izvorni sjaj tinte. Svaka ima svoju nijansu, a meni je od te tri najdraža Vallejova.

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Army Painter Warpaints Soft Tone, Strong Tone i Dark Tone općenito su najsličniji Citadel washevima, uključujući intenzitet. ProAcryl i Two Thin Coats su najmanje intenzivni, ali u konačnici svi su prihvatljivi.

Svaka smeđa boja ima nešto drugačiju nijansu, kao što možete vidjeti na uzorcima nadgrobnih spomenika s osnovnim bijelim premazom. Svi rade dobro i razlika je bila manje vidljiva kada sam nanijela smeđi bazni lak.

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Što uopće tražim u washevima?

Često koristim smeđu i crnu boju. Obično je za sjenčanje stvari kao što su koža, oklopi, tkanine, drvo, ljudska koža i drugo.

Moj idealan tuš bio bi dobro pigmentirani akril, koji bi se mogao koristiti i iz bočice, ali bi se mogao razrijediti vodom ako želim manje jaku nijansu, pouzdano mat kada se osuši, a ne drsko precijenjen.

INTENZITET i HUE

Od navedenog, trenutni washevi od Citadel ispunjavaju samo prvu uvjet na mom popisu. Još uvijek daju dobru sjenu u udubljenjima i detaljima na skulpturi. Sviđa mi se i smeđa boja. Nisu previše intenzivni da bi se koristili takvi kakvi jesu, ali često ih želim malo razrijediti. Očekivala sam da će neke marke washeva biti manje intenzivna, a ako sam htjela nešto jače tu su tinte.

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Tinte svakako treba kombinirati s medijem iz dva razloga: sjajne su i previše su pigmentirane da bi se mogle koristiti izravno iz posude. Imam sljedeće tri tinte: AK Wood Brown, Vallejo Sepia i Scale75 Inktense Wood. Svi su se ponašali prema predviđanjima, dobro surađujući s Lahmian Mediumom. Malo tinte ide daleko i medij uspješno matira izvorni sjaj tinte. Svaka ima svoju nijansu, a meni je od te tri najdraža Vallejova.

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Army Painter Warpaints Soft Tone, Strong Tone i Dark Tone općenito su najsličniji Citadel washevima, uključujući intenzitet. ProAcryl i Two Thin Coats su najmanje intenzivni, ali u konačnici svi su prihvatljivi.

Svaka smeđa boja ima nešto drugačiju nijansu, kao što možete vidjeti na uzorcima nadgrobnih spomenika s osnovnim bijelim premazom. Svi rade dobro i razlika je bila manje vidljiva kada sam nanijela smeđi bazni lak.

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    Over the past few months, our team has been preparing for the Turnip28 invitational event called H.R.E.N.28 in Slovenia in July. Since the event was a success, we owe you photos of the armies that Mario, Domagoj, Seb and Antoni assembled and painted while we followed them on their journey!

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    MARIO: „Hugo the tiny, first captain of the Crow knights was maybe born small, but that didn't stop him from having great dreams. After the taming of the swamp bird, he now reigns over his underlings in despite of the jokes the warband tells of the "Tiny stout". He follows Boletus on his quest, but always biding his time for an inevitable coup. The model is based on a "fat knight" 3D print, which is scaled to around 30-ish%. The bird is a plastic stork toy with an added head from a toy pteranodon a friend found on a floor of a Con in Zagreb. The toilet is just a natural progression of the idea.

    Followers of the cult of the roaming Proboscis and Boletus' vision. They, along with the lesser fodder, believe in staying alive only by the power of the beast of the swamps. So they listen to Boletus when he said to stay within it's shade at all costs, lest they fall behind and starve. I wanted to make a warband of wandering knights, with all their stuff on them, and the narrative of them trailing an "always moving" beast was perfect. The banners in my warband often represent not only the colors of the cult, but also their ever-moving lifestyle. Brutes made from Perry's foot knights and official torsos from Max.

    Set upon his rotting steed, Boletus leads the warband, even though no one remembers how it started. It seems he and the monster were always there, the crows and scavengers alike just trailing the monster's wake. He almost never speaks, and even when he does, it's mostly a whisper. Sometimes it even seems as if the monster listens to him. The mount is a childrens toy baby giraffe, with legs reposed a bit and a mushroom for a head (I got heavily inspired by the official art from the mercenary book). And the rider is a mix of Perry minis limbs and an official torso print. I did a bad job with GS blending and tried to hide it with it looking like the skin falls off, I think it looks good (all considered).

    The great Proboscis! The beast's call can be heard through the marshes, at night or day. It seldom rests, and it is seldom peaceful. The Proboscis is called many things, but none know from where it came. Boletus says that it is thawed from ancient ice and corrupted after the apocalypse, but some among the company doubt these words. Yet all in the warband know that it is the beast that keeps them fed, if they stay from it's mouth and preferably out of it's sight. The leftovers of it's meals feed them, and they follow it wherever it roams. This creature is a 3D print of a Platybelodon, to which I added fur, 4 additional trunks, dead trees and mud. I liked the idea of a sassy snob which would get comfortable on it's back, and am glad it turned out well in the end. Really satisfied with this model, and it performed admirably in my battles(when it didn't die due to my horrible dice rolls).

    Knights of the Beet. Boletus hired these bastards recently, to help with some "muscle", after the beast decided the last horsemen the had were a tasty snack. He didn't know of their own agenda though. As the followers of the Beet cult, they are already converting some of the party to their vegetal religion. For they know that with time (and luck), all in the "ever marching" warband will march to the Beet. The idea for these horsemen was the first to come up when I decided to represent them all camping and living on the go. This is, in a way, a medieval parody of the way cyclists live when bikepacking - carrying all of their stuff on horses, drying the clothes on the sun etc. The models are Perry mounted men-at-arms with added official turnip torsos.“

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    SEBASTIAN: „These are the Fiber-nacci’s Fallow Forshippers - the 0.618th. My (finally) painted Turnip28 army. Done in the typical muddy shades of brown for Cist. Tried to give some color with their shells while still keeping the earthy, realistic tones. Knights of Shellwood cult, the sluggish Snail Knight, the shooty Snail Gunner, the wormy Toff and the rest of this empty-shelled army slumped their way into Hren28!“

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    ANTONI: „Starting off with my hollow, stuffed, blackpowder Fodder and my ruthless Toff, suzerain Wort (who got himself trampled by bastards after his unit abandoned him, and later drowned). I went with The Feast of Charybdis, worshipping the holy raddish (Wort only got the job because he looks like one). Huge thanks to everyone involed in HREN28 for making it such a magical experience!

    The very marrow of my cult: The Scuttlers! They are extremely shy, hiding in their citadel atop a walking island. While the crab itself is a toy, the tower and the barnacles are sculpted/kitbashed (and then coated with texture paste and mud). The Citadel's handler is the genius Lord Bum, a slightly-larger-than-average goose and a master strategist. His constant triangulations enable the crab to rise from the silt exactly where it is needed ...30% of the time.

    My most dangerous and elite turnip unit: The Cannonards Stump Gun. The danger they pose is mostly directed towards themselves, as they've blown up each time I have deployed them. No matter, the thrill of rolling 3d6 attacks more than makes up for the head-losing chaos.“

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    Domagoj: „I had a blast painting my mushroom rootlings, led by snobs finally pulled out the big pile of unpainted models - and I could not have imagined a better place to bring my friends gifts to have some fun! I called it the Alemakers legacy - based on mushrooms that are fermenting sweet mashes into alcohol. The core of the band is two units of blackbowder mushroom rootlings led by Lord Fermi, kindly gifted by @gardensofhecate (and thank u for resparking my interest in the hobby), looking for new ways to spread their spores.

    The second noble to join the fray was Baron Colguts, lover of rootbeer, leading a feisty troupe of rootlings into battle - his oversized sword replacing his pistol since they have about the same range. Got this mini as a total surprise from @colecifer_xxviii who surprised me how spontaneous and kind hobbyists can be.

    The third and final snob is the birdfrog arrived from @uollas_uolsh who is cooler than cool - hope he likes his model representing the key ingrident in beer making! Sir Hops with the big heavy frog cannon - for how can u make beer without adding hops?“

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    For more photos check our social networks!

    And please follow our artists:

    Mario

    Sebastian

    Antoni

    Domagoj

    " ["content_hrv"]=> string(17405) "

    Proteklih mjeseci naša ekipa se spremala za nastup na Turnip28 turniru pod nazivom H.R.E.N.28 u Sloveniji u srpnju. S obzirom da je event uspješno održan, ostali smo vam dužni fotografije vojski koje su Mario, Domagoj, Seb i Antoni slagali, a mi smo ih pratili na njihovom putu!

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    MARIO: „Hugo, sićušni, prvi kapetan Vitezova Vrana, možda se rodio malen, ali to ga nije spriječilo da ima velike snove. Nakon što je pripitomio močvarnu pticu, sada vlada svojim podređenima unatoč šalama koje ratna družina priča o "Sitnom stoutu". Prati Boletusa na njegovoj potrazi, ali uvijek čeka svoj trenutak za neizbježan udarac. Model se temelji na 3D printu "debelog viteza", koji je skaliran na oko 30%. Ptica je plastična igračka rode s dodanom glavom igračke pteranodona koju je prijatelj pronašao na podu Cona u Zagrebu. WC je samo prirodan nastavak ideje.

    Sljedbenici kulta lutajućeg Proboscisa i Boletusove vizije. Oni, zajedno s manjim životinjama, vjeruju u preživljavanje samo snagom zvijeri iz močvara. Stoga slušaju Boletusa kada im je rekao da pod svaku cijenu ostanu u njegovoj sjeni, da ne zaostanu i ne umru od gladi. Htio sam napraviti ratnu družinu lutajućih vitezova, sa svim njihovim stvarima na sebi, a priča o njima kako prate "stalno pokretnu" zvijer bila je savršena. Zastave u mojoj ratnoj družini često predstavljaju ne samo boje kulta, već i njihov stalno pokretni način života. Zvijeri napravljene od Perryjevih pješačkih vitezova i službenih torza od Maxa.

    Jašući na svom trulom konju, Boletus predvodi ratnu družinu, iako se nitko ne sjeća kako je sve počelo. Čini se da su on i čudovište oduvijek bili tamo, vrane i strvinari podjednako su samo pratili trag čudovišta. Gotovo nikad ne govori, a čak i kad govori, uglavnom je to šapat. Ponekad se čak čini kao da ga čudovište sluša. Konj je dječja igračka žirafa, s malo uvučenim nogama i gljivom umjesto glave (jako sam se inspirirao službenim crtežima iz knjige o plaćenicima). A jahač je mješavina Perryjevih minijaturnih udova i službenog otiska torza. Loše sam napravio posao s GS blendingom i pokušao sam to sakriti tako da izgleda kao da koža otpada, mislim da izgleda dobro (sve u svemu).

    Veliki Proboscis! Zov zvijeri može se čuti kroz močvare, noću ili danju. Rijetko se odmara i rijetko je miran. Proboscis se naziva mnogim imenima, ali nitko ne zna odakle dolazi. Vrganj kaže da se odmrznuo od drevnog leda i iskvario nakon apokalipse, ali neki među društvom sumnjaju u te riječi. Pa ipak, svi u ratnoj družini znaju da ih zvijer hrani, ako ostanu podalje od njezinih usta i po mogućnosti izvan njezina vidokruga. Ostaci njezinih obroka ih hrane i slijede je gdje god luta. Ovo stvorenje je 3D print Platybelodona, kojem sam dodao krzno, 4 dodatna debla, mrtva stabla i blato. Svidjela mi se ideja drskog snoba koji bi se udobno smjestio na njegova leđa i drago mi je da je na kraju dobro ispalo. Jako sam zadovoljan ovim modelom i izvrsno se pokazao u mojim bitkama (kada nije uginuo zbog mog užasnog bacanja kockica).

    Vitezovi Repe. Boletus je nedavno unajmio ove gadove da pomognu s malo "mišića", nakon što je zvijer odlučila da su posljednji konjanici koje su imali ukusan zalogaj. Međutim, nije znao za njihove vlastite namjere. Kao sljedbenici kulta Repe, već preobraćuju dio skupine u svoju vegetarijansku religiju. Jer znaju da će s vremenom (i srećom) svi u "vječno marširajućem" ratnom odredu marširati do Repe. Ideja za ove konjanike prva se pojavila kada sam odlučio prikazati ih sve kako kampiraju i žive u pokretu. Ovo je, na neki način, srednjovjekovna parodija načina na koji biciklisti žive kada se bicikliraju - nose sve svoje stvari na konjima, suše odjeću na suncu itd. Modeli su Perryjevi jahači s dodanim službenim torzovima od repe.“

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    SEBASTIAN: „Ovo su Fiber-naccijevi Fallow Forshippers - 0.618. Moja (konačno) obojana vojska za Turnip28. Napravljena u tipičnim blatnjavim nijansama smeđe za Cist. Pokušao sam dati malo boje njihovim oklopima, a da pritom zadržim zemljane, realistične tonove. Vitezovi kulta Školjkaste šume, tromi Puž Vitez, Puž Topnik koji puca, crvljivi Toff i ostatak ove vojske s praznim oklopima utonuli su u Hren28.“

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    ANTONI: „Počevši s mojim šupljim, prepariranim, crnim barutom Fodderom i mojim nemilosrdnim Toffom, suzerainom Wortom (kojeg su gadovi pregazili nakon što ga je njegova jedinica napustila, a kasnije se i utopio). Odlučio sam se za Gozbu Haribde, štovanje svete rotkvice (Wort je dobio posao samo zato što i sam tako izgleda). Veliko hvala svima koji su sudjelovali u HREN28 što su ovo iskustvo učinili tako čarobnim!

    Sama srž mog kulta: Potapači! Iznimno su sramežljivi i skrivaju se u svojoj citadeli na vrhu otoka za hodanje. Dok je sam rak igračka, toranj i školjke su oblikovani/obrađeni (a zatim premazani teksturnom pastom i blatom). Citadelom upravlja genijalni Lord Bum, guska nešto veća od prosjeka i majstor strateg. Njegove stalne triangulacije omogućuju raku da se izdigne iz mulja točno tamo gdje je potrebno... 30% vremena.

    Moja najopasnija i najelitna jedinica za repu: Topnički panj. Opasnost koju predstavljaju uglavnom je usmjerena prema njima samima, jer su eksplodirali svaki put kad bih ih rasporedio. Nema veze, uzbuđenje bacanja 3d6 napada više nego nadoknađuje kaos od kojeg gubite glavu.“

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    Domagoj: „Super sam se zabavio bojajući svoje korijene gljiva, predvođen snobovima, konačno sam izvukao veliku hrpu neobojenih modela - i nisam mogao zamisliti bolje mjesto za donijeti poklone prijateljima da se malo zabave! Nazvao sam to Alemakersovo nasljeđe - temeljeno na gljivama koje fermentiraju slatke kaše u alkohol. Jezgru benda čine dvije jedinice korijena crnih gljiva predvođenih Lordom Fermijem, ljubazno darovanih od @gardensofhecate (i hvala vam što ste ponovno probudili moj interes za hobi), tražeći nove načine širenja svojih spora.

    Drugi plemić koji se pridružio borbi bio je baron Colguts, ljubitelj rootbeera, koji je u bitku predvodio žestoku skupinu rootlinga - njegov predimenzionirani mač zamijenio je pištolj budući da imaju otprilike isti domet. Ovaj minijaturni mač dobio sam kao potpuno iznenađenje od @colecifer_xxviii koji me iznenadio koliko spontani i ljubazni hobisti mogu biti.

    Treći i posljednji snob je ptica-žaba stigla od @uollas_uolsh koja je super kul - nadam se da mu se sviđa njegov model koji predstavlja ključni sastojak u proizvodnji piva! Sir Hops s velikim teškim žabljim topom - jer kako možete napraviti pivo bez dodavanja hmelja?“

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    Za više fotografija bolje rezolucije zapratite naše socijalne mreže.

    Molimo vas da zapratite i naše umjetnike:

    Mario 

    Sebastian

    Antoni

    Domagoj

    " ["created"]=> string(19) "2025-08-06 07:37:10" ["modified"]=> string(19) "2025-08-06 07:37:10" } ["Member"]=> array(10) { ["id"]=> string(2) "35" ["group_id"]=> string(1) "1" ["first_name"]=> string(5) "Marko" ["last_name"]=> string(9) "Paunović" ["first_name_mask"]=> string(5) "marko" ["last_name_mask"]=> string(8) "paunovic" ["username"]=> string(5) "marko" ["password"]=> string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122" ["born"]=> string(19) "2033-03-07 20:35:00" ["created"]=> string(19) "2009-06-02 20:37:03" } }
    Marko Paunović, 6th August 2025
  • WE TOOK PART IN: H.r.e.n.28 in Slovenia
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        ["title_eng"]=>
        string(39) "WE TOOK PART IN: H.r.e.n.28 in Slovenia"
        ["title_hrv"]=>
        string(40) "NASTUPILI SMO NA: H.r.e.n.28 u Sloveniji"
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    Our guys have returned from a successful trip to Medvode in Slovenija where they attended H.r.e.n.28 international invitational event organised by our friends at AmuletD20.

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    This is a short report consisting of their photos and some thoughts about the event.

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    MARIO: “ I was delighted with the imagination, effort and goodwill of the organizers. I met new and familiar good people, I think that is the best part of such events. Conversations with artistic passion are always inspiring and I will remember them for a long time. The game itself is very fun (I came with very little experience) and with the help of other players I think I picked up a lot. The terrains and scenarios are the stars of the event with their diversity, and the icing on the cake was the Sunday game Dredge28 designed by Vane, which turned out to be very chaotic and fun (I guess I am a "cannon guy", when it comes to ships). “

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    ANTONI: “ As we waited outside the club entrance, I don't think any of us had any idea what was in store for us: atmospheric music and lighting, floor-to-ceiling fog, and six gorgeous, made-from-scratch tables. The table allocation system itself went much smoother than I expected - each of us was given a map with our own route through the tables (the first of three games is on the Wall of Teeth table, etc.) so there was never any confusion about who we were playing the next game with and where, since competitiveness and winning were not the focus. When I found out that the table scenarios changed from game to game, I was even more thrilled; there were more scenarios than players! No pair of opponents had the same experience, even if they were playing at the same table. Long breaks between games and a constant flow of coffee allowed us to share unique impressions and there was no stress if someone's game dragged on. As for the company, food and drinks, I take my hat off to the entire AmuletD20 team who entertained us, fed us and made the event possible! 10/10 “

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    SEBASTIAN: "I’ll never forget the moment we all entered the Amulet d20 space on Saturday morning, ready to begin the event. It was an amazing experience when they opened their doors, and the players got to see what the organisers had prepared for us. Atmospheric ligthing illuminating the whole space, omnious soundscapes coming from the speakers and beautiful boards spread throughout - inspiring, well thought-out boards, with lots of variety, specific lore and flavor, and of course all very playable. I played The Big Fucking Cannon board where Luka shot me to pieces at the end of round 3, The Great Wall of Teeth where the Giant Tongue tabled me (with Dorian’s help of course, particularly his Stump Gun) and Greater Ptui where by killing Vitek’s rootling too close to the glorious hole, his virgin sacrifice was accepted and I lost the game in less than 10 minutes. Overall had a blast, and the Dredge Race on Sunday was exactly as we had hoped once Vane finally let us in on the secret game he had created for the event - chaotic, fun, weird, difficult and flavorful. Huge credit to the organisers for pulling together such a great event, and I truly hope I’ll get to attend something as great as this in the future."

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    For more photos in better resolution, visit our social pages.

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    Naši dečki su se vratili s uspješnog putovanja u Medvode u Sloveniji gdje su prisustvovali međunarodnom pozivnom događaju H.r.e.n.28 koji su organizirali naši prijatelji iz AmuletD20.

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    Ovo je kratki izvještaj koji se sastoji od fotografija i nekih njihovih misli o događaju.

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    MARIO: “ Bio sam oduševljen sa maštovitosti, trudom i dobrom voljom organizatora. Upoznao sam nove, i sreo poznate dobre ljude, smatram da je to najbolji dio ovakvih događanja. Razgovori sa umjetnickim žarom su uvijek inspirativni i pamtit ću ih dugo. Sama igra je vrlo zabavna (došao sam s jako malo iskustva) i uz pomoć ostalih igrača mislim da sam pohvatao puno toga. Tereni i scenariji su zvijezde događaja sa svojom raznolikoati, a ŝlag na kraju je bila nedjeljna igra Dredge28 koju je osmislio Vane, koja je ispala jako kaotična i zabavna (izgleda da sam "cannon guy", što se tiče brodova ) “

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    ANTONI: “ Dok smo čekali pred ulazom u klub vjerujem da nitko od nas nije imao ni približnu predodžbu onoga što nas je čekalo: atmosferična glazba i osvjetljenje, magla od poda do stropa i šest krasnih, od nule izrađenih stolova. Sam sustav raspodjele po stolovima tekao je mnogo glađe nego što sam očekivao - svatko od nas dobio je mapu s vlastitim putem po stolovima (prva od tri igre je na Wall of Teeth stolu itd.) tako da nikad nije bilo nedoumice oko toga s kim igramo sljedeću igru i gdje, s obzirom da kompetitivnost i pobjeda nisu bili fokus. Kad sam saznao da se scenariji po stolovima mijenjaju od igre do igre bio sam još više oduševljen; bilo je više scenarija nego igrača! Nijedan par protivnika nije imao isto iskustvo makar igrali na istom stolu. Duže pauze između igara i konstantan priljev kave omogućili su nam da podijelimo jedinstvene dojmove i da nema stresa ukoliko se nečija igra odužila. Što se tiče društva, hrane i pića, skidam kapu cijeloj AmuletD20 ekipi koja nas je zabavljala, hranila i omogućila sam event! 10/10 “

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    SEBASTIAN: "Nikada neću zaboraviti trenutak kada smo svi u subotu ujutro ušli u prostor AmuletD20, spremni za početak događaja. Bilo je to nevjerojatno iskustvo kada su otvorili svoja vrata, a igrači su mogli vidjeti što su nam organizatori pripremili. Atmosferična rasvjeta obasjavala je cijeli prostor, svemogući zvučni pejzaži dolazili su iz zvučnika i prekrasne ploče koje su se bile posvuda - inspirativne, dobro osmišljene ploče, s puno raznolikosti, specifičnom pričom i okusom, i naravno sve vrlo igrivo. Igrao sam na ploči The Big Fucking Cannon gdje me Luka na kraju 3. runde upucao na komadiće, The Great Wall of Teeth gdje me je Divovski jezik izbacio na stol (uz Dorianovu pomoć, naravno, posebno njegov Stump Gun) i Greater Ptui gdje je, ubivši Vitekovog rootlinga preblizu slavnoj rupi, njegova žrtva djevice bila prihvaćena i izgubio sam igru za manje od 10 minuta. Sveukupno, bilo je odlično, a Dredge Race u nedjelju bio je točno onakav kakav smo se nadali kada nas je Vane konačno pustio u tajnu igru koju je stvorio za događaj - kaotičan, zabavan, čudn, težak. Velike pohvale organizatorima što su organizirali tako sjajan događaj i iskreno se nadam da ću u budućnosti imati priliku prisustvovati nečemu ovako sjajnom."

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    Više fotografija u boljoj rezoluciji možete pogledati na našim socijalnim mrežama.

    " ["created"]=> string(19) "2025-08-06 06:46:00" ["modified"]=> string(19) "2025-08-06 06:46:00" } ["Member"]=> array(10) { ["id"]=> string(2) "64" ["group_id"]=> string(1) "1" ["first_name"]=> string(9) "Krunoslav" ["last_name"]=> string(8) "Belinić" ["first_name_mask"]=> string(9) "krunoslav" ["last_name_mask"]=> string(7) "belinic" ["username"]=> string(5) "Kruno" ["password"]=> string(40) "eb3fda45fbec0258e90d809803b10491c548b22f" ["born"]=> string(19) "2015-01-18 09:19:00" ["created"]=> string(19) "2015-01-18 09:20:39" } }
    Krunoslav Belinić, 6th August 2025
  • Agram Group Build #Project2 – part 4.
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        ["title_eng"]=>
        string(40) "Agram Group Build #Project2 – part 4. "
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    From 2021, the Association also organizes group projects for its members in which several members participate at once. The program called Agram Group Build was created after our members discussed joint projects on Wednesdays and how it would be convenient to gather more people on Wednesdays at our Hobby corner to work on a common "something"... #Project2 presents a dieselpunk diorama of a flying island with a fast food stand and several docks for flying cars, and the wonderful art of Alejandro Burdisi serves as a template. The main effects on the diorama will be LED lighting, but also the application of the tensegrity principle.

    Click for enlarged picture

    As we announced last time, we started checking the electronic components. Dunja brought us micro LEDs in various colors: cool and warm white, green, red and blue. The first step was to see how to connect the LEDs to the power supply. Unfortunately, it was not successful, because obviously LEDs of different colors use different voltages and consume different amounts of current, so further testing will be needed to determine what the exact values are so that Marko can calculate the resistors that are apparently needed to stabilize the system. Namely, like this, some LEDs shine very brightly while others are quite dim, and some do not shine at all.

    Click for enlarged picture

    Last week, Marko also acquired the vehicles for the diorama – two cars and a truck that we will convert into flying vehicles (Renault, Citroen and the Spanish Sava work truck). To make sure the meetup doesn't go to waste, we tested how the Renault would look with LEDs. There will be two cool white lights at the front, two red lights at the back, and a green one in the cabin on the dashboard.

    Click for enlarged picture

    In addition, we have made a first draft of the entire diorama (see the introductory image) which finally shows the arrangement of elements and vehicles.

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    Od 2021. Udruga za svoje članove organizira i grupne projekte na kojima sudjeluje više članova odjednom. Program pod nazivom Agram Group Build je nastao nakon što su naši članovi srijedama razgovarali o zajedničkim projektima i kako bi bilo zgodno okupiti više ljudi srijedama na našem Hobby kutku srijedom i to oko rada na zajedničkom „nečemu”… Projekt #2 predstavlja dieselpunk dioramu letećeg otoka sa štandom za fast food i nekoliko dokova za leteće automobile, a kao predložak služi nam predivan art Alejandra Burdisija. Glavni efekti na diorami biti će LED rasvjeta, ali i primjena tensegrity principa.

    Click for enlarged picture

    Kao što smo prošli put najavili, krenuli smo sa provjerama elektroničkih komponenata. Dunja nam je donijela mikro LEDice u raznim bojama, hladna i topla bijela, zelena, crvena i plava. Prvi korak bio je da vidimo kako spojiti LEDice na napajanje. Na žalost nije bilo uspješno, jer očito LEDice raznih boja koriste različiti napon i troše drugačije jakosti struje pa će trebati daljnje testiranje da ustanovimo koje su to točno vrijednosti pa da Marko može proračunati otpornike koji su očito potrebni da ustabile sustav. Naime, ovako, neke LEDice sjaje jako sjajno dok su druge dosta tamne, a neke uopće ne svijetle.

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    Proteklog tjedna Marko je nabavio i vozila – automobile i kamion koje ćemo pretvoriti u leteća vozila (Renault, Citroen i španjolski radni kamion Sava). Da baš sve ne propadne, isprobali smo kako bi Renault izgledao sa LEDicama. Naprijed će biti dva hladno bijela svijetla, otraga dva crvena, a u kabini zeleno na instrumentnoj ploči.

    Click for enlarged picture

    Pored toga, napravili smo i prvi nacrt cijele diorame (vidi uvodnu sliku) na kojoj se konačno vidi i raspored elemenata i vozila.

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    Krunoslav Belinić, 24th July 2025

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